Theorist Flashcards

1
Q

• Explores the role of cinematic techniques in shaping gendered experiences and audience identification.
• Concepts: The female body in cinema, voyeurism, the temporality of film.

A

Mary Ann Doane

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2
Q

• Examines classical cinema techniques, particularly continuity editing and narrative coherence.
• Concepts: Institutional mode of representation (IMR), montage, temporal legibility.

A

Noel Burch

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3
Q

• Introduced the idea of the “male gaze,” emphasizing the ways visual media objectifies women for male pleasure.
• Concepts: Scopophilia, narcissistic ego identification, gender representation.

A

Laura Mulvey

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4
Q

• Explores the “Society of the Spectacle,” focusing on how media and imagery dominate social experiences.
• Concepts: Spectacle, commodity fetishism, media as distraction.

A

Guy Debord

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5
Q

• Explores the cultural history of sound technologies and how they shape listening practices.
• Concepts: Audile technique, sound reproduction, phonofixation.

A

Jonathan Sterne

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6
Q

• Focuses on the development of electronic sound and its influence on modern media.
• Concepts: Amplification, electronic soundscapes, the studio as a creative site.

A

David Morton

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7
Q

• Examines how music predicts societal and economic trends, viewing sound as prophetic.
• Concepts: Music as noise, futurity, reproducibility.

A

Jacques Attali

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8
Q

• Focuses on audio-visual synchronization and how sound creates meaning in cinema and media
• Highlights the importance of audio-visual synchronization in creating emotional meaning.
• Concepts: Synchresis, added value, acousmatic sound, Synchresis, added value, acousmatic sound.

A

Michel Chion

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9
Q

• Explores how postmodern fragmentation in media affects
narrative and identity.
• Concepts: Pastiche, hybridity,
postmodern fluidity.

A

E. Ann Kaplan

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10
Q

• Examines how media saturation and spectacle shape contemporary cultural experiences.
• Concepts: Hyperreality, smoothness, image saturation.

A

Steven Shaviro

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11
Q

• Focuses on how music videos combine audiovisual and narrative elements in innovative ways.
• Concepts: Hybrid spaces, impossible time, intermediality.

A

Mathias Bonde Korsgaard

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12
Q

• Explores the integration of cultural and social commentary in postmodern media.
• Concepts: Media as commentary, fragmentation, cultural hybridization.

A

Paolo Peverini

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13
Q

• Developed a framework for analyzing music videos, focusing on relationships between sound and visuals.
• Concepts: Illustration, amplification, disjuncture.

A

Andrew Goodwin

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14
Q

• Explores how music videos deviate from traditional cinematic
norms.
• Concepts: Visual hooks, parametric form, tactile aesthetics

A

Carol Vernallis

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15
Q

• Focuses on rhythmic structures and patterns in music video editing.
• Concepts: Parametric rhythm, temporal flow, structural patterns.

A

Brad Osborn

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16
Q

• Examines how Black representation in early cinema and music videos reflects cultural dynamics.
• Concepts: Black-cast media, cultural authenticity, tropes of Black femininity.

A

Susan Delson

17
Q

• Focuses on feminist and queer representations in popular media.
• Concepts: Queerness, celebrity feminism, agency.

A

Kristy Fairclough

18
Q

• Highlights the importance of ethnic authenticity and cultural preservation in media.
• Concepts: Representation, cultural hybridity, ethnic identity.

A

Greg de Cuir

19
Q

• Explore the intersection of race, gender, and sexuality in music videos.
• Concepts: Objectification, racialized tropes, sexuality of surface.

A

Railton & Watson