theorists Flashcards

1
Q

MEDIA LANG

Barthes -semiotics theory

A

all elements of a media text are codes that need to be read. these can all be understoon as the thing they arre (denotative level) and the responses they create (connotative level).

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2
Q

MEDIA LANG

Claude levi-Strauss structuralism

A

binary opositions- binary opposites help to thicken the plot and further the narrative; and introduce contrast.

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3
Q

MEDIA LANG

Todorov- narratology

A

Narrative- curve
equilibrium, disruption, recognition, resolution, and new equilibrium.

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4
Q

media lang

neales- genre theory

A

Repitition and difference

genre hybridity

Genres change or decline in popularity.

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5
Q

media lang

Baudrillard- postmodernism

A

Randomness

Popular culture

remember postmodern techniques:

non linear narrative

self reflexive (refers to itself meta) eg breaking the 4th wall, genre hybridity

Irony/plasttiche- make fun of itself

Adverts eg old spice

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6
Q

media representation

Halls- Representation

A

-medialanguage is used to create representations

-stereotyping is often used to assert power

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7
Q

rep

Gilroy- Postcolonial theory

A

black communities-are seen as ‘other’, and are associated with criminal activity and lawlessness.

Britain has failed to mourn its loss of empire, creating post-colonial melancholia.

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8
Q

rep

Van Zoonen- Feminist theory

A

-the female body is seen as an object/spectacle
-male gaze
-active/passive representations
-patriarchy
-objectification
-subversive representations

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9
Q

rep

bell hooks- intersectionality

A
  • Women should develop an oppositional gaze that refuses to identify with characters that reinforce patriarchal ideologies– particularly important for Black women
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10
Q

rep

butlers- gender performance

A

our gender identitiies are not naturally given but constructed through repitition.

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11
Q

rep

gauntlett media and identity

A

we use the internet and other media texts to help us creaate our identity. we now have more of a variety of representations to identify with

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12
Q

media industries

curann and seaton - ownership effects

A

the media is controlled by a small number of companies that make products to create profits and gain power
the idea that media concentration generally limits creativity and quality
diverse ownership creates diverse products

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13
Q

media industries

hesmondhalgh - the cultural industry

A

maximizing profits and minimizing risks

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14
Q

bandura - media modelling effects

A

audiences learn through constant observation of media

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15
Q

gerbners - cultivation

A

-the more we see the same representations and messages the more we believe they are true

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16
Q

hall - reception theory

A

producers want audiennces to respond in a particular way to a text.

-preferred, negotiated and oppositional readings

17
Q

jenkins - Fandom

A

fans produce a variety of different products relating to certain media text and then share it with a like minded community

18
Q

shirky - the end of audience

A
  • everybody makes the media — producers and audiences have become more of collaborative partners instead of not being involved at all
19
Q

livingstone aand lunt - regulation

A

-the challenge of regulation in the age of globalized media

20
Q

Regulating media industries is hard, made more difficult to control of technology and the publics send choice.

A

Livingston and lunt

21
Q
A