The Principles of Poor Theatre Flashcards
What did Grotowski believe about ‘rich’ theatre?
- the ‘rich’ is one that is rich in faults
- it draws upon other disciplines but fails to produce a work of art that has integrity
What does the Rich Theatre do in its attempt to compete with film and television?
- uses mechanical devices more appropriate for film & television
What do Rich Theatre conventions include?
- realistic 3-dimesnional scenery
- multitude of props
- separate performance area (most commonly the proscenium arch stage)
- accurate costuming
- detailed make-up
- realistic lighting
- realistic sound effects
- Stanislavskian acting
What did Grotowski propose?
- ‘poverty in the theatre’ (poor theatre)
- in which a new space is designed for actors and spectators for each new work
What did Grotowski do in his ‘Poor Theatre’ in terms of makeup?
- eliminated makeup
- insisted that the actors’ physical flexibility is infinitely more interesting than costumes or makeup
What did Grotowski do in his ‘Poor Theatre’ in terms of costuming?
- wanted simple costumes that were purely functional
What did Grotowski do in his ‘Poor Theatre’ in terms of lighting?
- had no elaborate lighting
- he proposed that direct lighting and shadows can be utilised effectively without the need for elaborate lighting schemes and mechanisms
What did Grotowski do in his ‘Poor Theatre’ in terms of sound?
- insisted that any music or sound effects be produced only by the actors themselves
What did Grotowski do in his ‘Poor Theatre’ in terms of props?
- limited, multi-functional props
- restricted to only those indispensable to the action
- these were called ‘neutral’ props
What did Grotowski do in his ‘Poor Theatre’ in terms of the theatre space?
- used a space that could be rearranged for various productions
What did Grotowski believe was required for theatre to take place?
- the actor
- the audience
- a space
What did Grotowski believe was theatre’s unique quality and what did he refer to it as?
- the possibility for direct contact, togetherness, and dialogue between the actors and the audience
- he referred to this as the direct, live communion between performers and spectators
What did Grotowski believe that theatre could not exist without?
- he believed that theatre could not exist without the actor-spectator relationship