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Jazz > Theory > Flashcards

Theory Flashcards

1
Q

Dmin

A

D - F - A

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2
Q

Ab -△7

A

Ab - Bb - B (Cb) - Db - Eb - F - G

Melodic Minor

Ab - B (Cb) - Eb - G

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3
Q

D Major Scale

A
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4
Q

b5 in the key of F

A

B

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5
Q

C7sus4

A

A - F - G - Bb

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6
Q

What notes in A major are natural

A

DAEB

A has three sharps

FCG DAEB

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7
Q

Flat 3 in the key of Eb

A

F#

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8
Q

Eb6

A

Eb - G - Bb - C

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9
Q

C6 (Piano)

A
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10
Q

A Sharp Blues

A
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11
Q

4 in the key of F

A

Bb

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12
Q

Esus4

A

E - A - B

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13
Q

5 in the key of F

A

C

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14
Q

C#-△7

A

C# - D# - E - F# - G# - A# - B# (= C) - C#

Melodic Minor

C# - E - G# - B# (= C)

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15
Q

C#sus2

A

C# - D# - G#

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16
Q

Eb -△7

A

Eb - F - Gb - Ab - Bb - C - D

Melodic Minor

Eb - Gb - Bb - D

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17
Q

What key has 7 flats

A

Cb

  1. F
  2. Bb
  3. Eb
  4. Ab
  5. Db
  6. Gb
  7. Cb
  8. G
  9. D
  10. A
  11. E
  12. B
  13. F#
  14. C#
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18
Q

Bb -△7

A

Bb - C - Db - Eb - F - G - A

Melodic Minor

Bb - Db - F - A

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19
Q

C natural minor

A

Use relative minor - 6th degree → Bb

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20
Q

What notes in Db are natural?

A

FC

Db has 5 flats

BEADG CF

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21
Q

b5 in the key of C

A

F#/Gb

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22
Q

Eb aug7

A

Eb - G - B - Db

aug = #5

Eb7+ or Eb7+4+5

built on the whole tone scale

Eb - F - G - A - B - Db

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23
Q

Ebmin

A

Eb - Gb - Bb

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24
Q

F-7

A

F - Ab - C - Eb

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25
Q

E-7

A

E - G - B - D

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26
Q

Db Major Scale

A

6 Flats - BEADGC

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27
Q

What notes in B major are natural

A

B E

B has 5 sharps

FCGDA EB

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28
Q

E7

A

E7 - E Mixolydian / Dominant

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29
Q

What key has three flats

A

Eb

  1. F
  2. Bb
  3. Eb
  4. Ab
  5. Db
  6. Gb
  7. Cb
  8. G
  9. D
  10. A
  11. E
  12. B
  13. F#
  14. C#
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30
Q

What notes in F# major are natural?

A

Only B

F# has 6 sharps

FCGDAE B

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31
Q

A Major Scale

A
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32
Q

D6

A

D - F# - A - B

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33
Q

Flat 3 in the key of D

A

F

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34
Q

C Blues Scale

A
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35
Q

Eb Major Scale

A
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36
Q

G Blues Scale

A
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37
Q

b5 in the key of Eb

A

A

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38
Q

Daug7

A

D - F# - A# - C

aug = #5

Daug7 = D7 + #5

also written D7+5

or D7+ or D7+4+5

Built on whole tone scale

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39
Q

5 in the key of C

A

G

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40
Q

Emaj

A

E - G# - B

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41
Q

Eaug

A

E - G# - B#

aug = #5

Daug or D+

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42
Q

D6 start on 5 (Piano)

A
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43
Q

What is the order of flat keys from 1-7

A
  1. F
  2. Bb
  3. Eb
  4. Ab
  5. Db
  6. Gb
  7. Cb
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44
Q

A Blues Scale

A
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45
Q

C#sus4

A

C# - F# - G#

A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

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46
Q

C6 start on 3 (Piano)

A
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47
Q

4 in the key of C

A

F

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48
Q

5 in the key of F#

A

C#

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49
Q

Cdim (Cº)

A

C D Eb F Gb Ab A B C

C - Eb - Gb - A (Bbb)

C7 chord with 3, 5 and 7 flatted

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50
Q

Daug

A

D - F# - A#

augmented = #5

built on the whole tone scale

E - F# - G# - A# - C - E

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51
Q

What notes in Gb are natural?

