the psychology of the photoplay Flashcards

1
Q

Who wrote the psychology of the photoplay

A

Hugo Münsterberg

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2
Q

Inner Development

A

Film only exists in our mind. The Perception of 3D depth and movement is an inner development

Subjective

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3
Q

Outer Development

A

The objective technology : Screen, projector, film strip, photography

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4
Q

Is Depth an Inner or Outer development

A

Inner: Depth cues create the illusion of a added 3rd dimension which is not objectively present

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5
Q

What are four depth cues

A

Relative size
Movement
Perspective
Shadows

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6
Q

Cinema functions as a psychological truism, — and — are two different things

A

Knowledge and Perception

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7
Q

we suspend — so it does not interfere our —- with the fictional world and the —- we see on screen

A
  • disbelief
  • enjoyment
  • illusion
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8
Q

two forms of attention

A

voluntary and involuntary

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9
Q

Voluntary attention

A

internal motivation, what we choose to pay attention to

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10
Q

Involuntary attention

A

can be external and internal, the body responds to stimuli, like a reflex

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11
Q

What happens to attention when watching a film

A

we surreneder our attention to watch another persons act of watching

voluntary gets exchanged for involuntary. The motivation that usually comes from within comes from without

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12
Q

What is a close up a cinematic transformation of?

A

It is transformation of voluntary to involuntary

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13
Q

What can close ups do?

A

express the psychology of characters

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14
Q

What are the key ways cinema uses memory through editing?

A

Flash backs

Foreshadowing

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15
Q

How does cinema resemble ones imagination?

A

Cinema uses the freehand of the mind rather than that of the external world. In our imagination we can think of one place to the next, one object to the next.

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16
Q

How can film externalise characters emotions?

A

through the transformation of the surrounding environment