Themes Flashcards

1
Q

Symbolism of blind mans bluff

A

Dictatorial regimes keeping people ignorant to control them , interrogation of Stanley , pauses , black out - ‘Mccaan switches out the light, comes back and shines a torch in Stanley’s face .’

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2
Q

What does the banality do

A

Reflects the state of the bystander , carrying on as normal after atrocities have been committed
Beginning - ‘was it dark? ‘ ‘no it was light’ return to banal conversation despite what has been done to Stanley , Petey ‘Reading.’ Meg - ‘Is it good’

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3
Q

Why do they avoid communication

A

Maintaining ignorance is a form of power

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4
Q

Why do Goldberg and McCann create disorder and chaos

A

In order to control everyone

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5
Q

Why does Pinter use pause

A

Lack of speech becomes speech meg - where’s Stan ?pause Is Stan down yet, Petey ?
Stanley - ‘I’ve … er …. I’ve been offered a job as a matter of fact’
Silence is used by Pinter to express heaistation meaningless of communication and is a better form of expression than words

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6
Q

What is the audience in

A

Ignorance characters are formulated by their past but we don’t know what their past is although Pinter wanted the director to know what their past was

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7
Q

What happens when Goldberg is called simey

A

Name change creates confusion audience unaware of Goldbergs true identity violent fit seizes Goldberg showing underlying violence of the dictator charm is a facade , ‘murderously. Don’t call me that!’
Pinter wanted to shock the audience

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8
Q

How does Pinter mix genres

A

Tragedy split by comic one liners , aspects of melodrama (drum) mixed with domestic realism

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9
Q

What does the erosion of Stanley’s indentity signify

A

Similar to the erosion of identity in a totalitarian state , bp is about the control of the individual and truth alllows the individual to stand against the state .

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10
Q

Goldberg’s boasting

A

Long monologues of nostalgia boasting and fantasy show the bravado of the dictator
- ‘culture ? Don’t talk me to about culture.’ Goldberg’s arrogance and impersonal language reflect the use of charisma to uphold tyranny . Exaggerates cliche - ‘good? Pure ? She wasn’t a Sunday school teacher for nothing ‘ - hyperbolic exaggeration to present himself as a positive member of society

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11
Q

Random victimisation of Stanley is similar to

A

Joseph K in ‘the Trial’ ‘accosted in his own home’

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12
Q

How is Goldberg a cliche of power and dominance and what is the significance of his background

A

Says ‘mention my name ‘, comes from strong cultural background as does McCann showing harmful impacts of orthodoxy and its destruction of identity and selfhood. Their backgrounds exert strict control over their followers reflected in Goldberg and McCaans desire to control Stanley

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13
Q

How does Pinter allude to news manipulation

A

High levels of espionage and and news manipulation when Pinter write the BP , Goldberg says ‘true ? It’s more than true . It’s a fact ‘ paradox shows absurdity of the post truth world where information is only validated through authority figures , lending them ultimate control of the world around them.

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14
Q

Change of tone

A

Sudden change of Goldberg’s tone from charming incinsere cliches to ‘quiet official tone ‘ calls Stanley ‘out subject ‘

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15
Q

How can Goldberg infiltrate Stanley’s privacy and indentity

A

Authoritative tone never challenged
‘We’re going to remind him. We’re going to give him a party ‘ demonstartes immorality of tyrannical regimes that seek to control individuals who have little say in the matter .

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16
Q

What does the drum do

A

Infantilises Stanley and pushes him into a primate infantile state allowing Goldberg and mccaan to break him down
‘His shoulders sag ‘
‘Beat becomes erratic, uncontrolled ‘ loss of senses builds pathos

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17
Q

Poor treatment of lulu

A

‘Who used who?’

Hipocicy of those in power

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18
Q

Interrogation of Stanley Forcing him to join the lunacy

A

‘How many fingers do you use ?’
‘No hands ‘
Language games use to divert attention

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19
Q

Meg patronising Stanley

A

‘You’re a liar, a little liar’

Keeps him under her control

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20
Q

How is Stanley a guilty victim

A

Anxious at the arrival of 2 men , ‘(pacing the room) Here? they wanted to come here ?’

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21
Q

Short sentences and idealism

A

‘A good one , too. A night club. In Berlin ‘

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22
Q

Inconsistencies

A

Surrounding Stanley’s background is his nostalgia fabricated - ‘ my farther nearly came down to see me ‘ , meg ‘his father brought him champagne ‘

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23
Q

Stanley already broken down

A

‘You could do with a shave , do you know that ?’

