Theory

Question 1

Leading tones and melodies
Ab-7 Cm Dmaj Em

Answer 1

Leading tones -3 of ab to I of C AND -7 of ab to 5 of C,

Melody lines bVI I II III, Gb G Gb G

Question 2

C△, Cø, / slash chords

Answer 2

Cmaj7, C half dim, right side of / determined bass note

Question 3

Common tone 7th chords
Keys they occur in
Symbol

Answer 3

Question 4

Altered Dominants Classical
Definition:
#5 must:

Answer 4

Question 5

Augmented 6 chords
Why aug?

Answer 5

Question 6

Aug 6 in context
Preceded by
Resolution rule

Answer 6

Question 7

Chromatic mediants and submediants

Answer 7

Function prolongs tonic

Question 8

Kojin-Joshi

Answer 8

Question 9

Minor locrian
Degree of which scale

Answer 9

6 of mel minor

Question 10

Lydian Augmented

X degree of x

Location of accidentals

Answer 10

3rd degree of mel minor

Question 11

Acoustic
X Degree of x
Other name

Answer 11

4th degree of melodic minor
Lydian dominant

Question 12

Dominant bebop

Answer 12

Question 13

Blues scale

Answer 13

Question 14

Spanish Phrygian - other name

Answer 14

Question 15

Phrygian chord
Def
Scales

Answer 15

5 note: in sen
7 note: dorian b2
8 note: Spanish Phrygian

Question 16

Super Locrian - other name

Answer 16

Question 17

Answer 17

Question 18

V7sus b9

Answer 18

7 notes: Phrygian

Question 19

Half diminished

Answer 19

7 note: locrian locrian #2

Question 20

7b9 13

Answer 20

6 note: tritone scale, Prometheus neopolitan
7 note: harm minor inverted
8 note: half whole

Question 21

7#9b13

Answer 21

7 note: altered

Question 22

7b13

Answer 22

6 note: whole tone

Question 23

bII7 (tri sub)

Answer 23

7 note: Lydian Dominant

Question 24

Maj7

Answer 24

7 note: Ionian, Lydian
8 note: Major bebop, Ionocryllic

Question 25

Min7

Answer 25

7 note: Dorian, aeolian
8 note: minor bebop

Question 26

7(9)(11)(13)

Answer 26

7 note: mixolydian
8 note: mixolydian bebop

Question 27

Generic vs specific intervals

Answer 27

Scale degrees vs distance in semitones

Question 28

Answer 28

Question 29

Min maj 7

Answer 29

7 note: Mel or har minor

Question 30

Fully diminished

Answer 30

5 note bartok beta chord
6 note Raga Ranjani
7 note Lydian flat 3 (ultralocrian)
8 note: half whole, whole half

Question 31

Scale degrees

Answer 31

Question 32

History of mediant

Answer 32

The term mediant appeared in English in 1753 to refer to the note “midway between the tonic and the dominant”.

Question 33

Meaning of submediant

Answer 33

The submediant (“lower mediant”) is named thus because it is halfway between tonic and subdominant (“lower dominant”)[1] or because its position below the tonic is symmetrical to that of the mediant above

BUT IT ISNT IN SPECIFIC SCALE DEGREES

Question 34

Augmented chord

Answer 34

5 note: aug 7 pentatonic
6 note: whole tone
7 note: Lydian augmented
8 note: major bebop

Question 35

Maj 6 or 7 choice?

Answer 35

Based on melody note. If melody note is root, more chance of clash

Question 36

Maj 7b5

Answer 36

7: Lydian augmented

Question 37

7(11)(13)

Answer 37

5: Raga Khamaji Durga (afr pent)
6 note: Raga Khamas
7: mixolydian, harmonic minor inverse

Question 38

Maj6#9

Answer 38

7: Aeolian Harmonic

Question 39

-7(11)

Answer 39

5: Kojin Joshi, in sen
7: Dorian, Phrygian, aeolian
8: Bebop Dorian

Question 40

Tritone scale

Answer 40

Question 41

Prometheus Neopolitan

Answer 41

Question 42

Raga Suva kamboji

Answer 42

Question 43

Zeracrimic

Answer 43

Question 44

Bebop Dorian

Answer 44