The Romantics Part 1 Flashcards
3 big things I must know about The Romantics ?
1) English Romanticism
2) Samuel Taylor Coleridge
3) William Wordsworth
English Romanticism : About ? (2)
1) Awakening of sensibility in the mid-18th century
2) Sensibility
The Rise of English Romanticism ? (4)
➢ Love of liberty, general independence:
Neoclassical rules were never going to be
followed to the letter
➢ Translation of Longinus’ On the Sublime into
French; widely read in England; poets
influenced by the emphasis on transport and
rapture
➢ Spirit of free thinking inspired by French
Revolution (1789-1799); American War of
Independence (1775-1783)
➢ Men of genius (Coleridge and Wordsworth)
voiced their protest against neoclassical rules;
Wordsworth’s Preface to The Lyrical Ballads
became the unofficial manifesto for
Romanticism
English Romanticism : Characteristics ? (5)
➢ Romantic criticism ignores (neoclassical) rules of
judgement; the worth of the work is judged by
the impression it leaves upon the individual
➢ Concerned with the fundamentals: the essence of poetry, the creative process; matters of style, genre and diction are unimportant
➢ Imagination and emotion are emphasised over reason, good sense and imitation
➢ The ultimate function of poetry is pleasure; it
instructs (utile) through pleasure
➢ Creativity: criticism becomes a creative process in itself
3 big things I have to know about Samuel Taylor Coleridge ?
1) about
2) Lectures on Shakespeare and Other Poets
3) Biographia Literaria
STC : Imagination and Fancy
Imagination:
split into primary and secondary; both
distinguished from fancy
➢ Primary: receiving sense-perception from
the outside world
‘…the living power and prime agent of all
human perception’
➢ Secondary: reshapes sense-perceptions into
objects of beauty, a ‘magical, synthetic power’
that is at the heart of all poetic creation
‘…identical with the former in the kind of its
agency, and differing only in degree and in
the mode of its operation…it dissolves,
diffuses, dissipates in order to recreate; or…it
struggles to idealise and unify’
Fancy: not a creative power; it can
combine disparate elements into beautiful
objects; but it cannot unify
‘…has no other counters to play with but
fixities and definites…no other than a
mode of memory emancipated from the
order of time and space; and blended with
and modified by that empirical
phenomenon of the will which
[one[ expresses by the word choice…but
equally with the ordinary memory it must
receive all its materials ready made from
the law of association’
STC : The Functions of poetry/organic poetry (6)
To give pleasure
In an ideal society, truth might be the ultimate
end (thus giving pleasure)
But in our imperfect society, pleasure in itself
can be an immediate end without regard for
truth or morality
A poem must have organic unity; while
pleasure can be drawn from each part, it must
correspond to or assist in the transmittance of
pleasure of the whole
Ornaments cannot be stuck on for their own
sake if they do not serve the purpose of the
whole (pleasure superadded)
Thus, pleasure > instruction (in a sense, dulce
> utile)
STC : Poem and Poetry
Poetry is the creative activity of
the poet’s mind; a poem is
merely one of the forms of its
expression
Willing suspension of disbelief
‘the poet does not require us to be
awake and believe; he solicits us only
to yield ourselves to a dream; and
this, too, with our eyes open…’
2 big things I have to know about William Wordsworth ?
1) about
2) Preface to the Lyrical Ballads
WW : Poetry gives pleasure because ? (4)
i) it imitates nature well, and a thing wellimitated causes pleasure
ii) it increases the reader’s knowledge of the
primary nature of man
iii) it arouses sympathy; sympathy brings inner
satisfaction
iv) it increases the reader’s knowledge of the
essence of man and nature
WW : function of poetry ?
solely to give pleasure
WW : 4 stages of poetic creation ?
i) observation
ii) recollection
iii) contemplation
iv) imaginative excitement of past emotions
5 Sensibility ?
➢ Sensation over perception
➢ Capacity for refined emotion
➢ Sensitivity to nature
➢ Sympathy for human suffering
➢ Impression; individualism