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24
Q

How does Pinter show Stanley desperate for freedom

A

‘rises and walks to the window ‘ entrapped by meg then entrapped by Goldberg

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25
Q

Control of information

A

McCann ‘tearing a sheet of newspaper into five equal strips ‘

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26
Q

Stanley feels he is innocent but coerced into feeling guilty

A

Victimised , Goldberg - ‘where was your wife ?’ Stanley ‘in-‘ then says ‘what wife ?’ McCann ‘you throttled her ‘ , stereotypical crime victimises Stanley

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27
Q

Meg’s suspicion

A

Bystander senses something wrong Stanley worms her of men and a wheelbarrow and then asks ‘is there a wheelabaroow in it’

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28
Q

Name changes

A

Petey says ‘your friend - dermot ‘ whereas god berg says ‘seamus who came before your father ?’ Name change audience in ignorance about the truth , Goldberg draws on ideas of a dynasty to evoke the sense of the dictators right to power .

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29
Q

Interrogation of Stanley

A

Tell him how to feel McCann ‘ you’re a dead duck ‘, Stanley no sense of truth allows him to be manipulated ‘but we can save you’ Goldberg , McCann ‘you’ll be rich ‘Stanley ‘attempts to speak, fails and emits sounds from his throat ‘ speech taken away play is about the power of language

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30
Q

Peteys behaviour

A

‘Moving downstage what about a doctor ?’ Attempts to save Stanley and stand up to authority figures , won’t except cliche of a ‘nervous breakdown ‘ but when his own personal security is threatened he stops standing up for Stanley , Goldberg - ‘inidisously why don’t you come with us , mr boles ?’
Petey joins Goldberg and McCann in concealing what has been done to Stanley ‘yes, he’s … still asleep ‘

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31
Q

How is meg manipulated by Goldberg

A

Forced to drink too much , ‘oh, mr Goldberg , what should I drink ?’ Manipulated into not rmebering ‘we had dancing and signing. And games ‘ self centres ‘I was the belle of the ball’

32
Q

Why is Goldberg never challenged

A

Authoritative tone , ‘we’re going to remind him. We’re going to give him a party.’ , infiltrate Stanley’s privacy and identity , immorality of tyrannical regimes seek to control individuals who have little say in the matter

33
Q

Why is Stanley not an innocent victim

A

Innocent made to feel guilty in the modern world . Corrupted victims in east Germany, spy on their neighbours

34
Q

What effect does nostalgia have

A

Draw people over , show the corruption of humanity that dictators were once normal human beings too

35
Q

What is the efffect of language games

A

Diverts attention

36
Q

How does pinters poem ‘a view of the party ‘ inform our reading of the play?

A

Petey is a guilty bystander , saw the party

37
Q

How does godmverg speak like an entertainer

A

Through rhetorical patterning , ‘What a thing to celebrate- birth !’

38
Q

What is the impact of rhyme in the interrogation scene

A

Creates poetic language juxtaposing inhumane behaviour

39
Q

How is act 3 a reprise

A

Return to meaningless banal conversation , ‘I’ve run out of cornflakes ‘

40
Q

How is Petey aware something has been done to Stanley ,

A

quickly ‘no don’t do that, meg. Let him sleep.’

41
Q

How is tragedy worsened

A

As it is amusing eg darkness farcical yet terrifying , Mcacnn ‘ Let go of me!’ Goldberg ‘who’s this ?’

42
Q

How does Stanley violently defend himself against the oppressor

A

‘His hands move towards her throat ‘

43
Q

How does meg feign innocence

A

Stereotypical connection between Goldberg and Stanley , ‘Do you think they know each other ? I think they’re old friends .’

44
Q

Homecoming verification of the truth

A

We don’t know Sam is the best taxi driver

45
Q

Violence in the caretaker

A

Bullying of Ashton , in the birthday party violence is more concealed lik in a totalitarian regime , sudden silencing of Stanley not explicit how this occurs

46
Q

Contrast between characters and dialogue

A

Characters are more realistic creating absurd world yet dialogue and banality create mundane world , similar to 1984

47
Q

What did Pinter believe in

A

Importance of individual , hated collectivism , loss of autonomy under hegemony

48
Q

How does Goldberg exploit lulu

A

‘You got the needle to Uncle Natey?’ Cliche and sensen of childhood security used to charm Lulu into doing his bidding , ‘kiss and makeup’ forcefulness painted as innocent fun . Impersonal language reflects use of charisma by tyrannical figures

49
Q

Monologue effect

A

Show show Goldberg dominates those around him and utilises speaking skills to enforce control

50
Q

Toast juxtaposition

A

‘Mazel Tov! And may we only meet at simchas!’ Immediately after instructs McCann ‘turns n out the light’ cekbeatoy language juxtaposed with sinister instruction , Goldberg can mask malevolence and exploit people

51
Q

Lulu cast as guilty victim

A

Goldberg ‘who opened the briefcase , me or you ?’ Unspecified briefcase leaves audience in ignorance of the truth , reflecting the state of characters on stage , past is a continuous mystery placing Lulu in a state of insecurity as she is reliant on Goldberg for information

52
Q

How does Pinter show exploitation in the post war world ?

