The Lord Of The Flies Flashcards

You may prefer our related Brainscape-certified flashcards:
1
Q

PIGGY
“HCTSR”

A

“he caressed the shell respectfully”
-intelligent representative of civilization which can be weak CIVILISATION

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2
Q

PIGGY
“IGTCJYL!”

A

“I got the conch! Just you listen!”- he suggests using the conch, he organises the boys LAW AND ORDER

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3
Q

PIGGY
“L…IS”

A

“Life is scientific”- he tried to give boys rational scientific advice PARENTAL VOICE

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4
Q

PIGGY
“PWAO…BA…BF…S”

A

“Piggy was an outsider..by accent..by fat..specs.”- his usefulness to the group is limited as he isn’t seen as a leader/hes a weak person/OUTSIDER in a predatory environment

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5
Q

PIGGY
“YALACOK”

A

“Youre acting like a crowd of kids.”-maturity+sensible than others-> irony to insult+compare them to kids; even though that is exactly what they are PARENTAL VOICE

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6
Q

PIGGY
“WB,THRAAOTHAK?”

A

“Which better, to have rules and agree or to hunt and kill?”- rhetorical question-> intelligence+his need to maintain a social order among the boys
-> vital character- used to represent the rational, civilised side of us
CIVILISATION

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7
Q

PIGGY
“HCYETBRIYDPTFAAP”

A

“How can you expect to be rescued if you don’t put things first and act proper?”- vital character-> represents rational, civilised side of us
CIVILISATION

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8
Q

PIGGY
“HBD,RTTC,ATA”

A

“He bent down, removed the thorns carefully, and turned around.”- not careless, emphasises Piggy ‘not masculine’+’reckless’ like the others
OUTSIDER

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9
Q

PIGGY
“TF” “TANWCD” “ISIBSAT”

A

“Them fruit” “There ain’t nothing we can do.” “I’m sorry I been such a time” -different dialect/weaker language
-> lower class reinforcing stereotype that boys wouldn’t want to talk to him becasuse he opposes the more wealthy children- Jack+Simon OUTSIDER

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10
Q

What does Simon recognise?

A

-recognises real fear-> themselves
-the Boyd’s kill him when they hear this
-ironic-> their fear of the beast causes them to kill the person who could tell them the beast isn’t real
ENLIGHTENED BY HUMAN NATURE

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11
Q

Describe Simon’s connection with the island

A

-he picks fruit for the littluns
-his connection with island is intimate and intense
-Simon’s response is shaped by both ideas about society + civilisation
-or about the resources for survival the island offers
-but by an internal or spiritual focus which reflects his essential goodness
ENLIGHTENED BY HUMAN NATURE/CONNECTED WITH NATURE/CARE AND COMPASSION

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12
Q

RALPH/CIVILISATION
“IGTCTTNTS”

A

“I’ll give the conch to the next person to speak”-demonstrates his commitment to order and democratic principles
-LEADERSHIP AND AUTHORITY recognized when he blows the conch and gathers the group
-boys turn the him for guidance
-his role of chief is solidified through the democratic process as he is elected leader
CIVILISATION

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13
Q

How is Ralph introduced?

A

-natural leader who commands respect among the boys
-confidence and natural charisma attract attention of other boys
-exudes authority, yet is approachable and relatable LEADERSHIP AND AUTHORITY/CIVILISATION

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14
Q

RALPH
“ETPND”

A

“Eyes that proclaimed no devil.”-model body-> ideal boy in society both physically+morally (at the start)
ROLE MODEL FOR THE OTHER BOYS

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15
Q

RALPH/CIVILISATION
“TABU.IDUW.WBW;WWH.AT—..TPSGF.”

A

“Things are breaking up. I don’t understand why. We began well; we were happy. And then—..Then people started getting frightened.”- observant of breakdown of order/unity
-> ‘people started getting frightened’ highlights destructive power of fear+role in eroding trust in society
-> underscores his confusion+ frustration as he struggles to comprehend why they deteriorated into fear
DESIRE FOR ORDER AND STABILITY/LAW AND ORDER/CIVILISATION

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16
Q

RALPH
“RWFREOI,TDOMH,ATFTTAOAT,WFCP.”

A

“Ralph wept for the end of innocence, the darkness of man’s heart, and the fall through the air of a true, wise friend called Piggy.”
-‘darkness of man’s heart’-> metaphor for evil+struggles of boys
-‘fall’-> metaphor for P’s decline in
influence+power throughout
->Piggy feel through the air to his death
RECOGNITION OF THE LOSS OF INNOCENCE/UNDERSTANDING OF DEPTH OF HUMAN DARKNESS/DESIRE FOR ORDER AND STABILITY

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17
Q

RALPH/LEADERSHIP/CIVILISATION
“IC.IG.DA.”

A

“I’m chief. I’ll go. Don’t argue.”-> responsible/wiling for confront challenges
->teaches discipline
->determined + leads by example
->volunteering not delegating tasks
ROLE MODEL FIGURE/LEADER

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18
Q

RALPH
“TWS…TWM”

A

“That was Simon..that was murder”
-> ‘murder’ shows his moral awareness+understanding of their actions
-> Ralph still has a sense of right+wrong, despite the growing savagery growing among the other boys
MORAL AWARENESS

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19
Q

RALPH
“IPTCSUSG-U”

A

“If only they could send us something grown-up.”
-> shows he understands the responsibility+leadership
-> wants to maintain LAW AND ORDER/CIVILISATION

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20
Q

RALPH
“WIB-THRAA,OTHAK?”