A

Only F

Gb has 6 flats

BEADGC F

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52
Q

F6

A

F - A - C - D

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53
Q

4 in the key of D

A

G

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54
Q

4 in the key of G

A

C

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55
Q

What note is the natural minor

A

6th

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56
Q

5 in the key of E

A

B

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57
Q

A -△7

A

A - B - C - D - E - F# - G#

Melodic Minor

A - C - E - G#

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58
Q

5 in the key of G

A

D

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59
Q

C#6

A

C# - E# - G# - A#

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60
Q

Ionian

A

Major Mode

Ionian CDEFGABC

Dorian DEFGABCD

Phrygian EFGABCDE

Lydian FGABCDEF

Mixolydian GABCDEFG

Aeolian ABCDEFGA

Locrian BCDEFGAB

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61
Q

C# Blues Scale

A
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62
Q

4 in the key of Bb

A

Eb

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63
Q

4 in the key of C#

A

F#

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64
Q

D -△7

A

D - E - F - G - A - B - C# - D

Melodic Minor

D - F - A - C#

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65
Q

C7 (Piano)

A
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66
Q

D7

A

D - F# - A - C

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67
Q

b5 in the key of Ab

A

Eb

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68
Q

Flat 3 in the key of F#

A

A

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69
Q

C6 start on 5 (Piano)

A
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70
Q

Distance Between Notes in a Major Scale

A

W W H W W W H

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71
Q

Dorian

A

Starting on Second (6 is Color Tone)

Ionian CDEFGABC

Dorian DEFGABCD

PhrygianEFGABCDE

Lydian FGABCDEF

Mixolydian GABCDEFG

Aeolian ABCDEFGA

Locrian BCDEFGAB

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72
Q

Flat 3 in the key of Bb

A

C#

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73
Q

Gb -△7

A

Gb - Ab - A (Bbb) - Cb - Db - Eb - F

Melodic Minor

Gb - A (Bbb) - Db - F

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74
Q

What notes in E major are natural?

A

E A B

E has 4 sharps, F# G# C# D#

Order of sharps

FCGD AEB

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75
Q

C Whole Tone Scale

A

Only two whole tone scales

C - D - E - F# - G# - A#

C# - D# - F - G - A - B

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76
Q

C#aug

A

C# - E# - A

augmented fifth chord (raised 5)

C# - E# (F) - Gx (A)

built on whole tone scale

C# - D# - F - G - A

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77
Q

What key has 5 sharps

A

B

  1. G
  2. D
  3. A
  4. E
  5. B
  6. F#
  7. C#
  8. F
  9. Bb
  10. Eb
  11. Ab
  12. Db
  13. Gb
  14. Cb
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78
Q

Emaj7

A

E - G# - B - D#

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79
Q

Bb Blues Scale

A
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80
Q

E7

A

E - G# - B - D

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81
Q

5 in the key of Ab

A

Eb

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82
Q

Faug

A

F - A - C#

augmented is #5

play whole tone

F - G - A - B - C# - D#

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83
Q

F Major Scale

A
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84
Q

Ebm7

A

Eb - Gb - Bb - Db

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85
Q

What key has three sharps

A

A

  1. G
  2. D
  3. A
  4. E
  5. B
  6. F#
  7. C#
  8. F
  9. Bb
  10. Eb
  11. Ab
  12. Db
  13. Gb
  14. Cb
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86
Q

Flat 3 in the key of B

A

D

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87
Q

C6 Start on 6

A
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88
Q

F7

A

F - A - C - Eb

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89
Q

Fmaj

A

F - A - C

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90
Q

Csus2

A

C - D - G

A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

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91
Q

B Major Scale

A
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92
Q

Ebmaj

A

Eb - G - Bb

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93
Q

Blues Scale

A

1 - b3 - 4 - b5 - 5 - b7 - 1

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94
Q

D6 (Piano)

A
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95
Q

Fsus4

A

F - Bb - C

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96
Q

Dmin7

A

D - F - A - C

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97
Q

G Major Scale

A
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98
Q

What scale degree is 12 equivalent to?

