The State And Cultural Change 1917-53 Flashcards

1
Q

What did Soviet leaders believe about art?

Summarise the changes 17-53?

A

That it was a powerful tool for winning over the public

1917-53: soviet art changed dramatically—
From radical avant-garde works to more traditional socialist realism

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2
Q

What was proletkult?

A

Following the October Revolution, some commies tried to stimulate the growth of a TRULY PROLETARIAN form of art.

Anatoly Lunacharsky— new People’s Commissar of Enlightenment— established Proletkult— the proletarian culture movement— help nurture artistic talent among working people

By 1920– proletkult:
• set up 300 studios across Russia
• published Gorn— monthly magazine, showcases work of proletarian artists.

Lunacharsky hoped his changes would lead Workers to make art reflecting their own experiences and the values of the new society.

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3
Q

Why was Lenin against proletkult?

A

(Critical of it and Lunacharsky’s philosophy)

Lenin argued that the best culture was universal: neither bourgeois nor proletarian; rather, it reflected the human spirit

ALSO:
• believed the work produced under proletkult was tooooo avant-garde for working people to understand
• proletkult independent of Party control- worried Lenin

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4
Q

What happened to proletkult bc of Lenin?

A

October 1920–

Proletkult lost its independence, became part of the Commissariat for Education

Funds for radical projects were cut,
Money diverted to traditional arts eg. Ballet

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5
Q

What was the avant-garde?

A
The revolution led to a new movement among painters, sculptors, film-makers— they were inspired, experimented with new styles and techniques to generate a new, revolutionary art— experimented with a variety of influences:
• chance 
• geometric shapes 
• technology 
• influence of dreams
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6
Q

How did avant-garde artists collaborate with the Communist government?

A

Produced propaganda:
• Vladimir MAYAKOVSKY— simple graphic posters during the civil war
• Alexander RODCHENKO— most famous a-g photographer: used techniques such as photomontage to make posters celebrating the revolution
• Dziga VERTOV— experimental film maker, used experimental techniques such as slow motion to produce a series of documentary films called Kino-Pravda (film-truth)

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7
Q

What were Stalin’s views on art?

A

Strong.

Suspicious of the avant-garde and experimental techniques.

Argued that art should use the traditional techniques to serve the government.

Early 1930s, this approach became known as “Socialist Realism”

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8
Q

What happened to painting under socialist realism?

A

realistic— like photographs

Socialist— paintings of factory construction/ workers producing raw materials

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9
Q

What were the implications for literature under socialist realism?

A

Novels:

  • had to have a plot that ordinary people could follow
  • had to focus on a subject related to building socialism

Fyodor Gladkov 1924 Cement— held up as an example:
A group of workers who, after having played a major role in the civil war, reconstruct a cement factory

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10
Q

What impact did socialist realism have on the cult of personality?

A

Lenin and Stalin became the focus of paintings & art

Fedor Shurpin — Morning of Our Motherland (1949)— Stalin standing in a landscape transformed by collectivisation and industrialisation

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11
Q

Sum up soviet art 1917-53

A

Transformed:

1) FREE, EXPERIMENTAL, INDEPENDENT
2) dominated by GOVERNMENT CONTROL, highly CONSERVATIVE in style

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