Theories of Spectatorship Flashcards

1
Q

Which modes of documentary does ‘Senna’ fit into?

A

Poetic and expository

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2
Q

Which mode of documentary does ‘Blackfish’ fit into?

A

Performative

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3
Q

Which mode of documentary does ‘The Imposter’ fit into?

A

Reflexive

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4
Q
Which mode of documentary focus on:
visual associations
subjective artistic expression
Rhythmic, surreal edits
non-logical sequencing, no continuity
A

poetic

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5
Q

Which mode of documentary focuses on:
exposing problems in the filmmaking process
seeing the camera and sound crew
flaunts the film making progress

A

Reflexive

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6
Q

Which mode of documentary focuses on :
verbal commentary supported by images
sense of argument or learning
is also called “voice of God”

A

Expository

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7
Q

Which mode of documentary focuses on:
emotional and social impact on the audience
filmmaker as participant
“evocation and affect”

A

Performative

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8
Q

Who argues that we have an emotional response to films (we react and engage with them). Films have the ability to change our mood, and as our mood changes, so does our response?

A

Frijda and Tan

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9
Q

Who argues that engaging and identifying with characters creates an emotional response?

A

Cohen (2001)

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10
Q

Who came up with ‘modes of documentary?’

A

Bill Nichols

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11
Q

Who came up with readings of films?

A

Stuart Hall

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12
Q

What are the three readings of film?

A

Preferred, negotiated and oppositional

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13
Q

Who came up with the theory of binary opposites?

A

Strauss

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14
Q

Who argued that context effects the way you view and receive the film?

A

Janet Staiger

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15
Q

Who doesn’t like documentaries, claiming “I don’t trust the motives of those who think they are superior to fiction films. I don’t trust their claim to have cornered the market on the truth”

A

Marcel Ophuls

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