A

Weak are preyed on by authority figures , Goldberg and McCann further Meg’s exploitation of Stanley , ‘ picks up the drum and places it sideways in Stanley’s path. Stanley walks into the drum and falls over with his foot caught in it.’ Physical disable Stanley with megs tool of exploitation

53
Q

Not an innconcent victim breakdown

A

‘All those years I lived in Baskingstoke I never stepped outside the door’, beginning of breakdown not inncincent and inconsistent , previously claimed to live in Maidenhead

54
Q

What’s significance of a party

A

Redirects false promises of totalitarian regimes that promise utopia but deliver life of terror

55
Q

False confession in Soviet Union

A

Stanley asked ‘where’s your wife ‘’in-‘ ‘what wife?’ ‘You throttled her’ cliched crime manipulates and vilified by Goldberg and McCann

56
Q

How does Stanley initially tests

A

‘Looks up slowly and kicks Goldberg in the stomach ‘ contacts act 3 interrogation where he ‘shows no reaction ‘ maniyoakted by state with false promises ‘ you’ll be rich ‘

57
Q

Why is Stanley’s monologues less believable

A

Inconsistencies and memories of powerlessness unlike Goldberg who references his virtuousity

58
Q

What is the significance of glasses being taken away

A

Weak and destroyed , lost one of his senses and is now vulnerable , infajrilsi d by Goldberg like meg ‘ why do you behave so badly Webber?’, blindness represents blindness to the Cruelty of others , playing blind mans bluff allows them to torment Stanley

59
Q

Power cadence if interrogation

A

‘Rheumatic ‘ ‘myopic ‘ epileptic’ builds menace and demonstrates oppression .

60
Q

Why is the play set within one room

A

Claustrophobic , tabley can’t escape invasion by Goldberg and McCann is an extreme breach of privacy . Stanley has protection in boarding house , retreated from society , meg acts as a mother , safe atmosphere broken and Stanley is physically blocked ‘ Stanley walks around the table towards the door. McCann meets him.’ Physically blocked unavkAt to escape, represents the spirit of defiance .

61
Q

How are audiences left in ignorance

A

Characters do not act according to reason , impacted by their past which is a mystery

62
Q

Why is mockery masked by grace and concern

A

Based on the cockney pissyake , underlying violence and hunt of distance Menance

63
Q

What does Stanley do instead of accepting his identity

A

Tries to justify himself through bluff and pretense. Little control disables an dhelplesa by loss of glasses ‘ could I have my glasses?’
‘Stanley stands blindfold . McCann backs slowly across the stage to the left. He breaks Stanley’s glasses snapping the frames ‘ Stanley desperate for dinigy, McCann ‘he tried to fit the eyeholes into his Hess ‘

64
Q

How can language be used as a weapon

A

Abuse overpower demoralise victims , concerns of the state disregard the individual .

65
Q

Banal conservation over cornflakes

A

‘Are they nice ?’ Very nice ‘ ‘ I though they’d be nice ‘

66
Q

How does meg patronise Stanley

A

‘You’re a liar, a little liar’ Stanley offensive to meg ‘you’re a bad wife ‘

67
Q

What does goldbergs fast Rythmn show

A

Answers immediately megs question over time of the party , ‘ nine ocklock ‘ fast Rythmn shows ultimate control and premeditation .

68
Q

Audience left in anticipation

A

Meg ‘do you know them?’ ‘Stanley does not answer’ sinister

69
Q

How does Stanley not know himself

A

Doesn’t know his birthday , ‘it’s your birthday , Stan. I was going to keep it a secret until tonight

70
Q

McCann desire to exert control

A

‘McCann holds the grip’ tells Stanley how to feel about his birthday , Stanley ‘that’s unfortunate’ mcannn ‘ah no. It’s very nice.’

71
Q

Double act of Goldberg and McCann

A

Builds intimidation

72
Q

How does mundane life carry on through brutality

A

Sense of injustice eroded , meg ‘isn’t the light in his eyes ‘
Peetey ‘what about a doctor?’ ‘I think I’ll see how my peas are getting on , in the meantime’joins McCann in concealing what has been done to Stanley ‘yes, he’s …still asleep

73
Q

Goldberg as a director

A

‘Beautiful ! A beautiful speech. Put the light on .’

74
Q

How is Stanley dehumanised

A

Power of speech taken away ‘Stanley concentrates , his mouth opens , he attempts to speak, fails ‘
Unable to talk , society silences the free thinking individual

75
Q

Nostalgia

A
‘I’d say hello to the little boys , little girls’
‘Simey! My old mum used to shout’
‘I’ll be moving soon. Back home .’
‘No place like home ‘
‘ I used to live very quietly ‘
‘‘
76
Q

Goldberg false childhood

A

Violent eruption after being called simey, ‘murderously , ‘Dont call me that ! He seizes McCann by the throat NEVER CALL ME THAT!’
‘Benny, benny he said come, here.’ He was dying’

77
Q

Belle of the ball significance

A

Meg’s certainty of untruth , how can we know anything to be true