The War Horse Flashcards

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1
Q

How many dimensions in this poem?

A

2

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2
Q

how would you describe the dimensions in this poem?

A

two distinct dimensions

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3
Q

what are the two dimensions in this poem?

A
  1. the damage a wandering horse does to the gardens of suburban houses
  2. a commentary upon the attitudes of people in the south to the troubles in the north
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4
Q

what is the real component of the poem?

A

the horse, trampling through the gardens of suburban houses

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5
Q

what is the symbolic component of the poem?

A

represents the unpredictable violence of the northern conflict

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6
Q

regarding the two components of the poem , what two types of poem is this

A

both a dramatic lyric and a political poem

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7
Q

the poem makes important points about… (2)

A

the poem makes important points about morality and commitments

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8
Q

the form or structure tends towards the…

A

the form or structure tends towards the mechanical

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9
Q

the poem is written in..

A

the poem is written in couplets that are stanzas

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10
Q

it sometimes appears ____ and ______ in its descriptions

A

it sometimes appears constrained and self-conscious in its descriptions

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11
Q

what comparison is heavy handed in the poem?

A

sometimes the comparison between the actions of the horse and the situation in the north is heavy handed

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12
Q

Boland makes overuse of…

A

Boland makes overuse of simile

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13
Q

the comparisons in the poem are…

A

the comparisons in the poem are rather blunt

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14
Q

what do the rather blunt comparisons do to the poem?

A

the rather blunt comparisons tend to diminish the theme to the level of message or moral

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15
Q

the opening line of the poem is… (2)

A

the opening line of the poem is dramatic and abrupt

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16
Q

language in the opening lines

A

the language is colloquial

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17
Q

the style in the opening line

A

the style is anecdotal

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18
Q

what causes dramatic immediacy in the opening lines

A

the use of the present tense causes dramatic immediacy

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19
Q

what does the use of the present tense in the opening lines do?

A

the use of the present tense causes dramatic immediacy

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20
Q

in the opening lines the imagery is…

A

the imagery is wonderfully sensual

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21
Q

what technique is used to create vivid imagery?

A

boland uses onomatopoeia

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22
Q

an example of onomatopoeia in the opening lines

A

clip clop

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23
Q

what does the use of the onomatopoeia clip clop in the opening lines do?

A

evokes the sound of the horse’s hooves

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24
Q

what does the word ‘casual’ and the description of the earth ‘innocent coinage’ suggest?

A

they suggest the thoughtless and senseless actions of the horse

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25
Q

what two quotes suggests the thoughtless and senseless actions of the horse

A
  1. use of the word ‘casual’

2. the description of the earth- ‘innocent coinage’

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26
Q

what does the rhythm of the 5th and 6th lines do?

A

the rhythm of the 5th and 6th lines brilliantly evokes the movement of the horse

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27
Q

example of internal rhyme

A

hock/fetlock

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28
Q

example of end-line rhyme

A

(feather/tether)

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29
Q

alliterative sound

A

f

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30
Q

what contributes to the conveying the movement of the horse in the opening lines (4)

A

internal rhyme, end line rhyme, alliterative sounds and run-on line

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31
Q

what does internal rhyme, end-line rhyme, alliterative sound and and run-on line convey

A

the movement of the horse

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32
Q

what suggests the freedom of the horse between stanzas 3-4

A

a run-on line

33
Q

what sounds shift in line 7

A

shift from broad vowel sounds to clipped sounds in line 7

34
Q

3 examples from broad vowel sounds

A

ambling, loosed, daily

35
Q

what do the hard consonant sounds suggest in the opening lines

A

the hard consonant sounds suggest strength and threat that the horse represents

36
Q

where is there an example of sibilance

A

in line 8

37
Q

what does the sibilance in line 8 suggest

A

how close the horse is and the threat of his intrusion

38
Q

what type of image does the sibilance in line 8 represents (2)

A

a wonderful aural image

39
Q

rhythm in line 9

A

an abrupt rhythm

40
Q

what disrupts the flow in line 9 ?

A

the full stops

41
Q

what do the full stops do in line 9?

A

it disrupts the flow

42
Q

what personal aspect of the poet is reflected by the disrupted flow

A

the poet’s anxiety and relief

43
Q

language in line 9

A

language is simple

44
Q

image in line 9

A

image is one of relief

45
Q

what does Boland do in lines 10-20

A

she moves beyond the local event in the suburb to history

46
Q

what does the language in lines 10-20 acquire?