A

5

9-2

10-3

11-4

12-5

13-6

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99
Q

Dmaj

A

D - F# - A

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100
Q

1 - b3 - 4 - b5 - 5 - b7 - 1

A

Blues Scale

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101
Q

Dsus2

A

D - E - A

A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

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102
Q

Db Major (Piano)

A
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103
Q

Fmaj7

A

F - A - C - E

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104
Q

D7sus4

A

D - G - A - C

A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

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105
Q

4 in the key of Ab

A

Db

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106
Q

What key has one flat

A

F

  1. F
  2. Bb
  3. Eb
  4. Ab
  5. Db
  6. Gb
  7. Cb
  8. G
  9. D
  10. A
  11. E
  12. B
  13. F#
  14. C#
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107
Q

Db Blues Scale

A
108
Q

C#maj

A

C# - E# - G#

109
Q

What key has 1 sharp

A

G

  1. G
  2. D
  3. A
  4. E
  5. B
  6. F#
  7. C#
  8. F
  9. Bb
  10. Eb
  11. Ab
  12. Db
  13. Gb
  14. Cb
110
Q

4 in the key of Eb

A

Ab

111
Q

What scale degree is 9 equivalent to?

A

2

9-2

10-3

11-4

12-5

13-6

112
Q

Db -△7

A

Db - Eb - E (Fbb) - Gb - Ab - Bb - C

Melodic Minor

Db - E (Fbb) - Ab - C

113
Q

Eb7sus4

A

Eb - Ab - Bb - Db

114
Q

Dmaj7

A

D - F# - A - C#

115
Q

5 in the key of Eb

A

Bb

116
Q

G7

A

G7 - Dom / Mixolydian

117
Q

Dsus4

A

D - G - A

A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

118
Q

What is the order of sharp keys from 1-7

A
  1. G
  2. D
  3. A
  4. E
  5. B
  6. F#
  7. C#
119
Q

Flat 3 in the key of F

A

Ab

120
Q

What notes in Cb major are natural?

A

None

Cb has seven flats

BEADGCF

121
Q

F# -△7

A

F# - G# - A - B - C# - D# - E# (= F) - F#

Melodic Minor

F# - A - C# - E# (= F)

122
Q

D7sus4

A

definition of a sus chord: it is a dominant chord whose major third is replaced by the perfect fourth a half step higher.

123
Q

C#aug7

A

C# - E# - A - B

seventh augmented fifth chord

Daug7 = D7 + #5

also written D7+5

or D7+ or D7+4+5

124
Q

C#dim (C#º)

A

C# - E - G - Bb/A#

lower 3, 5, 7 from the 7th chord

125
Q

D6 Start on 3

A
126
Q

F Blues Scale

A
127
Q

E6

A

E - G# - B - C#

128
Q

b5 in the key of G

A

Db/C#

129
Q

What key has four flats

A

Ab

​

  1. F
  2. Bb
  3. Eb
  4. Ab
  5. Db
  6. Gb
  7. Cb
  8. G
  9. D
  10. A
  11. E
  12. B
  13. F#
  14. C#
130
Q

5 in the key of A

A

E

131
Q

4 in the key of A

A

D

132
Q

5 in the key of B

A

F#

133
Q

What key has 4 sharps

A

E

  1. G
  2. D
  3. A
  4. E
  5. B
  6. F#
  7. C#
  8. F
  9. Bb
  10. Eb
  11. Ab
  12. Db
  13. Gb
  14. Cb
134
Q

b5 in the key of Bb

A

E

135
Q

Flat 3 in the key of Ab

A

B

136
Q

What scale degree is 10 equivalent to?