A

“Which is better-to have rules and agree, or to hunt and kill?”
->challenges the boys to reflect on their choices
->+consider the moral implications of their actions
->COMMITMENT TO MAINTAINING LAW AND ORDER/CIVILISATION/MORAL AWARENESS

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21
Q

JACK
“HSAOATHG,S,S”

A

“He shouted an order and they hated, gasping, sweating, swaying.”
->authority/superiority
-> ’shouted’ and ‘order’- militaristic behaviour he is exhibiting upon first impression
->non finite verbs- choir fears him
-> TYRANNICAL LEADER/HARSH DICTATOR

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22
Q

RALPH
“HHASOLAR;HHTTABWTON”

A

“He had a sense of leadership and responsibility; he had to think about what the others needed.”-> thoughtful ROLE MODEL/SELFLESS

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23
Q

RALPH
“MAHM”

A

“Mildness about his mouth”-> kind+good natured
ROLE MODEL

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24
Q

JACK
“ASITD,ASTWJ,DIABTDA.”

A

“a stain in the darkness, a stain that was Jack, detached itself and began to draw away.”
->SYMBOLISES EVIL
-> ‘stain’ embodies something corrupt or tainted
->metaphor-he represents an element of darkness or moral decay in the group/ sinister influence

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25
Q

JACK
“MHWPYFTB”

A

“My hunters will protect you from the beast”
-> uses the others characters’ fear to get people to join his tribe
-> manipulates their emotions to get what he wants (control)
SYMBOLISES EVIL

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26
Q

JACK
THTLS”TCHS”

A

Treats his tribe like servants “The chief has spoken”
-> doesn’t see them as humans which may be why he can he hurt them so easily SYMBOLISES EVIL

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27
Q

JACK/SAVAGERY
“BS”

A

“Bloodthirsty snarling”->ANIMALISTIC
->Bloodthirsty’ craves violence/primal instincts
-> aggression+brutality, shift from civilised behaviour to primal, savage state

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28
Q

JACK/SAVAGERY
“JHTTFAMBHCRWRW”

A

“Jack had to think for a moment before he could remember what rescue was.”
->Jacks focus has shifted away from civilisation+rescue
->become more engrossed in savagery
ANIMALISTIC

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29
Q

JACK
“HSBHRAAHTSWAHS”

A

“He swung back his right arm and hurled the spear with all his strength.”
->aggressive, violent tendencies
ANIMALISTIC VIOLENCE

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30
Q

JACK
“IOTBC”

A

“I ought to be chief”
->desire for power/superiority/ HARSH DICTATOR, TYRANNICAL LEADER
-> authoritarian mindset from beginning

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31
Q

JACK
“NGTPAL”

A

“Not going to play any longer.”-> after he loses the second leadership vote
->views island situation as a game
->threat- not going to hold back or follow any rules anymore
PREFERS FUN RATHER THAN RESPONSIBILITY/DOESNT FULKY APPRECIATE CONSEQUENCES OF HIS VIOLENCE

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32
Q

JACK/SAVAGERY
“BTTR!”

A

“Bollocks to the rules!”
->rejects the rules when they don’t suit him/rejects civilisation
PREFERS FUN RATHER THAN RESPONSIBILITY/DOESNT FULLT APPRECIATE THE CONSEQUENCES OF HIS VIOLENCE

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33
Q

JACK
PHF,DSHAS’AS’

A

Paints his face, doesn’t see himself anymore, sees ‘awesome stranger’-> doesn’t feel responsible for his actions
DOESNT FULLY APPRECIATE CONSEQUENCES OF HIS VIOLENCE

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34
Q

JACK/SAVAGERY
“HGAAMARASARWHS”

A

“He got angry and made a rush and stabbed at Ralph with his spear.”
->violent reaction when challenged
->intolerance of dissent/opposition
TYRANNICAL LEADER

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35
Q

CIVILISATION
“WHTHRAOT.AA,WNS”

A

“We’ve got to have rules and obey them. After all, we’re not savages.”
-emphasises the need for rules and order
DEMOCRACY

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36
Q

CIVILISATION
“TCEIATWFACTE”

A

“The conch exploded into a thousand white fragments and ceased to exist.”
-destruction of the conch
-a symbol of order and democratic governance
-signals the breakdown of civilisation on the island
THE CONCH/LOSS OF CIVILISATION/STRUCTURE

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37
Q

CIVILISATION
“TW,TUALW,WSA”

A

“The world, that understandable and lawful world, was slipping away.”
->reflects the erosion of the civilised world
->gradual transition into chaos and savagery
CHAOTIC/LOSS OF STRUCTURE/CIVILISATION

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38
Q

CIVILISATION
“WCHETAO.WHTH’HU’LAS”

A

“We can’t have everybody talking at once. We’ll have to have ‘Hands up’ like at school.”
->create an organised method of communication
->reflects orderliness+structure of civilised societies
-> Suggests a connection to the civilized world they came from, using familiar practices to ensure orderly communication during assemblies
THE CONCH/DEMOCRACY

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39
Q

CIVILISATION
RLTC’STMWOTHACTDT’

A

Ralph lifted the conch. ‘Seems to me we ought to have a chief to decide things.
->early attempt to establish leadership on island
-> desire for order and governance
DEMOCRACY

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40
Q

CIVILISATION
“TCDCOTOTM”

A

“The conch doesn’t count on top of the mountain.”
->indicates beginning of breakdown of democratic principles
->some boys are starting to lose civilisation and disregard conchs authority
LOSS OF STRUCTURE

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41
Q

SAVAGERY/CIVILISATION
“KTP.CHT.SHB”

A

“Kill the pig. Cut her throat. Spill her blood.”
->descent into savagery
->ritualistic and violent nature
->increasingly savage normalised
-> brutal enjoyment of violence
CHAOTIC

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42
Q

SAVAGERY/CIVILISATION
“TMWATOIO,BWJH,LFSAS-C”

