The Handmaid's Tale Flashcards

Quotes

1
Q

“They seemed undressed.

A

It had taken so little time to change our minds, about things like this.” (5)

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2
Q

“Though this is time…

A

nor am I out of it.” (7, Marlow’s Faustus)

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3
Q

“in a gradually heating…

A

bathtub, you’d be boiled to death before you knew it.” (10, metaphor)

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4
Q

“Now the flesh…

A

arranges itself differently, I am a cloud, congealed around a central object.” an intangible object, easily changeable, evokes an image that she is outside of her own body.

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5
Q

“Let’s stop there.

A

I intend to get out of here. It can’t last forever.” (23)

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6
Q

“I wish this story were different.

A

I wish it were more civilised. I wish it showed me in a better light”

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7
Q

“you ever thought what it would be like…

A

to be shat on by a truckload of chickens, all of them carsick?” (humour to cope, not metaphor)

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8
Q

“the tulips are not tulips of blood…

A

the red smiles are not flowers, neither thing makes a comment on the other.” (6, no individualism)

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9
Q

“nothing is going…

A

on here that I haven’t signed up for.”

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10
Q

“looks down at the baby…
“it became a thing such as even…

A

as if it is a bouquet of flowers: something she’s won, a tribute.” juxtaposes Viktor’s reaction to the creature, “…Dante could not have conceived”, demonic creature rather than a flourishing sense of life- parallels religious allegories.

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11
Q

‘there is nothing…

A

in the novel that has not already happened’ - summation of what Margaret Atwood says about The Handmaid’s Tale

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12
Q

‘the more… boxed in you are…

A

the more important details become’ - summation of what Atwood says about the monotonous details of Offred’s narrative voice

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13
Q

“In my opinion we should be cautious…

A

when passing judgement upon the Gileadeans… not to censure but to understand” - Pieixoto, educated tone shows a void of empathy/care. if there is no condemnation or judgement for the regime, society can and will never move on.

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14
Q

“like a sagging…

A

cloud above us”, metaphorical disconnect from her position, yet, the imagery evokes pregnancy, evoking that she really is aware no matter her mental vices.

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15
Q

‘each contains…

A

a latent view of the other’ - summation of Atwood on her ustopia

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16
Q

“two-legged…

A

womb.” (23) despite the satirical tone of Offred, it shows her awareness of her stripped identity, nothing outside of their procreative abilities

17
Q

What is Offred’s name?

A

A patronym! Gives a creepy paternalistic tone to the Commander, ownership over the handmaids. Paternalistic, father, God, patriarchy.

18
Q

Lebensborn programme

A

‘racially valuable’ women were encouraged, in a breeding programme ran by Heinrich Himmler, to produce an Aryan race. This included the kidnapping of foreign children with features of that of the ‘Aryan’ race.

19
Q

“I repeat my former name…
“Why should this…

A

remind myself of what I could once do, how others saw me.” (17)
mean anything?” (46) her longing for identity is depleted, no longer desires to be “held and told my name” (17)

20
Q

“as if I’m made of…

A

smoke, as if I’m a mirage, fading before their eyes” metaphor like the “cloud congealed around a central object”, shows that Offred now views herself as a being separate from her own body/person. As she loses her family here, she loses herself.

21
Q

“We aren’t supposed to form…

A

friendships, loyalties, among one another.” parallels the creature, “I am alone”, neither self inflict their isolation, both suffer at the hands of their societies.

22
Q

“The door of the room–

A

not my room, I refuse to say my - is not locked.” Atwood utilises sentence forms with the dash to present a defiant tone, her way of rebelling, admitting the room was hers would show a level of acceptance.

23
Q

“I want to keep on living…
“I am fearless…

A

…I resign my body freely, to the use of others” (45) a level of acceptance, she has to fully give up herself in order to live, can be seen as hopeful in a way - Offred would not see any use in living without hope. Parallels the Creature, “and therefore powerful.” unlike Atwood, Shelley shows freedom in a relinquishment of ones identity.