A

3

9-2

10-3

11-4

12-5

13-6

137
Q

E -△7

A

E Melodic Minor

E - F# - G - A - B - C# - D#

E - G - B - E#

138
Q

Esus2

A

E - F# - B

A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

139
Q

Flat 3 in the key of G

A

Bb

140
Q

Csus4

A

C - F - G

141
Q

G -△7

A

G - A - Bb - C - D - E - F#

Melodic Minor

G - Bb - D - F#

142
Q

F7sus4

A

F - Bb - C - Eb

143
Q

What key has 6 flats

A

Gb

  1. F
  2. Bb
  3. Eb
  4. Ab
  5. Db
  6. Gb
  7. Cb
  8. G
  9. D
  10. A
  11. E
  12. B
  13. F#
  14. C#
144
Q

definition of a sus chord

A

it is a dominant chord whose major third is replaced by the perfect fourth a half step higher.

A sus chord is midway between the iim7 chord and the V7chord of a ii-V.

It has the consonant, soothing quality of the ii chord which, unlike the V7, contains perfect fifths (between the root & fifth and the third & seventh) and no tritones (the major third and minor seventh of a dominant chord form a tritone). But it takes on some of the sense of movement that a dominant chord conveys. If a dominant chord feels like a voyage underway, then perhaps a sus chord feels like it is preparing to embark on a voyage. It is no coincidence that the composition in jazz that is most closely associated with sus chords is entitled Maiden Voyage!

A state of “suspension”

“Sus” stands for “suspended.” In Classical theory, a suspension refers specifically to the fourth—or occasionally the second—that is held over briefly from the previous chord. In classical music and in the Tin Pan Alley jazz standards, sus chords are almost always resolved quickly.

145
Q

What notes in Ab major are natural

A

CFG

Ab has 4 flats

BEAD GCF

146
Q

C-△7

A

C - D - Eb - F - G - A - B - C

Melodic Minor

C - Eb - G - B

147
Q

DbMaj7 (Piano)

A
148
Q

C#7sus4

A

C# - F# - G# - B

A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

149
Q

D# Major Scale

A
150
Q

B Blues Scale

A
151
Q

Flat 3 in the key of C

A

Eb

152
Q

Eb7

A

Eb - G - Bb - Db

153
Q

E7sus4

A

E - A - B - D

154
Q

Relative minor

A

Given a major scale in a given key, the key / tonic of its relative minor is the 6thnote of the major scale.

Using E-flat as an example, the 6th note of the Eb major scale is note C, so the relative minor scale is C natural minor scale.

155
Q

E-7

A

Dorian

156
Q

D6 Start on 6 (Piano)

A

B - D - F# - A

157
Q

What key has 7 sharps

A

C#

  1. G
  2. D
  3. A
  4. E
  5. B
  6. F#
  7. C#
  8. F
  9. Bb
  10. Eb
  11. Ab
  12. Db
  13. Gb
  14. Cb
158
Q

Cmaj7

A

C - E - G - B

159
Q

b5 in the key of E

A

Bb

160
Q

Eb sus2

A

Eb - F - Bb

A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

161
Q

D Blues Scale

A
162
Q

Flat 3 in the key of A

A

C

163
Q

Ab Major Scale

A
164
Q

Faug7

A

F - A - C# - Eb

Faug7 = F7 + #5 (Aug has raised 5th)

also written F7+5

or F7+ or F7+4+5

165
Q

Ab Blues Scale

A
166
Q

What key has 6 sharps

A

F#

  1. G
  2. D
  3. A
  4. E
  5. B
  6. F#
  7. C#
  8. F
  9. Bb
  10. Eb
  11. Ab
  12. Db
  13. Gb
  14. Cb
167
Q

b5 in the key of B

A

F

168
Q

Gb Major Scale

A
169
Q

Gb Blues Scale

A

6 flats in Gb

Gb (1), A (b3), Cb/B (4), C (b5), Db (5), E (b7)

170
Q

E Major Scale

A
171
Q

C#min

A

C# - E - G# - B

172
Q

B -△7

A

B - C# - D - E - F# - G# - A#

Melodic Minor

B - D - F# - A#

173
Q

Daug7

A

D - F# - A# - C

Seventh augmented fifth chord

Aug = raised 5

D7aug, D7+5, D7+4+5

D - E - F# - G# - A# - C

174
Q

What scale degree is 11 equivalent to?