A

“The mask was a thing on its own, behind which Jack hid, liberated from shame and self-consciousness.” ->sheds his identity/freedom from society ->embracing inner savagery-> loss of individuality -> chaotic nature revealed when civilised constraints are removed
CHAOTIC

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43
Q

SAVAGERY/CIVILISATION

A

“They were savages. It was true;they were human”
-> underscores blurred line between savagery and humanity
LOSS OF CIVILISATION/STRUCTURE

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44
Q

PIGGY
“WRIR”

A

“What’s right is right” -> before his death -> his commitment to fairness contrasts with the increasing savagery, emphasising his symbolic role as the voice of reason. MARTYR FOR BOTH DEMOCRACY & ORDER

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45
Q

PIGGY
“TCSIATPACTB”

A

“The Conch shattered into a thousand pieces and ceased to be” -> the conch represents law + structure, + its destruction marks the complete disintegration of these ideals in the boys’ society, tied closely to Piggy’s death.
MARTYR FOR BOTH DEMOCRACY & ORDER

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46
Q

PIGGY
“IGTC”

A

“I got the conch” -> attachment to the conch reflects his dependence on order for survival + his hope that rules can maintain their society, making the fragility of the conch a reflection of his own vulnerability.(MARTYR FOR) LAW/DEMOCRACY & ORDER

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47
Q

PIGGY
“MEOAP”

A

“Martyred expression of a parent.” -> constantly trying to guide the boys with logic + concern (parental figure) -> shows his inability but foreshadows how the way he is actually martyred, dying for the preservation civilisation PARENTAL VOICE

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48
Q

CIVILISATION
“TCDCOTOTM”

A

“The conch doesn’t count on top of the mountain.” -> Jack’s statement reflects growing disregard for order + authority -> shows how the boys begin to reject the structures of civilisation established by the conch. CHAOTIC

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49
Q

CIVILISATION
“WNS.WEATEATBAE”

A

“We’re not savages. We’re English, and the English are best at everything.” -> illustrates the boys’ denial of their descent into chaos -> revealing a facade of civility that crumbles as their savagery increases. CHAOTIC

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50
Q

CIVLISATION
“BAWS…TSAPIHCTTS”

A

“Boys armed with sticks… the savagery and primal instinct had come to the surface.” ->highlights the boys’ transformation as they abandon civilized behaviour in favour of violence + aggression -> emphasising the chaotic nature of their society CHAOTIC

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51
Q

VIOLENCE
“WH.IBC”

A

“We’ll hunt. I’ll be chief.” ->Jack’s ambition to hunt + lead foreshadows his later embrace of violence, indicating his desire for dominance + control over the others.
THROUGH JACK

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52
Q

VIOLENCE
“HLBABS”

A

“His laughter became a bloodthirsty snarling.”-> transformation illustrates Jack’s enjoyment of violence -> the shift from laughter to a “bloodthirsty” demeanour highlights his growing savagery + excitement in the hunt.
THROUGH JACK

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53
Q

VIOLENCE
“TDTSAHWO”

A

“The desire to squeeze and hurt was over-mastering.” -> reveals Jack’s loss of control as his violent instincts overpower him -> reflecting the intoxicating allure of savagery.’
THROUGH JACK

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54
Q

VIOLENCE
“JFTTATHBSOHH”

A

“Jack found the throat and the hot blood spouted over his hands.” -> Jack’s act of killing signifies his complete surrender to savagery ->“hot blood” symbolizing the thrill he derives from violence
THROUGH JACK

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55
Q

VIOLENCE
“TCRR”

A

“The chant rose ritually.”->ritualistic chant indicates that violence is becoming a communal act ->normalising brutality as part of their identity.
RITUALISTIC

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56
Q

VIOLENCE
“TWASMOM”

A

“They were a solid mass of menace.” -> shows how the boys’ collective identity through violence fosters a sense of unity + strength in their savagery.
RITUALISTIC

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57
Q

VIOLENCE
“TBWOIK,ITB”

A

“The beast was on its knees, in the blood.” ->blood imagery indicates a violent culmination of their fears -> demonstrating how ritualistic violence serves to externalise their inner darkness.
RITUALISTIC

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58
Q

VIOLENCE
“TBTD,ATCMIOTV”

A

“They began to dance, and the circle moved in on the victim.” -> dance around the victim exemplifies how violence has become a performance ->reinforcing their savagery as a collective celebration.
RITUALISTIC

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59
Q

VIOLENCE
“WGGTT”

A

“What’s grownups going to think?”-> Piggy’s concern about adult judgment reflects the boys’ struggle between civility + their inherent violent tendencies -> showing how easily savagery can surface
INHERENT IN HUMAN NATURE

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60
Q

VIOLENCE “NW…TOTAC”

A

“No words… tearing of teeth and claws.” ->absence of communication during this violent act ->primal instincts that emerge when societal norms collapse -> showcasing violence as intrinsic to human nature.
INHERENT IN HUMAN NATURE

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61
Q

VIOLENCE
“PFFFALOHBATSRRITS”

A

“Piggy fell forty feet and landed on his back across the square red rock in the sea.” ->Piggy’s brutal death signifies the tragic culmination of inherent violence among the boys -> reflects the devastating consequences of their moral decay + highlights the destructive potential within human nature.
INHERENT IN HUMAN NATURE

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62
Q

VIOLENCE
“TGTHYT!”

