The rebirth of art Flashcards

1
Q

The renaissance period came after the ___________________.

A

middle ages

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2
Q

This country played a pivotal role in the emergence of the Renaissance style of visual and decorative art in the last part of the 14th century.

A

Italy

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3
Q

Also known to reflect the splendor of individual experience and beauty of nature.

A

Renaissance

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4
Q

Renaissance art became a major inspiration for the Grand tour, and it was a dominant style until ___________________ and the ________________ challenged its dominance.

A

Pablo Picasso and Cubist movement

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5
Q

The early forms of Renaissance art evident in the late ___ and ___ centuries were called “____________________.”

A

13th, 14th, proto-renaissance

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6
Q

Both of these writers had high regard for languages, values, and intellectual traditions that went stagnant long after the Roman empire fell in the sixth century.

A

Petrarch and Giovanni Boccaccio

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7
Q

A painter from Florence, was the most noteworthy Proto-renaissance artist. He became famous for his advanced techniques and realistic representations of the human body.

A

Giotto di Bondone

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8
Q

The frescoes in the cathedrals at Assisi, Rome, Padua, Florence, and Naples was claimed to be Giotto’s works. True or False?

A

False. Giotto having made these frescoes remain to be unverified up to this day.

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9
Q

It became the site of a renewed interest for philosophy, religion, and art reminiscent of ancient Greece and Rome.

A

Florence

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10
Q

He became famous for his frescoes of a church and a chapel in Florence, Holy trinity in the Church of Santa Maria Novella and the Brancacci Chapel of the Church of Santa Maria del Carmine.

A

Tommaso di Ser Giovanni “Masaccio” di Simone

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11
Q

In the latter part of the 17th century, Florence was slowly losing its position as the principal center of Renaissance art in Italy. True or False?

A

False. It was during the latter part of the 15th century.

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12
Q

He was also known for his mastery of oil painting.

A

Leonardo da Vinci

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13
Q

He was probably the finest painter of the High Renaissance.

A

Raffaello “Raphael” Sanzio da Urbino

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14
Q

Known for his illusionistic Assumption of the Virgin at the Parma Cathedral.

A

Antonio da Correggio

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15
Q

The leading architect during the High Renaissance.

A

Donato Bramante

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16
Q

He made a name for himself for his murals found at some portions of the Sistine Chapel and for his frescoes at the Orvieto Cathedral.

A

Luca Signorelli

17
Q

He was believed to be a great influence on Michelangelo.

A

Luca Signorelli

18
Q

High Renaissance was “the culmination of all Italian art, a process that began with Giotto in the late 13th century.” Who wrote this and what book was this written in?

A

Author: Giorgio Vasari
Book: Lives of the most Eminent painters, sculptors, and architects

19
Q

This artistic style focused on artificiality, as opposed to the idealized naturalism of High Renaissance art.

A

Mannerism

20
Q

Mannerist style, as described by Vasari, is merely “a bridge between idealized style of _________________ and the dramatic theatricality of the ________.

A

Renaissance art, Baroque

21
Q

The effect that is achieved through ________________ can be likened by looking through a window and painting what you see on the window pane exactly how you see it.

A

Linear perspective

22
Q

This refers to the point at which parallel lines appear to converge far in the distance, often on the horizon line.

A

Vanishing point

23
Q

This may be understood as the line representing the viewer’s eye level.

A

Horizon line

24
Q

_________ was observable in architectural forms and specific shapes, and styles were used that characterized the period.

A

Symmetry

25
Q

He participated in a competition on designing the new set of doors for the baptistery of the cathedral of Florence and became one of the masters of sculpture during his time.

A

Filippo Brunelleschi

25
Q

It created soft and almost unnoticeable transitions between tones and colors.

A

fine shading or sfumato

26
Q

Reminiscent of the Classical period, _________ was a primary indicator of beauty, as Renaissance architects valued harmony between human proportions and the structures they built.

A

proportion

27
Q

He was famous for the naturalism evident in his Madonna pieces.

A

Raphael

28
Q

Who made the Ognissanti Madonna?

A

Giotto di Bondone

29
Q

Who made the Gates of paradise?

A

Lorenzo Ghiberti

30
Q

Who made the Holy Trinity fresco?

A

Tommaso di Ser Giovanni “Masaccio” di Simone

31
Q

Who made the ceiling frescoes of the Sistine Chapel?

A

Michelangelo

32
Q

Who made the Madonna of the Pinks or La Madonna dei Garofani?

A

Raphael

33
Q

Who made the illusionistic Assumption of the Virgin at the Parma Cathedral?

A

Antonio da Correggio

34
Q

Who made the San Zaccaria Altarpiece?

A

Giovanni Bellini