A

4

9-2

10-3

11-4

12-5

13-6

175
Q

Dimished 7 Chord

A

Commonly written Cdim7 (Cº) or Cº7

1 - 3b - 5b - 6 (7bb)

C - Eb - Gb - A (Bbb)

C7 chord with 3, 5 and 7 flatted

used to solo over Dim7 chords.

The whole half diminished scale is used less often than the half whole diminished scale, mostly because dominant chords appear more frequently than diminished chords in modern music.

Often called the “fully diminished scale,” the whole half diminished scale is built by alternating whole and half steps from any root note.

Hence the name, whole half diminished scale.

This scale is used to solo over Dim7 chords, and DimMaj7 chords if you ever have the occasion to see that chord in a song.

When alternating whole and half steps from a root note, you produce the interval pattern for any fully diminished scale.

R 2 b3 4 b5 #5 6 7

Or, if you’re playing a G fully diminished scale the notes would be.

G A Bb C Db D# E F#

176
Q

C7sus

A

Sus = 3rd replaced by 4

C - F - G - Bb

177
Q

Ebmaj7

A

Eb - G - Bb - D

178
Q

What scale degree is 13 equivalent to?

A

6

9-2

10-3

11-4

12-5

13-6

179
Q

5 in the key of Bb

A

F

180
Q

Ddim (Dº)

A

D + F + Ab + B (Cbb)

D7 then flat 3, 5, 7

D + (E) + F + (G) + Ab + (Bb) + B + (Db) + D

181
Q

What key has two flats

A

Bb

  1. F
  2. Bb
  3. Eb
  4. Ab
  5. Db
  6. Gb
  7. Cb
  8. G
  9. D
  10. A
  11. E
  12. B
  13. F#
  14. C#
182
Q

Eb Blues Scale

A
183
Q

Flat 3 in the key of C#

A

E

184
Q

b5 in the key of A

A

Eb

185
Q

Bb Major Scale

A
186
Q

A7

A

A7 - A Mixolydian / Dominant

187
Q

F# Blues Scale

A
188
Q

5 in the key of D

A

A

189
Q

G△7

A

G△7 - G Major

190
Q

F -△7

A

F - G - Ab - Bb - C - D - E

Melodic Minor

F - Ab - C - E

191
Q

C# Major Scale

A
192
Q

A7

A7b9

A

A7 - Mixolydian

A7b9 - Mixolydian w/ b2

193
Q

C#maj7

A

C# - E# - G# - B#

194
Q

4 in the key of F#

A

B

195
Q

Whole Tone Scales

A

Only two whole tone scales

C - D - E - F# - G# - A#

C# - D# - F - G - A - B

196
Q

4 in the key of B

A

E

197
Q

C7

A

C - E - G - Bb

198
Q

b5 in the key of C#

A

G

199
Q

Flat 3 in the key of E

A

G

200
Q

4 in the key of E

A

A

201
Q

Eb sus4

A

Eb - Ab - Bb

202
Q

Phyrigian

A

Starting on 3

6 is the relative major

Ionian CDEFGABC

Dorian DEFGABCD

Phrygian EFGABCDE

Lydian FGABCDEF

Mixolydian GABCDEFG

Aeolian ABCDEFGA

Locrian BCDEFGAB

203
Q

What key has two sharps

A

D

  1. G
  2. D
  3. A
  4. E
  5. B
  6. F#
  7. C#
  8. F
  9. Bb
  10. Eb
  11. Ab
  12. Db
  13. Gb
  14. Cb
204
Q

b5 in the key of D

A

G#

205
Q

F# Major Scale

A
206
Q

D6

A
207
Q

Fmin

A

F - Ab - C

208
Q

C#7

A

C# - E# - G# - B

209
Q

Ebaug

A

Eb - G - B

augmented = #5

also written Eb+

Eb - F - G - A - B - C#

210
Q

Fsus2

A

F - G - C

211
Q

5 in the key of C#

A

G#

212
Q

What key has five flats

A

Db

  1. F
  2. Bb
  3. Eb
  4. Ab
  5. Db
  6. Gb
  7. Cb
  8. G
  9. D
  10. A
  11. E
  12. B
  13. F#
  14. C#
213
Q

b5 in the key of F#

A

C

214
Q

Db7 (Piano)

A
215
Q

What notes in C# major are natural?