A

“They’re going to hunt you tomorrow!” ->threat reveals the boys’ descent into savagery ->showing that violence has become a premeditated + accepted part of their interactions ->inherent aggression.
INHERENT IN HUMAN NATURE

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63
Q

SIMON
“WHSSTMHA”

A

“What he saw seemed to make him afraid” ->his fear indicates his deep understanding of the island’s moral decay ->shows his sensitivity to the evil that lurks beneath the surface ->foreshadowing the tragic events that unfold as he confronts the darkness within the boys
INSIGHTFUL & PERCEPTIVE

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64
Q

SIMON
“MTINB…MIOU”

A

“Maybe there is no beast…maybe it’s only us.”-> Simon’s perception that the true source of fear + savagery lies within the boys themselves -> underscores the theme of innate human evil, suggesting that external monsters are reflections of internal moral decay
INSIGHTFUL & PERCEPTIVE

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65
Q

SIMON
“STOTB,TRBHISTPOAHAOHAS”

A

“Simon thought of the beast, there rose before his inward sight the picture of a human at once heroic and sick.” -> captures Simon’s unique perspective on humanity, recognising that individuals can embody both nobility + corruption ->understanding of this duality emphasises his role as a prophetic figure, aware of the complexities of human nature that others overlook
INSIGHTFUL & PERCEPTIVE

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66
Q

SIMON
“HGWGBTA,IR”

A

“His gaze was held by that ancient, inescapable recognition.”-> reveals Simon’s awareness of the timeless nature of human darkness -> reinforcing his tragic isolation as he confronts this reality.
INSIGHTFUL & PERCEPTIVE

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67
Q

SIMON
“ITWOTCTM”

A

“I think we ought to climb the mountain.”-> proactive suggestion highlights Simon’s initiative to seek the truth ->showcasing his spiritual depth and contrast with the chaos around him
INSIGHTFUL & PERCEPTIVE

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68
Q

SIMON
“SDBMOTTOS”

A

“Simon’s dead body moved out towards the open sea.” ->body drifting away signifies the departure of moral clarity + purity from the island ->marking the tragic end of innocence amidst the growing savagery.
CHRIST-LIKE FIGURE

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69
Q

SIMON
“TWRFADSCWB”

A

“The water rose further and dressed Simon’s coarse hair with brightness.” ->imagery elevates Simon’s death to a spiritual level ->portraying him as a martyr whose purity + goodness shine through even in death.
CHRIST-LIKE FIGURE

70
Q

SIMON
“TLOHCS,ATTOHSBSM”

A

“The line of his cheek silvered, and the turn of his shoulder became sculptured marble.” ->emphasizes Simon’s transformation into a symbol of divinity -> reflecting the idealized qualities of transcendence associated with his character.
CHRIST-LIKE FIGURE

71
Q

SIMON
“ABOTH”

A

“A body on the hill.” ->underscores the irony of Simon’s demise, as his death ->intended to unveil the truth -> ultimately triggers an escalation of chaos and brutality among the boys.
CHRIST-LIKE FIGURE

72
Q

SIMON
“SBIIHETEMEI”

A

“Simon became inarticulate in his effort to express mankind’s essential illness.” -> inability to articulate his insights reveals the depth of his understanding + emphasises his loneliness as others fail to grasp the gravity of his message.
ISOLATED & MISUNDERSTOOD

73
Q

SIMON
“SEFAHIR”

A

“Simon’s effort fell about him in ruins.” -> illustrates the hopelessness of Simon’s attempts to share his thoughts ->reinforcing his alienation as he confronts a society unwilling to listen.ISOLATED & MISUNDERSTOOD

74
Q

SIMON
“SWCOSAADMOAH”

A

“Simon was crying out something about a dead man on a hill.” -> signify his urgent need to communicate the truth, yet his message remains ignored ->highlighting his tragic fate as a misunderstood prophet.ISOLATED & MISUNDERSTOOD

75
Q

SIMON
“S,VLB” “SH” “BAC”

A

“Skinny, vivid little boy,” “Straight hair,” “black and coarse.” -> emphasizes Simon’s frailness and uniqueness -> setting him apart from the other boys + accentuating his isolation + vulnerability in a brutal environment.ISOLATED & MISUNDERSTOOD

76
Q

POWER/LEADERSHIP
“WCLTFO.TOOHOBR”

A

“We can’t let the fire out. That’s our only hope of being rescued.” ->Ralph prioritises the fire as a symbol of hope ->reflecting his democratic leadership focused on the group’s welfare
RALPH

77
Q

POWER/LEADERSHIP
“TCDCOTOTM”

A

“The conch doesn’t count on top of the mountain.” ->illustrates Ralph’s struggle to maintain authority as the boys increasingly reject the rules symbolized by the conch
RALPH

78
Q

POWER/LEADERSHI[
“IC.IWC”

A

“I’m chief. I was chosen.” ->Ralph’s assertion of leadership based on election highlights the fragility of democratic power against primal instincts
RALPH

79
Q

POWER/LEADERSHIP
“WTUOHI?IWDMSUT,HAWGTBR?”

A

“What’s the use of having it? If we don’t make smoke up there, how are we going to be rescued?” -> focus on rationality underscores his role as the voice of reason and the importance of intellect in leadership
PIGGY

80
Q

POWER/LEADERSHIP
“WCABLR”

A

“We can’t all be like Ralph.” ->shows Piggy’s awareness of his marginalisation ->highlighting the struggle for recognition of intellect over charisma
PIGGY

81
Q

POWER/LEADERSHIP
“ANSWA’W’”

A

“Ain’t no such word as ‘we’.” ->Piggy recognises social divisions among the boys, contrasting his call for unity with the growing chaos.
PIGGY

82
Q

POWER/LEADERSHIP
“INGTPAL.NWY”

A

“I’m not going to play any longer. Not with you.” ->Jack’s rejection of Ralph’s authority signifies his desire for independence + his shift toward authoritarian leadership
JACK

83
Q

POWER/LEADERSHIP
“WGTMSUH-OD”

A

“We’ve got to make smoke up there—or die.” ->Jack’s focus on hunting + survival reflects how he manipulates fear to gain control ->representing the dark side of leadership.
JACK

84
Q

POWER/LEADERSHIP
“IDWTBPOTP.IWTBAL”

A

“I don’t want to be part of the pack. I want to be a leader.” ->reflects Jack’s ambition + desire for power ->illustrating his break from Ralph’s leadership + his attraction to dominance + control
JACK

85
Q

SUFFERING
“HS-UTABG!”

