The Hill House Flashcards

1
Q

1) Function / Fitness for Purpose

A

> Mackintosh designed the Hillhouse as a home for William Blackie and his family.

> He wanted a suburban retreat from the industrial city of Glasgow but to be close enough to commute back by train, if needed.

> Helensburgh was the ideal location, only minutes from the station with stunning views of the Clyde & beyond.

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2
Q

2) Function / Fitness for Purpose

A

> Mackintosh designed a playroom for the children upstairs, away from the public rooms downstairs, where they could make as much noise as they wanted.

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3
Q

3) Function / Fitness for Purpose

A

> He also positioned the house, south facing this meant they could make the most of the sunlight throughout the day and this would also cut down on heating & lighting bills.

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4
Q

4) Aesthetics / Style

A

> Mackintosh developed his own style called the Glasgow Style - a combination of of organic and austere geometric designs eg) in the famous Rose motif used throughout Hillhouse.

> It is stencilled onto the walls + used in stained glass, lights, carpets + decorative tiles.

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5
Q

5) Aesthetics / Style

A

> His aesthetic ideas were highly influenced by his collaboration with his wife Margaret and her Art Nouveau decorative style.

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6
Q

6) Aesthetics / Style

A

> The influence of austere Japanese design can be seen clearly throughout the Hillhouse.

> Japan began trading with Europe in the late 19th century + Japanese style was very fashionable.

> Traditional Japanese interiors, eg) black panelled tea rooms + dividing screens can be seen in the geometric lattice designs - in the chairs, windows + light fittings.

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7
Q

7) Visual Elements - Colour

A

> There is a lack of strong colours

> In the entrance hall it is dark + imposing with black panels + beams contrasting with the light filled, white, uncluttered living room.

> This creates different atmospheres.

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8
Q

8) Visual Elements - Colour

A

> Splashes of pink from repeat patterned stencilled roses along the walls + in the stained glass light in the dining room, brighten up + soften the white, stark spaces + create warmth.

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9
Q

9) Visual Elements - Colour

A

> The purple stained glass in the dark oak panel, in the library are very traditional masculine colours used in the 1900s.

> They were meant to depict + separate from the rest of the house.

> This male dominated space was used by Mr Blackie for his business dealings.

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10
Q

10) Materials / Techniques

A

> The client had insisted upon no bricks + plaster or wood beam construction, + no red-tiled roof, as traditional in the west of Scotland.

> Instead he wanted grey, roughcast walls + a slate roof

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11
Q

11) Materials / Techniques

A

> The Hillhouse is mainly built from traditional split-boulder rubble which was rarely used in Scotland.

> Locally sourced stone was used for the main part of the building, with more innovative design areas being ordered from the quarry + finished on site.

> The materials suffered from the elements over time +
are currently being restored under a mesh box.

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12
Q

12) Materials / Techniques

A

> Mackintosh was seeking a consistant approach however the render being applied on a daily basis meant each batch was slightly different + a patchy appearance was the unwanted result.

> To help this, Mackintosh ordered a final coat of pure cement in attempt to unify the treatment.

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13
Q

13) Target Market / Audience

A

> The Hillhouse was designed + built for Walter Blackie in 1902-1904 as a family home

> Blackie was initially surprised at the architect’s youth, but after visiting other houses he had designed, he was convinced he was the right person to build the house.

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14
Q

14) Target Market / Audience

A

> Walter Blackie had purchased a plot in Helensburgh, to the west of Glasgow, for the house, where many
business-men, whose wealth had come from the industrialised city, had settled.

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15
Q

15) Target Market / Audience

A

> Before creating an elevation drawing or floor plan, Mackintosh spend some time in the Blackie’s home to observe their everyday life.

> By analysing the family’s habits, Mackintosh could design every aspect of the house, according to the needs of each user.

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16
Q

16) Visual Impact

A

> The exterior qualities of the building are nearly the opposite of the warm, exotic, carefully decorated + smooth interior.

> Mackintosh minimizes exterior decoration to emphasise the interior design - the transition from the outside world into a safe, fantastic inside space.

> Paint analysis of the harling on the exterior shows that it might’ve been left as an unpainted pale grey initially.

17
Q

17) Visual Impact

A

> Mackintosh contrasted geometric shapes with organic decoration such as the rose motif, also echoed in the embroidered upholstery + gesso panel designed by his wife Margaret.

18
Q

18) Visual Impact

A

> Some features today seem like abstract pieces of sculpture.

> Many of them pass between interior + exterior, referencing the modernist interest in breaking down the exterior barrier, highlighted particularly in the window frames + door ways.