A

Technically none

C# has all 7 sharps

FCGDAEB

216
Q

F#aug

A

F# - A# - D (C##)

F#+

Raised 5

whole tone

F# - G# - A# - C - D - E

217
Q

F#7+

A

Augmented (raised 5) 7

F# - A# - C - E

also written F#7aug or F#7+5

F# - G# - A# - C - D - E

218
Q

G7aug

A

G - B - D# - F#

also written G7+

aug (+5) + b7

G - A - B - C# - D# - F

219
Q

G+

A

G - B - D#

(raised 5)

whole tone

G - A - B - C# - D# - F

220
Q

Aaug

A

A - C# - D#

(raised 5)

A - B - C# - D# - F - G

221
Q

G+7

A

G augmented 7

G - B - D# - F

(raised 5)

G - A - B - C# - D# - F

222
Q

Co

A

C - Eb - Gb

each note a minnor third higher than the last (3s)

C - D - Eb - F - Gb - G# - A - B

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

Diminished = Flat 1, 3, 5

223
Q

C#o

A

C# - E - G - A#

1 - b3 - b5 - (6) bb7

C# - D# - E - F# - G - A (G##) - A# - B#

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

Diminished = Flat 1, 3, 5

Cdim - Cdim7 - C07

224
Q

Co7

A

Dimished - Flat 3 - Flat 5 - 6 (bb7)

C - Eb - Gb - A (Bbb)

diminished triad + diminished 7th

each note a minnor third higher than the last (3s)

C - D - Eb - F - Gb - G# - A - B

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

225
Q

Ddim7

A

Dimished - Flat 3 - Flat 5 - 6 (bb7)

D - F - Ab - B (Cbb)

diminished triad + diminished 7th

each note a minnor third higher than the last (3s)

D - E - F - G - Ab - Bb - B - C#

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

226
Q

Ebo

A

Dimished - Flat 3 - Flat 5 - 6 (bb7)

Eb - Gb - A (Bbb) - C (Dbb)

diminished triad + diminished 7th

each note a minnor third higher than the last (3s)

Eb - F - Gb - Ab - A (Bbb) - B - C - D

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

227
Q

Eo

A

Dimished - Flat 3 - Flat 5 - 6 (bb7)

E - G - Bb - Db

diminished triad + diminished 7th

each note a minnor third higher than the last (3s)

E - F# - G - A - Bb - C - C# - D#

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

228
Q

Fo

A

Dimished - Flat 3 - Flat 5 - 6 (bb7)

F - Ab - B (Cb) - D (Ebb)

diminished triad + diminished 7th

each note a minor third higher than the last (3s)

F - G - Ab - Bb - B (Cb) - C# - D - E

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

229
Q

Gbo

A

Dimished - Flat 3 - Flat 5 - 6 (bb7)

Gb - A (Bbb) - C (Dbb) - Eb

diminished triad + diminished 7th

each note a minor third higher than the last (3s)

Gb - Ab - A (Bbb) - Cb - C (Dbb) - D - Eb - F

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

230
Q

F#o

A

Dimished - Flat 3 - Flat 5 - 6 (bb7)

F# - A - C - Eb

diminished triad + diminished 7th

each note a minnor third higher than the last (3s)

F# - G# - A - B - C - D - D# - E#

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

231
Q

Dbo

A

Dimished - Flat 3 - Flat 5 - 6 (bb7)

Db - E (Fb) - G - B

diminished triad + diminished 7th

each note a minnor third higher than the last (3s)