A

“His specs – use them as burning glasses!” ->this use of Piggy’s glasses for fire illustrates the desperation of the boys and the physical struggle for survival in their harsh environment
PHYSICAL

86
Q

SUFFERING
“TWRFADSCHWB.TLOHSBSM”

A

“The water rose farther and dressed Simon’s coarse hair with brightness. The line of his shoulder became sculptured marble.” ->Simon’s death symbolizes the physical consequences of violence, showcasing the tragic loss of innocence amidst the brutality of their actions.
PHYSICAL

87
Q

SUFFERING
“TWS,IWT;BTWH”

A

“They were savages, it was true; but they were human.” ->this acknowledgment highlights the physical suffering caused by their descent into savagery ->revealing the conflict between their humanity and primal instincts.
PHYSICAL

88
Q

SUFFERING
“WAW?H?OA?OS?”

A

“What are we? Humans? Or animals? Or savages?” ->Ralph’s question reveals their emotional turmoil + confusion about their identity.
EMOTIONAL

89
Q

SUFFERING
“IDWTPA”

A

“I don’t want to play anymore.” ->This expresses disillusionment -> reflecting the boys’ emotional pain as they lose their innocence.
EMOTIONAL

90
Q

SUFFERING
“WGTMSUT-OD”

A

“We’ve got to make smoke up there—or die.” ->This plea illustrates their fear + emotional suffering tied to the struggle for survival.
EMOTIONAL

91
Q

SUFFERING
“ISOU.ISOBC”

A

“I’m scared of us. I’m scared of being caught.” ->This fear highlights the boys’ moral suffering as they confront their capacity for evil.
MORAL

92
Q

SUFFERING
“TCEIATWFACTE”

A

“The conch exploded into a thousand white fragments and ceased to exist.” ->The conch’s destruction symbolizes the loss of order -> representing profound moral decay.
MORAL

93
Q

SUFFERING
“WNS.WE”

A

“We’re not savages. We’re English!” ->This denial showcases their moral conflict ->revealing the pain of losing their civilised identity.
MORAL

94
Q

INNOCENCE
“WCHETAO.WHTH’HU’LAS”

A

“We can’t have everybody talking at once. We’ll have to have ‘Hands up’ like at school.” -> reflects the boys’ initial innocence + desire for order as they mimic school rules ->indicating their hope for cooperation in a chaotic environment.
CHILDHOOD/PLAYFULNESS

95
Q

INNOCENCE
“TBBTD,ATEOTHCOT”

A

“The boys began to dance, and the excitement of the hunt came over them.” ->joyful dance captures their playful spirit + initial thrill of adventure ->foreshadowing the shift from innocent play to violent savagery.
CHILDHOOD/PLAYFULNESS

96
Q

INNOCENCE
“WHLOF”

A

“We’ll have lots of fun!” ->Ralph’s enthusiasm for fun highlights the boys’ carefree attitude + innocence before darker elements of human nature emerges.
CHILDHOOD/PLAYFULNESS

97
Q

INNOCENCE
TCHUIRH.”WCUTTCTO.HAM.”

A

The conch held up in Ralph’s hand. ‘We can use this to call the others. Have a meeting.” ->illustrates the boys’ initial innocence + belief in cooperation, as the conch symbolises their hope for order + unity in their new environment.
CONCH

98
Q

INNOCENCE
“WCDAWTC”

A

“We can’t do anything without the conch.” ->emphasises the boys’ reliance on the conch for order ->illustrating their belief in shared governance + mutual respect.
CONCH

99
Q

INNOCENCE
“TCEIATWFACTE”

A

“The conch exploded into a thousand white fragments and ceased to exist.” -> conch’s destruction symbolises the collapse of order + civility ->marking the end of innocence as the boys descend into savagery.
CONCH

100
Q

INNOCENCE
“MTIAB…MIOU”

A

“Maybe there is a beast… maybe it’s only us.” ->Simon’s insight reveals his understanding of human nature ->highlighting his innocence as he recognises that the true threat lies within themselves.
THROUGH SIMON

101
Q

INNOCENCE
“TCBOTWWF,ATAWFOTSSOTB”

A

“The candle-buds opened their wide white flowers, and the air was full of the sweet scent of the blossom.” ->underscores Simon’s connection to nature + innocence ->contrasting sharply with the boys’ emerging darkness.
THROUGH SIMON

102
Q

INNOCENCE
“HAPOU.HCOOTD,AWAGITD”

A

“He’s a part of us. He comes out of the darkness, and we all go into the darkness.” ->Simon’s acknowledgment of their shared darkness symbolises the ultimate loss of innocence as the boys embrace their savagery.
THROUGH SIMON

103
Q

FEAR
“HSTBCITD”

A

“He says the beastie came in the dark.” -> The boys’ fear of an unseen creature reflects their anxiety about the unfamiliar island ->creating irrational panic.
FEAR OF THE UNKNOWN

104
Q

FEAR
“WAW?H?OA?WGUGTT?”

