The Principles of Poor Theatre Flashcards

1
Q

What did Grotowski believe about ‘rich’ theatre?

A
  • the ‘rich’ is one that is rich in faults
  • it draws upon other disciplines but fails to produce a work of art that has integrity
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

What does the Rich Theatre do in its attempt to compete with film and television?

A
  • uses mechanical devices more appropriate for film & television
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

What do Rich Theatre conventions include?

A
  • realistic 3-dimesnional scenery
  • multitude of props
  • separate performance area (most commonly the proscenium arch stage)
  • accurate costuming
  • detailed make-up
  • realistic lighting
  • realistic sound effects
  • Stanislavskian acting
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

What did Grotowski propose?

A
  • ‘poverty in the theatre’ (poor theatre)
  • in which a new space is designed for actors and spectators for each new work
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

What did Grotowski do in his ‘Poor Theatre’ in terms of makeup?

A
  • eliminated makeup
  • insisted that the actors’ physical flexibility is infinitely more interesting than costumes or makeup
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

What did Grotowski do in his ‘Poor Theatre’ in terms of costuming?

A
  • wanted simple costumes that were purely functional
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

What did Grotowski do in his ‘Poor Theatre’ in terms of lighting?

A
  • had no elaborate lighting
  • he proposed that direct lighting and shadows can be utilised effectively without the need for elaborate lighting schemes and mechanisms
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

What did Grotowski do in his ‘Poor Theatre’ in terms of sound?

A
  • insisted that any music or sound effects be produced only by the actors themselves
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

What did Grotowski do in his ‘Poor Theatre’ in terms of props?

A
  • limited, multi-functional props
  • restricted to only those indispensable to the action
  • these were called ‘neutral’ props
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

What did Grotowski do in his ‘Poor Theatre’ in terms of the theatre space?

A
  • used a space that could be rearranged for various productions
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

What did Grotowski believe was required for theatre to take place?

A
  • the actor
  • the audience
  • a space
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

What did Grotowski believe was theatre’s unique quality and what did he refer to it as?

A
  • the possibility for direct contact, togetherness, and dialogue between the actors and the audience
  • he referred to this as the direct, live communion between performers and spectators
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

What did Grotowski believe that theatre could not exist without?

A
  • he believed that theatre could not exist without the actor-spectator relationship
How well did you know this?
1
Not at all
2
3
4
5
Perfectly