The War Horse Flashcards

1
Q

How many dimensions in this poem?

A

2

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

how would you describe the dimensions in this poem?

A

two distinct dimensions

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

what are the two dimensions in this poem?

A
  1. the damage a wandering horse does to the gardens of suburban houses
  2. a commentary upon the attitudes of people in the south to the troubles in the north
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

what is the real component of the poem?

A

the horse, trampling through the gardens of suburban houses

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

what is the symbolic component of the poem?

A

represents the unpredictable violence of the northern conflict

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

regarding the two components of the poem , what two types of poem is this

A

both a dramatic lyric and a political poem

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

the poem makes important points about… (2)

A

the poem makes important points about morality and commitments

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

the form or structure tends towards the…

A

the form or structure tends towards the mechanical

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

the poem is written in..

A

the poem is written in couplets that are stanzas

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

it sometimes appears ____ and ______ in its descriptions

A

it sometimes appears constrained and self-conscious in its descriptions

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

what comparison is heavy handed in the poem?

A

sometimes the comparison between the actions of the horse and the situation in the north is heavy handed

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Boland makes overuse of…

A

Boland makes overuse of simile

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

the comparisons in the poem are…

A

the comparisons in the poem are rather blunt

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

what do the rather blunt comparisons do to the poem?

A

the rather blunt comparisons tend to diminish the theme to the level of message or moral

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

the opening line of the poem is… (2)

A

the opening line of the poem is dramatic and abrupt

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

language in the opening lines

A

the language is colloquial

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

the style in the opening line

A

the style is anecdotal

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

what causes dramatic immediacy in the opening lines

A

the use of the present tense causes dramatic immediacy

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

what does the use of the present tense in the opening lines do?

A

the use of the present tense causes dramatic immediacy

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

in the opening lines the imagery is…

A

the imagery is wonderfully sensual

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

what technique is used to create vivid imagery?

A

boland uses onomatopoeia

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

an example of onomatopoeia in the opening lines

A

clip clop

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

what does the use of the onomatopoeia clip clop in the opening lines do?

A

evokes the sound of the horse’s hooves

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

what does the word ‘casual’ and the description of the earth ‘innocent coinage’ suggest?

A

they suggest the thoughtless and senseless actions of the horse

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
25
what two quotes suggests the thoughtless and senseless actions of the horse
1. use of the word 'casual' | 2. the description of the earth- 'innocent coinage'
26
what does the rhythm of the 5th and 6th lines do?
the rhythm of the 5th and 6th lines brilliantly evokes the movement of the horse
27
example of internal rhyme
hock/fetlock
28
example of end-line rhyme
(feather/tether)
29
alliterative sound
f
30
what contributes to the conveying the movement of the horse in the opening lines (4)
internal rhyme, end line rhyme, alliterative sounds and run-on line
31
what does internal rhyme, end-line rhyme, alliterative sound and and run-on line convey
the movement of the horse
32
what suggests the freedom of the horse between stanzas 3-4
a run-on line
33
what sounds shift in line 7
shift from broad vowel sounds to clipped sounds in line 7
34
3 examples from broad vowel sounds
ambling, loosed, daily
35
what do the hard consonant sounds suggest in the opening lines
the hard consonant sounds suggest strength and threat that the horse represents
36
where is there an example of sibilance
in line 8
37
what does the sibilance in line 8 suggest
how close the horse is and the threat of his intrusion
38
what type of image does the sibilance in line 8 represents (2)
a wonderful aural image
39
rhythm in line 9
an abrupt rhythm
40
what disrupts the flow in line 9 ?
the full stops
41
what do the full stops do in line 9?
it disrupts the flow
42
what personal aspect of the poet is reflected by the disrupted flow
the poet's anxiety and relief
43
language in line 9
language is simple
44
image in line 9
image is one of relief
45
what does Boland do in lines 10-20
she moves beyond the local event in the suburb to history
46
what does the language in lines 10-20 acquire?
it acquires a symbolic and political dimension
47
what does the tone become in lines 10-20? (2)
the tone becomes ironic and accusatory
48
in lines 10-20, what does the imagery revolve around
the images revolve around the figures of speech
49
what do the figures of speech that the images revolve around do?
they draw comparisons between the destruction of wrought by the horse and that of war
50
3 examples of the word only used
only a leaf only a rose only a crocus
51
the word only is used...
the word only is used ironically
52
the reality of the leaf, the rose and the crocus
the reality is that they are lost and this justification is banal and immoral because it seeks to excuse apathy and indifference
53
the poems language in lines 10-20 is _____ _______ in its use of _______
the poems language is deliberately political in its use of war imagery
54
what does Boland link the damaged flowers to?
she links the damaged flowers to bodies mutilated and killed in war
55
what type of language does the language assume in lines 10-20
the language assumes a distinctly violent dimension
56
3 examples of violent language in lines 10-20
a maimed limb screamless dead like corpse
57
what do the comparisons lack in lines 10-20
the comparisons lack subtle nuances of metaphor
58
why do the comparisons lack the subtle nuances of metaphor ?
because they are emphasised in rather too obvious similes
59
what is the intention of the obvious similes
the intention is to criticise disaffection
60
what does the poem focus on in lines 10-20 (2)
1. the poem focuses on an implicit conflict between the settled and travelling communities 2. and the attitudes of people in the south to people in the north
61
example of poet conveying the attitudes of people in the south to people in the north
But we, we are safe, our unformed fear | Of fierce commitment gone; why should we care
62
WHAT DO THESE LINES DO But we, we are safe, our unformed fear Of fierce commitment gone; why should we care
these lines question the smug selfishness of people who distance themselves from atrocities they hear about, preferring to refer to them as 'remote'
63
what do lines 21-24 convey?
they convey the awkwardness and the unknowing movement of the horse
64
the word stumble is used twice, what does this do?
it emphasises the clumsy actions of the horse, unconscious of the damaged caused, oblivious to it
65
what is the real image of in lines 21-24?
the real image is one of moral cowardice, a kind of selfish disregard displayed by neighbours who don't wish to get involved, who need to remain at a distance, and who hide in the houses using 'the subterfuge'/'of curtains'
66
what does boland reference when she says 'the subterfuge'/'of curtains'
the attitudes of those in the south to the problems of the north
67
what do the people in the south do
they are at a remove and remain deliberately unmoved by the troubles
68
how does boland describe the inaction of the people in the republic
such inaction, such such neglect and disregard are portrayed as moral cowardice, and as a kind of smugness
69
when does the poet admit her own relief
she admits her own relief when the horse moves on from her own vicinity
70
how are the tension and relief wonderfully evoked
they are wonderfully evoked in the rhythms of the short punctuated lines ; thankfully passing us, i pause, wait
71
what is the most powerful section of the poem?
lines 25-30
72
what is the language in lines 25-30
based on metaphor, not on simile
73
what do the images combine in the final lines?
the images manage to to combine worlds history and the present, as well as focusing on the central motif of the horse
74
quote in the final lines that conveys the damage done by the horse
'that rose he smashed'/'ribboned across our hedge'
75
what does the damage done by the horse remind her of?
it reminds her of the injustices endured by the iris throughout history
76
what image is conveyed in the line | 'of burned countryside'
an image of the terrors of english colonialism
77
what image is conveyed by the line | 'a cause ruined before, a world betrayed'
in these lines the poet presents and image of irish history with its violence and disappointments
78
3 components of the powerful climax of the poem in the final lines of the poem
the damage done by the horse, the spectre of the north and the patterns of irish history