A

“What are we? Humans? Or animals? Or savages? What’s grown-ups going to think?” -> Piggy’s question reveals their fear of the uncertain future + the loss of their civilised selves without adult guidance.
FEAR OF THE UNKNOWN

105
Q

FEAR
“MTIAB…MIOU”

A

“Maybe there is a beast… maybe it’s only us.”->Simon’s insight suggests that the real beast is their own inner darkness, deepening their psychological fear.
FEAR OF THE BEAST

106
Q

FEAR
“TWNLLSTOTS”

A

“There was no light left save that of the stars.” -> increasing darkness symbolizes the boys’ growing fear of the unknown, as hope fades and savagery takes over.
FEAR OF THE UNKNOWN

107
Q

FEAR
“TTI-FCHYAMTAD”

A

“The thing is—fear can’t hurt you any more than a dream.” ->Jack’s dismissal of fear contrasts with how the boys’ belief in the beast soon becomes deadly ->showing fear’s danger.
FEAR OF THE BEAST

108
Q

FEAR
“TBWOIKITC,IAFOIF”

A

“The beast was on its knees in the centre, its arms folded over its face” ->Simon’s mistaken identity as the beast leads the boys to kill him, showing how fear overrides their reason and morality.
FEAR OF THE BEAST

109
Q

FEAR
“HSHSTB,TST,AWICBT?”

A

“He says he saw the beastie, the snake-thing, and will it come back tonight?” ->Fear of the beast is exploited early by Jack to manipulate the group + establish control.
FEAR AS A TOOL OF POWER

110
Q

FEAR
“IGTBC.TGTHYT”

A

“I’m going to be chief. They’re going to hunt you tomorrow.” ->Jack uses fear of violence + the beast to intimidate and dominate ->solidifying his power.
FEAR AS A TOOL OF POWER

111
Q

FEAR
“HAPC,IH?”

A

“He’s a proper chief, isn’t he?” -> Jack’s control over the boys is built on their fear of the beast ->making him appear as a protector.
FEAR AS A TOOL OF POWER

112
Q

FEAR
“S?S?TWYG!IMT!TIATFYA!TCIG-“

A

“See? See? That’s what you’ll get! I meant that! There isn’t a tribe for you anymore! The conch is gone—” -> Jack uses fear + the destruction of the conch to assert his dominance ->signalling that without the conch’s authority, there is no law or protection, only his power
FEAR AS A TOOL OF POWER

113
Q

NATURE
“TLWSASAML-BOSASGAP”

A

“The lagoon was still as a mountain lake—blue of all shades and shadowy green and purple.”-> the island as serene, beautiful + untouched.
A PARADISE

114
Q

NATURE
“FAFGTOTSTAEWTSOR”

A

“Flower and fruit grew together on the same tree and everywhere was the scent of ripeness.” -> abundance of food + lush greenery creates an Eden-like paradise for the boys.
A PARADISE

115
Q

NATURE
“TAWBWS”

A

“The air was bright with sunlight.” ->the bright, warm environment ->of peace + beauty in nature.
A PARADISE

116
Q

NATURE
“BTPTWME.SAOG-ATP-HBSITL”

A

“Beyond the platform there was more enchantment. Some act of God—a typhoon perhaps—had banked sand inside the lagoon.” ->magical quality of the island ->almost as if it were a paradise created just for the boys.
A PARADISE

117
Q

NATURE
“THSTITIBATW”

A

“The heat seemed to increase till it became a threatening weight.” ->the intense heat transforms from pleasant to oppressive ->hostile nature
A THREATENING FORCE

118
Q

NATURE
“TDOTFWFOC,FOTU”

A

“The darkness of the forest was full of claws, full of the unknown.” ->fear ->dense forest symbolising the boys’ fear of the unknown.
A THREATENING FORCE

119
Q

NATURE
“ATEITFLAB”

A

“A tree exploded in the fire like a bomb.” ->fire, an element of nature, becomes destructive + frightening ->demonstrating nature’s capacity for danger.
A THREATENING FORCE

120
Q

NATURE
“TSGDLAAE”

A

“The sun gazed down like an angry eye.” ->Nature is personified as hostile ->reinforcing the boys’ sense of vulnerability against a powerful environment.
A THREATENING FORCE

121
Q

NATURE
“TSATMWP.ATFOWOTEPWH,BSOES”

A

“The sun and the moon were pulling, and the film of water on the earth planet was held, bulging slightly, on either side.” ->tide mirrors the boys’ building tension + the pull between civilisation + savagery.
A REFLECTION OF THE BOYS’ INNER SAVAGERY

122
Q

NATURE
“TFWABSTLOTTOTT”

A

“The fire was a bright squirrel that leapt on the tops of the trees.” ->fire, symbolising chaos + destruction ->grows out of control just as the boys’ behaviour does.
A REFLECTION OF THE BOYS’ INNER SAVAGERY

123
Q

NATURE
“TIWSULDW”

A

“The island was scorched up like dead wood.” -> as the boys descend into savagery ->they devastate the island, leaving it as barren as their morals have become.
A REFLECTION OF THE BOYS’ INNER SAVAGERY

124
Q

NATURE
“CDFWATAPSOR,ATWABCB”

A

“Colours drained from water and trees and pink surfaces of rock, and the white and brown clouds brooded.” -> the darkening, drained environment reflects the boys’ lost innocence + the ominous mood as their savagery intensifies.
A REFLECTION OF THE BOYS’ INNER SAVAGERY

125
Q

EVIL
“WT?”

A

“What’s that?” ->initial confusion reveals the boys’ fear of the unknown ->evil lurks in their unfamiliar surroundings.
THE BEAST

126
Q

EVIL
“TBIAH”

A

“The beast is a hunter.” ->beast as a predator ->primal, evil instincts that lurk within humanity -> echoing theme of innate savagery.
THE BEAST

127
Q

EVIL
“MTIAB…MIOU”

A

“Maybe there is a beast… maybe it’s only us.” ->Simon’s insight indicates that the true source of evil lies within the boys themselves -> revealing their internal struggle against their darker impulses.
THE BEAST

128
Q

EVIL
“WNAOTB”

A

“We’re not afraid of the beast.” ->reflects the boys’ initial denial of evil ->struggle to confront the darkness within themselves.
THE BEAST

129
Q

EVIL
“WNS.WE.”