Db - Eb - E - Gb - G - A - B - C

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

232
Q

Go

A

Dimished - Flat 3 - Flat 5 - 6 (bb7)

G - Bb - Db - E

diminished triad + diminished 7th

each note a minnor third higher than the last (3s)

G - A - Bb - C - Db - D# - E - F#

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

233
Q

Abo

A

Dimished - Flat 3 - Flat 5 - 6 (bb7)

Ab- B - D - F

diminished triad + diminished 7th

each note a minnor third higher than the last (3s)

Ab - Bb - B - Db - D - E - F - G

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

234
Q

Bbo

A

Dimished - Flat 3 - Flat 5 - 6 (bb7)

Bb - Db - E - G

diminished triad + diminished 7th

each note a minnor third higher than the last (3s)

Bb - C - Db - Eb - E - F# - G - A

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

235
Q

Ao

A

Dimished - Flat 3 - Flat 5 - 6 (bb7)

A - C - Eb - F#

diminished triad + diminished 7th

each note a minnor third higher than the last (3s)

A - B - C - D - Eb - F - F# - G#

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

236
Q

Bo

A

Dimished - Flat 3 - Flat 5 - 6 (bb7)

B - D - F - Ab

diminished triad + diminished 7th

each note a minnor third higher than the last (3s)

B - C# - D - E - F - G - G# - A#

R - 2 - b3 - 4 - b5 - #5 - 6 - 7

known as Whole-Half Diminished scale or Fully Dimished

237
Q

Difference between Minor 7th and Diminished 7th

A

Diminished seventh is a semitone lower than the Minor 7

238
Q

Half Diminished

A

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - 2 - b3 - 4 - b5 - 6 - b7

C - Db - Eb - F - Gb - Ab - Bb - C

B - C - D - E - F - G - A - B - C

b2 b3 b5 b6 b7

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Chord Construction: 1 - b3 - b5 - b7

239
Q

Cmi7(b5)

A

Chord same as:

Cø

Half Dimished

Construction: 1 - b3 - b5 - b7

C - Eb - Gb - Bb

C - D - Eb - F - Gb - A - Bb

240
Q

Difference between

Dimished and Half Diminished

o (versus) ø

A

o Fully Diminished has Dimished 7 (7bb = 6) above dim triad

ø Half Diminished has Minor 7 (7b) above dim triad

scale also has b2

CHORD

fully dim: 1 - b3 - b5 - 6 (d7)

half dim - 1 - b3 - b5 - b7

241
Q

Cø

A

C half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

C - Db - Eb - F - Gb - Ab - Bb

b2 b3 b5 b6 b7

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Chord Construction: 1 - b3 - b5 - b7

C - Eb - Gb - Bb

242
Q

C#<strong>ø</strong>

A

C# Half Diminished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

C# - D - E - F# - G - A - B

b2 b3 b5 b6 b7

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Chord Construction: 1 - b3 - b5 - b7