A

it acquires a symbolic and political dimension

47
Q

what does the tone become in lines 10-20? (2)

A

the tone becomes ironic and accusatory

48
Q

in lines 10-20, what does the imagery revolve around

A

the images revolve around the figures of speech

49
Q

what do the figures of speech that the images revolve around do?

A

they draw comparisons between the destruction of wrought by the horse and that of war

50
Q

3 examples of the word only used

A

only a leaf
only a rose
only a crocus

51
Q

the word only is used…

A

the word only is used ironically

52
Q

the reality of the leaf, the rose and the crocus

A

the reality is that they are lost and this justification is banal and immoral because it seeks to excuse apathy and indifference

53
Q

the poems language in lines 10-20 is _____ _______ in its use of _______

A

the poems language is deliberately political in its use of war imagery

54
Q

what does Boland link the damaged flowers to?

A

she links the damaged flowers to bodies mutilated and killed in war

55
Q

what type of language does the language assume in lines 10-20

A

the language assumes a distinctly violent dimension

56
Q

3 examples of violent language in lines 10-20

A

a maimed limb
screamless dead
like corpse

57
Q

what do the comparisons lack in lines 10-20

A

the comparisons lack subtle nuances of metaphor

58
Q

why do the comparisons lack the subtle nuances of metaphor ?

A

because they are emphasised in rather too obvious similes

59
Q

what is the intention of the obvious similes

A

the intention is to criticise disaffection

60
Q

what does the poem focus on in lines 10-20 (2)

A
  1. the poem focuses on an implicit conflict between the settled and travelling communities
  2. and the attitudes of people in the south to people in the north
61
Q

example of poet conveying the attitudes of people in the south to people in the north

A

But we, we are safe, our unformed fear

Of fierce commitment gone; why should we care

62
Q

WHAT DO THESE LINES DO
But we, we are safe, our unformed fear
Of fierce commitment gone; why should we care

A

these lines question the smug selfishness of people who distance themselves from atrocities they hear about, preferring to refer to them as ‘remote’

63
Q

what do lines 21-24 convey?

A

they convey the awkwardness and the unknowing movement of the horse

64
Q

the word stumble is used twice, what does this do?

A

it emphasises the clumsy actions of the horse, unconscious of the damaged caused, oblivious to it

65
Q

what is the real image of in lines 21-24?

A

the real image is one of moral cowardice, a kind of selfish disregard displayed by neighbours who don’t wish to get involved, who need to remain at a distance, and who hide in the houses using ‘the subterfuge’/’of curtains’

66
Q

what does boland reference when she says ‘the subterfuge’/’of curtains’

A

the attitudes of those in the south to the problems of the north

67
Q

what do the people in the south do

A

they are at a remove and remain deliberately unmoved by the troubles

68
Q

how does boland describe the inaction of the people in the republic

A

such inaction, such such neglect and disregard are portrayed as moral cowardice, and as a kind of smugness

69
Q

when does the poet admit her own relief

A

she admits her own relief when the horse moves on from her own vicinity

70
Q

how are the tension and relief wonderfully evoked

A

they are wonderfully evoked in the rhythms of the short punctuated lines ; thankfully passing us, i pause, wait

71
Q

what is the most powerful section of the poem?

A

lines 25-30

72
Q

what is the language in lines 25-30

A

based on metaphor, not on simile

73
Q

what do the images combine in the final lines?

A

the images manage to to combine worlds history and the present, as well as focusing on the central motif of the horse

74
Q

quote in the final lines that conveys the damage done by the horse

A

‘that rose he smashed’/’ribboned across our hedge’

75
Q

what does the damage done by the horse remind her of?

A

it reminds her of the injustices endured by the iris throughout history

76
Q

what image is conveyed in the line

‘of burned countryside’

A

an image of the terrors of english colonialism

77
Q

what image is conveyed by the line

‘a cause ruined before, a world betrayed’

A

in these lines the poet presents and image of irish history with its violence and disappointments

78
Q

3 components of the powerful climax of the poem in the final lines of the poem

A

the damage done by the horse, the spectre of the north and the patterns of irish history