A

“We’re not savages. We’re English.” ->Ralph’s denial illustrates the fragile nature of civilization ->beneath their civilized facade lies a potential for evil.
THE DESCENT OF THE BOYS INTO SAVAGERY

130
Q

EVIL
“KTB!CHT!SHB!”

A

“Kill the beast! Cut his throat! Spill his blood!” ->symbolizes the boys’ surrender to primal instincts -> a celebration of violence + the triumph of evil over reason.
THE DESCENT OF THE BOYS INTO SAVAGERY

131
Q

EVIL
“TMWATOIO,BWJH”

A

“The mask was a thing on its own, behind which Jack hid.” ->mask represents the boys’ loss of identity and moral restraint ->allowing their inner evil to emerge freely.
THE DESCENT OF THE BOYS INTO SAVAGERY

132
Q

EVIL
“TWAAOH”

A

“They were all afraid of him.” ->Jack’s ability to instil fear highlights how evil becomes a tool for control ->manipulating the boys to embrace their savage natures.
THE DESCENT OF THE BOYS INTO SAVAGERY

133
Q

EVIL
“THIFTB.IAG”

A

“The head is for the beast. It’s a gift.” ->the offering of the pig’s head symbolises the boys’ acknowledgment of evil as a force to be appeased, rather than confronted.
THE LOTF (PIG’S HEAD) AS A PHYSICAL MANIFESTATION OF EVIL

134
Q

EVIL
“WWLOTPH…HOTS”

A

“What was left of the pig’s head… hung on the stick.” -> decay of the pig’s head reflects the boys’ moral degradation -> illustrating how evil corrupts and consumes them.
THE LOTF (PIG’S HEAD) AS A PHYSICAL MANIFESTATION OF EVIL

135
Q

EVIL
“TLOTFHOHS”

A

“The Lord of the Flies hung on his stick.” ->signifies the embodiment of evil + chaos ->marking the loss of innocence + the complete descent into savagery
THE LOTF (PIG’S HEAD) AS A PHYSICAL MANIFESTATION OF EVIL

136
Q

IDENTITY
“WGTHRAOT.AAWNS”

A

“We’ve got to have rules and obey them. After all, we’re not savages.” -> emphasises the boys’ initial belief in civilised identity -> naivety + hope for order despite their isolation.
INNOCENCE

137
Q

IDENTITY
“TIOI.IAGI.UTGCTFU,WHF.”

A

“This is our island. It’s a good island. Until the grownups come to fetch us, we’ll have fun.” ->Ralph’s perspective reflects a carefree + innocent identity -> initial excitement + belief in a temporary paradise.
INNOCENCE

138
Q

IDENTITY
“TCEIATWFACTE”

A

“The conch exploded into a thousand white fragments and ceased to exist.” ->destruction of the conch symbolises the shattering of their innocent identities ->marking a pivotal shift from civilisation to chaos.
INNOCENCE

139
Q

IDENTITY
“HAH”

A

“He’s a hunter.” ->about Jack signifies their initial roles + innocence ->identity is constructed through play + responsibility.
INNOCENCE

140
Q

IDENTITY
“KTB!CHT!SHB!”

A

“Kill the beast! Cut his throat! Spill his blood!” ->exemplifies the boys’ complete descent into savagery ->their identities have shifted from children to violent hunters.
SAVAGERY

141
Q

IDENTITY
“TMWATOIO,BWJH,LFSASC”

A

“The mask was a thing on its own, behind which Jack hid, liberated from shame and self-consciousness.” -> mask symbolises the loss of individual identity ->allowing Jack to embrace his savage instincts + revealing the duality of human nature.
SAVAGERY

142
Q

IDENTITY
“WGTMSUT-OD”

A

“We’ve got to make smoke up there—or die.” ->urgent focus on survival signifies a transformation in identity from hopefulness to a primal instinct for survival ->indicative of their savagery.
SAVAGERY

143
Q

IDENTITY
“TBWHAH;ATBHNMFOI”

A

“The beast was harmless and horrible; and the boys had no more fear of it.” -> their acceptance of the beast as part of themselves highlights a loss of fear + a total embrace of their savage identities ->marking their moral decline.
SAVAGERY

144
Q

IDENTITY
“IF.OU”

A

“I’m frightened. Of us.” ->underscores Ralph’s recognition of the loss of their individual identities + the darkness within themselves ->profound transformation they have undergone.
LOSS OF INDIVIDUALITY

145
Q

IDENTITY
“TT”

A

“The tribe.” -> the term “the tribe” underscores the collective identity that has supplanted individual identities ->emphasising the power of group mentality.
LOSS OF INDIVIDUALITY

146
Q

IDENTITY
“TS…TU”

A

“The savages… that’s us.” -> their identity as “savages” illustrates a complete resignation to their primal nature ->marking the loss of their former civilised selves.
LOSS OF INDIVIDUALITY

147
Q

THE CONCH
“TIOI.IAGI.UTC”

A

“This is our island. It’s a good island. Until the conch.” -> the boys’ early optimism + their reliance on the conch to maintain order in their new environment.
SYMBOL OF CIVILISATION + ORDER

148
Q

THE CONCH
“IBTC”HS,”AWCTO”

A

“I’ll blow the conch,” he said, “and we’ll call the others.” -> emphasises conch’s role as a unifying symbol that brings the boys together ->hope for structured governance.
SYMBOL OF CIVILISATION + ORDER

149
Q

IDENTITY
“WNGTBR”

A

“We’re not going to be rescued.” ->realization signifies a surrender to their savage identity ->full acceptance of the new reality they have created.
LOSS OF INDIVIDUALITY

150
Q

THE CONCH
“TSAIAPAAWP”

A

“the shell as interesting and pretty and a worthy plaything.” -> illustrates the initial fascination the boys have with the conch -> potential to inspire wonder + cooperation -> indicative of civilised behaviour
SYMBOL OF CIVILISATION + ORDER