D - E - G - B

243
Q

Dbø

A

Db half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

Db - D - E - Gb - G - A - B

b2 b3 b5 b6 b7

Chord Construction: 1 - b3 - b5 - b7

Db - E - G - B

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

244
Q

Dø

A

D half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

D - Eb - F - G - Ab - Bb - C

b2 b3 b5 b6 b7

Chord Construction: 1 - b3 - b5 - b7

D - F - Ab - Bb

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

245
Q

Ebø

A

Eb half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

Eb - E - Gb - Ab - A - B - Db

b2 b3 b5 b6 b7

Chord Construction: 1 - b3 - b5 - b7

Eb - Gb - A - Db

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

246
Q

Eø

A

E half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

E - F - G - A - Bb - C - D

b2 b3 b5 b6 b7

Chord Construction: 1 - b3 - b5 - b7

E - G - Bb - C

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

247
Q

Eø

A

E half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

E - F - G - A - Bb - C - D

b2 b3 b5 b6 b7

Chord Construction: 1 - b3 - b5 - b7

E - G - Bb - D

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

248
Q

Fø

A

F half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

F - Gb - Ab - Bb - B - Db - Eb

b2 b3 b5 b6 b7

Chord Construction: 1 - b3 - b5 - b7

F - Ab - B - Eb

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

249
Q

F#ø

A

F# half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

F# - G - A - B - C - D - E

b2 b3 b5 b6 b7

Chord Construction: 1 - b3 - b5 - b7

F# - A - C - D

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

250
Q

Gbø

A

Gb half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

Gb - G - A - Cb - C - D - E

b2 b3 b5 b6 b7

Chord Construction: 1 - b3 - b5 - b7

Gb - A - C - E

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

251
Q

Gø

A

G half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

G - Ab - Bb - C - Db - Eb - F

b2 b3 b5 b6 b7

Chord Construction: 1 - b3 - b5 - b7

G - Bb - Db - F

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

252
Q

Abø

A

Ab half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

Ab - A - B - Db - D - E - Gb

b2 b3 b5 b6 b7

Chord Construction: 1 - b3 - b5 - b7

Ab - B - D - G

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

253
Q

Aø

A

A half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

A - Bb - C - D - Eb - F - G

b2 b3 b5 b6 b7

Chord Construction: 1 - b3 - b5 - b7

A - C - Eb - G

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

254
Q

Bbø

A

Bb half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

Bb - B - Db - Eb - E - Gb - Ab

b2 b3 b5 b6 b7

Chord Construction: 1 - b3 - b5 - b7

Bb - Db - E - Ab

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

255
Q

Bø

A

B half dimished

Locrian - 7th Mode - Enharmonic Equivalent to 2

1 - b2 - b3 - 4 - b5 - b6 - b7

B - C - D - E - F - G - A

b2 b3 b5 b6 b7

Chord Construction: 1 - b3 - b5 - b7

B - D - F - A

Symbol: Cø Chord same as: Cmi7(b5), C—7b5

256
Q

What is 3 of A

A

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8

A - B - C - D - E - F - G - A

C#

3 sharps in A - FCG

257
Q

What is 4th in A

A

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8

A - B - C - D - E - F - G - A

D

sharps in A - BEA

258
Q

5th in A

A

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8

A - B - C - D - E - F - G - A

sharps in A - FCG

259
Q

6th in A

A

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8

A - B - C - D - E - F - G - A

F#

sharps in A - FCG

260
Q

How many flats in Gb major?

A

6

  1. G
  2. D
  3. A
  4. E
  5. B
  6. F#
  7. C#
  8. F
  9. Bb
  10. Eb
  11. Ab
  12. Db
  13. Gb
  14. Cb
261
Q

What note/s in Gb major is natural

A

just F

has 6 flats

  1. G
  2. D
  3. A
  4. E
  5. B
  6. F#
  7. C#
  8. F
  9. Bb
  10. Eb
  11. Ab
  12. Db
  13. Gb
  14. Cb
262
Q

What is third in Gb major?

A

Bb

1 - 3 - 5 - 7

G - B - D - F

6 flats in Gb

263
Q

Interpleader

A

n. the procedure when two parties are involved in a lawsuit overthe right to collect a debt from a third party, who admits themoney is owed but does not know which person to pay. Thedebtor deposits the funds with the court (“interpleads”), asks thecourt to dismiss him/her/it from the lawsuit, and lets theclaimants fight over it in court.

264
Q

Purposes of diversity jurisdiction

A

Prevents bias against outsider Ds

Democratic participation theory

As they work, the rules don’t track these concerns well.

265
Q

Complete Diversity

A
  • The Constitution only requires “Simple Diversity” Art. 3, § 2, Cl 1
  • whereas
  • the Supreme Court has construed The term “Citizens of Different States” as used in 28 USC § 1332(a) statute as requiring “Complete Diversity.”

Complete Diversity, means that no plaintiff can be a citizen of the same state as any defendant.

If Complete Diversity is not satisfied → then there is no Federal Subject Matter Jurisdiction, unless the parties can establish a basis other than Diversity Jurisdiction (For example, they could establish Federal Question Jurisdiction)

266
Q
A

Jazz (2 decks)

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