Theories/ Other Readings Flashcards

1
Q

Tatar: Fairy Tales Audience

A
  • initially adults, then children, now can serve both
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2
Q

Tatar: Fairy Tale Types

A
  • magical tales: high adventure
  • then cautionary tale: used as a form of socialization and lesson teaching (downfall of protagonist by staging transgression and punishment and maybe a rescue to soften blow)
    -mixing of two created fairy tales
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3
Q

Folklore

A
  • ## oral traditions (looses some aspects when written down)
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4
Q

Aarne and Thompson catalogue: categories (folklore)

A
  • animal tales, ordinary folktales, jokes and anecdotes, formula tales, and unclassified tales
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5
Q

Fairy tales: psychological

A
  • showcase forms of (uncensored) internal conflicts played out in family lives (Freudian), topics on incest, sexual jelousy, sibling rivalry and cannibalism
  • red cap turned into symbol of menstruation, golden egg ideals of possession
  • can get analysis wrong
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6
Q

Fairy Tale interpretation

A
  • symbolic interpretation allows for endless interpretations
  • some say therapeutic? Questionable
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7
Q

Tatar Conclusion

A
  • can be used to socialize (Jack Zipes)
  • has undoubtedly left mark on childhoods
  • become both and art and science and for young and old
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8
Q

Saunders Adaptation: intertextuality

A
  • literary + author influence to create new compound (TS Elliot)
  • can have different goals
    -celebrate ongoing interaction/ conversation of texts
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9
Q

Saunders Adaptation

A
  • offering commentary
  • make relevant/ easily comprehensible
    -“specific profess involving a transition from one genre to another”
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10
Q

Saunders 3 types of adaptation

A
  • Transposition: changing of genre to bring to new audience
  • Commentary: commenting on the politics/ themes of the source text (bring out meanings not directly touched on by text)
    -analogue: new product can be enjoyed separately but between when knowledge of previous work
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11
Q

Saunders Function of adaptation

A

-prologue the pleasure of the original piece
- takes memories and puts them into images

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12
Q

Saunders Appropriation

A
  • decisive journey away from the informing source text into a new product
  • source text not always clearly signalled/ acknowledged
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13
Q

Appropriation Conclusion

A
  • different, rethinking of the source
  • can create a new cultural and aesthetic possibilities within story
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14
Q

Villerajo Mise-En-Scene

A

Setting (set and props), lighting, costume, makeup and hair, figure behaviour

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