151
Q

THE CONCH
“ICTSWADC,TTWALFP…CWAD,EP”

A

“in colour the shell was a deep cream, touched there with a little fading pink… covered with a delicate, embossed pattern.” -> conch’s beauty emphasises its uniqueness + the delicate nature of the order it represents -> reflecting the boys’ early attempts to create a civilised society.
SYMBOL OF CIVILISATION + ORDER

152
Q

THE CONCH
“TF,SBOTS”

A

“the fragile, shining beauty of the shell.” ->conch’s symbolic fragility ->order it represents is easily threatened by the boys’ primal instincts.
SYMBOL OF CIVILISATION + ORDER

153
Q

THE CONCH
“PLTW,MG…”

A

“Piggy lifted the white, magic shell…” ->underscores Piggy’s recognition of the conch as a powerful tool for governance ->role in establishing rules + authority among the boys.
INSTRUMENT OF AUTHORITY + LEADERSHIP

154
Q

THE CONCH
“WIB,LOR,OTHAK?”

A

“which is better, law or rescue, or to hunt and kill?” ->reveals the conflict between civilised order + primal instincts ->conch serves as a focal point for discussions about authority + morality.
INSTRUMENT OF AUTHORITY + LEADERSHIP

155
Q

THE CONCH
“RWTCATAGS”

A

“Ralph waved the conch and the assembly grew silent.” -> illustrates the conch’s effectiveness in maintaining order during assemblies.
INSTRUMENT OF AUTHORITY + LEADERSHIP

156
Q

THE CONCH
“PLTW,MS..”

A

“Piggy lifted the white, magic shell…” ->underscores Piggy’s recognition of the conch as a powerful tool for governance ->role in establishing rules + authority among the boys.
INSTRUMENT OF AUTHORITY + LEADERSHIP

157
Q

THE CONCH
“HHTCUAHVWLAC”

A

“He held the conch up and his voice was loud and clear.” ->reinforces Ralph’s leadership and the conch’s power to command attention.
INSTRUMENT OF AUTHORITY + LEADERSHIP

158
Q

THE CONCH
“RWTCATAGS”

A

“Ralph waved the conch and the assembly grew silent.” -> illustrates the conch’s effectiveness in maintaining order during assemblies.
INSTRUMENT OF AUTHORITY + LEADERSHIP

159
Q

THE CONCH
“ETTAHBTYAPTANW”

A

“exposure to the air had bleached the yellow and pink to a near-white.” ->fading colours of the conch symbolise the deterioration of civilisation + order on the island ->boys’ society is losing its vibrancy + structure.
REPRESENTATION OF DECLINE + CHAOS

160
Q

THE CONCH
“ATCDCATEOTI”

A

“and the conch doesn’t count at this end of the island.” ->rejection of authority + the rules the conch once embodied -> complete descent into chaos + savagery
REPRESENTATION OF DECLINE + CHAOS

161
Q

THE CONCH
“EABIATWFACTE”

A

“exploded and burst into a thousand white fragments and ceased to exist.” ->destruction of the conch represents the final collapse of order + civilisation among the boys ->marking a point of no return in their descent into chaos + violence.
REPRESENTATION OF DECLINE + CHAOS

162
Q

THE BEAST
“WGTTATFATB”

A

“We’ve got to talk about this fear and the beast.” ->Ralph acknowledges the boys’ pervasive fear of the beast ->struggle to confront the unknown.
FEAR OF THE UNKNOWN

163
Q

THE BEAST
“WTB?”

A

“What’s the beast?” ->Piggy’s question shows the boys’ confusion ->fear can lead to ignorance + superstition.
FEAR OF THE UNKNOWN

164
Q

THE BEAST
“TTI-FCHYAMTAD”

A

“The thing is – fear can’t hurt you any more than a dream.” ->rationalises fear as an illusion ->underscoring its power to distort their perceptions ->Piggy downplays fear’s influence ->contrasting rational thought with the beast’s overwhelming power in their minds ->fear can manipulate their actions despite being unfounded.
FEAR OF THE UNKNOWN

165
Q

THE BEAST
“TBWHAH;IWAVOD”

A

“The beast was harmless and horrible; it was a vision of death.”-> dead parachutist symbolises their fears ->represents both mortality + the horrors of their situation ->revealing their fear of death and the fragility of civilisation.
FEAR OF THE DEAD PARACHUTIST

166
Q

THE BEAST
“WSTBWOOE”

A

“We’ve seen the beast with our own eyes.” ->Sam’s assertion shows how fear has morphed into a shared belief that distorts reality ->reinforcing superstitions + deepening their descent into savagery.
FEAR OF THE DEAD PARACHUTIST

167
Q

THE BEAST
“IWATOTA,AVOTB”

A

“It was a thing of the air, a vision of the beast.”-> emphasises the beast’s ethereal quality ->fear can take on a life of its own + manifest in unsettling + imaginative ways.FEAR OF THE DEAD PARACHUTIST

168
Q

THE BEAST
“TBIAPOU”

A

“The beast is a part of us.”-> Simon’s realization shows that true evil lies within the boys ->critical moment of self-awareness about their capacity for savagery + moral decline.
THE LOTF

169
Q

THE BEAST
“THIFTB.IAG”

A

“The head is for the beast. It’s a gift.” -> Jack’s offering to the beast symbolizes their surrender to fear + primal instincts ->fear can lead to dehumanisation + the ritualization of violence.
THE LOTF

170
Q

THE BEAST
“TLOTFHOHSAG”

A

“The Lord of the Flies hung on his stick and grinned.” ->grotesque image of the Lord of the Flies embodies the boys’ fears + savagery ->beast becomes a tangible representation of their inner chaos + loss of innocence.
THE LOTF