The Spirit is too blunt an instrument Flashcards

1
Q

What is the main theme of the poem? (The Spirit is too Blunt an Instrument)

A

The poet describes the experience of meeting a baby, wondering at the physical perfection and marvelling at the power of the chaotic mind

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2
Q

Paragraph 1? (The Spirit is too Blunt an Instrument)

A

Stevenson initially introduces the contrast between the intricate and the chaotic mind, whilst looking at a baby

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3
Q

Quotes for paragraph 1? (The Spirit is too Blunt an Instrument)

A

‘the spirit is too blunt an instrument’
‘nothing so unskilful as human passions could have managed the intricate exacting particulars’
‘blind bones […] manipulating tendons […] knee and the knucklebones’

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4
Q

‘the spirit is too blunt an instrument’

A

Line holds weight because it’s the first line and the title
The word instrument is a particularly concrete noun to describe a baby which is shocking to the reader and, despite what one may think, describes the ‘spirit’ using a concrete noun and rendering it useless

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5
Q

‘nothing so unskilful as human passions could have managed the intricate exacting particulars’

A

human passions —> soft sounds
vs
exacting particulars —> hard sounds
Cannot believe that messy human passion could create perfect intricacies but at the same time acknowledges the role that passion plays in

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6
Q

‘blind bones […] manipulating tendons […] knee and the knucklebones’

A

blind bones —> alliteration, emphasises the flow of the body
knee and knucklebones —> “
manipulating tendons —> “
concrete nouns, unemotional connection with the baby emphasises disbelief

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7
Q

Paragraph 2? (The Spirit is Too Blunt an Instrument)

A

The poet’s focus shifts to the inner body parts that are much smaller to emphasise the intricacies of human physical form.

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8
Q

Quotes for paragraph 2? (The Spirit is Too Blunt an Instrument)

A

‘miniature to minute’
‘Observe the distinct eyelashes and sharp crescent fingernails, the shell like complexity of the ear’
‘through which the completed body already answers to the brain’

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9
Q

‘miniature to minute’

A

alliteration emphasises the flow of the body and the shift
marks the shift from visible to invisible
shows the small and intricate details

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10
Q

‘Observe the distinct eyelashes and sharp crescent fingernails, the shell like complexity of the ear’

A

asyndetic list, enjambement, imperative —> shows the poet’s passion by creating momentum which is ironic and draws upon the main theme of the poem which depicts the contrast between the body and the mind

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11
Q

‘the completed body already answers to the brain’

A

despite the brain’s ‘bluntness’, the poet acknowledges it’s role in humanity and within the body
marks the shift towards the focus on emotions

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12
Q

Paragraph 3? (The Spirit is Too Blunt an Instrument)

A

Stevenson shifts her focus to her more emotional side addressing the importance of the soul and what it means to be alive.

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13
Q

Quotes for paragraph 3? (The Spirit is Too Blunt an Instrument)

A

‘body’s ignorant precision’
‘name any passion or sentiment possessed of the simplest accuracy’
‘no, no desire or affection could have done with practice what habit has done perfectly’

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14
Q

‘body’s ignorant precision’

A

oxymoronic
precision without conciousness
the brain is unpredictable and chaotic

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15
Q

‘no, no desire or affection could have done with practice what habit has done perfectly’

A

ironic because that is what happens
emotion lacks skill yet holds such weight
habit is unconscious yet responsible for so much intricacy

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16
Q

‘name any passion or sentiment possessed of the simplest accuracy’

A

imperative —> shows her passion
shift to abstract nouns

17
Q

conclusion? (The Spirit is Too blunt an Instrument)

A

burden of the mind but also the depth of it