The Garden of Love Flashcards
1
Q
The Garden of Love Stanza 1 - 2 key techniques and analysis
A
- ‘A chapel was built in the midst’
- ‘In the midst’ suggests invasive nature of church
- ‘Chapel’ could be synechdouche, commentary on religion as a whole
- ‘Where I used to play on the green’
- Colour imagery of ‘green’ suggestive of nature
- Imagery of childlike joy, now being invaded by the church
- Past tense shows has this has been taken away by the building of the church
2
Q
The Garden of Love Stanza 2 - 3 key techniques and analysis
A
- ‘And the gates of this Chapel were shut’
- Presents religion as keeping people out rather than accepting by the metaphor of the ‘gates’
- ‘this’ Chapel suggests not all chapels are like this, Blake dissaproves of a certain type of institution, not religion as a whole
- '’Thou shalt not’ writ over the door’
- Subversion of usual religious message
- Portrays christianity as restrictive by nature, condemning people based on their views
- Use of quotes seperates this line, feels taken from church or perhaps God himself
3
Q
The Garden of Love Stanza 3 - 4 key techniques and analysis
A
- ‘It was filled with graves’ / ‘And tombstones where flowers should be’
- Semantic field of death replacing ‘love’ creates sense of darkness and evil connected with church
- Represents the fearmongering of organised religion, replacing the joys of life (flowers) with fears of hell
- ‘And priests in black gowns were walking their rounds’
- Use of colour black to suggest sin and corruption, Suggests priests are made to cause fear not joy.
- ‘Walking their rounds’ suggests patrolling, creates an almost militaristic sense of authority.
- Reflected by Meter, Iambic tetrameter, to sound like footsteps.
- ‘Binding with briars my joys and desires’
- ‘Briars’ = Thorns, creating sense of violence and suffering
- Verb ‘binding’ furthers the sense of restriction seen in the poem
- ‘Joys and desires’ traditionally associated with the heart, creating violent image of thorns plunging into a heart
4
Q
The Garden of Love - 2 Broad Critics
A
- John R Mabry: “symbols which are ordinarily considered benign turn on us, becoming monstrous and wicked”.
- Raymond Williams: Blake is ‘Part of a group of poets who sees themselves as agents of the revolution of life’
5
Q
The Garden of Love - 2 Broad contexts
A
- Organised Religion
- throughout the 1700s, simony was practiced, selling high ranking church positions to the highest bidders
- Many used the bible as a defence of slavery during the 1800s, particularly Ephesians 6:5. Many American churches were invested in plantations
- Even in the modern day, Blake’s critiques ring true, such as the catholic sexual abuse scandal - where many incidents of sexual abuse were covered up to protect the institution
- Blake’s faith
- Blake’s faith was famously controversial, explicitly rejecting a majority of the old testament, particularly the virgin birth
- He said that the Bible was a ‘great code of art’ but not historically accurate, rather an analogy
- Jesus dissapeared from his work for over a decade after ‘innocence’, Leo Damsroch argues this was ‘probably because he saw Jesus as coopted by organised religion’