The Eve of St Agnes Flashcards

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1
Q

Setting at Beginning

A

“bitter chill”
“a-cold”
“hare limp’d trembling through frozen grass”
- pathetic fallacy, cold, dark isolated winter
- ominous

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2
Q

Describe how Keats makes us feel sympathy for the beadsman?

A
  • “meagre, barefoot, wan”
    “slow degrees”
  • asyndetic tricolon emphasises simplicity contrasts with later; slow pace
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3
Q

Description of setting; sense of entrapment

A

“Emprison’d in black purgatorial rails”
- punctuation/ caesura slows the pace

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4
Q

First page of poem references to death: about beadsman

A

“But no- already had his deathbell rung”
- personification
“rough ashes” - symbol of his death

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5
Q

Describe the music

A

“silver, snarling trumpets ‘gan to chide”
- sibilance, implies riches + aggression
- zoomorphism

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6
Q

Describe the riches of the family

A

“argent revelry” - contrast to beadsman; party contrast to lonely man
“plume, tiara, and all rich array”
“numerous shadows haunting faerily”
“youth, with triumphs gay”
- suggests enchantment

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7
Q

Describe what Madeline was told about what happened upon St Agnes Eve

A

“Young virgins might have visions of delight, And soft adorings from their loves”
“upon the honey’d middle of the night”
“lily white” - purity
- look to “Heaven with upward eyes for all that they desire”
- sensuous lang, sexual connotations

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8
Q

Madeline’s desire for love

A

“The music, yearning like a God in pain” - desire; ominous
“she sigh’d for Agnes’ dreams, the sweetest of the year”
- interested in true love

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9
Q

Describe entrance of Porphyro

A

“come young Porphyro, with heart of fire For Madeline”
- youth and passion emphasised
“moonlight stands he” - linked to goddess diana; of chastity

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10
Q

Predatory description of Porphyro

A

“he might gaze and worship all unseen”
- predatory
“Perchance speak, kneel, touch, kiss”
- desires introduced

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11
Q

Porphyro’s apparent love for M

A

“or a hundred swords Will storm his heart”
“Love’s fev’rous citadel”
- metaphor city on fire (heart)

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12
Q

Negative Description of Madeline’s family

A

“barbarian hordes, Hyena foeman, and hot-blooded lords” - tricolon; danger
“against his lineage” - not high born

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13
Q

Initial description of Angela

A

“aged creature came”
- old contrast with young

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14
Q

Angela warns P of the family

A

“here to-night, the whole blood-thirsty race!”
- potential for violence/ danger
- dialogue
- family + guests uncivilised
- divisions between families mirrors r&j

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15
Q

gothic setting again as P makes his way to M’s chamber

A

“lowly arched way” “lofty plume”
“moonlight room, pale lattic’d, chill and silent as a tomb”
“languid moon”

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16
Q

P thought of madeline emotional then sexual imagery

A

“his eyes grew brilliant”
“thought came like a full-blown rose”
- perhaps plans to seduce madeline
- repeated ref to rose

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17
Q

Angela afraid of P: what she say

A

“a cruel man and impious thou art” - unreligious
“let her pray, sleep and dream” - polysyndetic structure emphasises her innonence
“alone with her good angels, far apart from wicked men like thee”
- needs to be protected

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18
Q

P says he won’t hurt her

A

“believe me by these tears”
“my foemen’s ears, And beard them, though they be more fang’d than wolves and bears”
- romantic lang; desire
- emotional
- animalistic dangerous - excuse
- unreliable narrator

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19
Q

How does Angela describe herself

A

“poor, weak, palsy-stricken, churchyard thing. whose passing-bell may ere the midnight toll”
- might die tonight

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20
Q

Angela fooled by his tears will do whatever he says

A

“weal or woe”
- good or bad

21
Q

Madeline enchanted

A

“pale enchantment held her sleepy-ey’d”

22
Q

tone changes; more sinister whilst he looks at her

A

“Since Merlin paid his Demon all the monstrous debt”
- tone more sinister; P enchanted by or enchanting madeline

23
Q

Significance of reference to merlin

A

Intertextual reference to Arthurian legend - Nimue the witch trapped and seduced Merlin into a cave where he died - ironic inversion of characterisations? - arguable that Porphryo causes Madelaine’s potential demise?

24
Q

they go to her chamber

A

“maiden’s chamber, silken, hush’d and chaste”
- virginal- personified extension of her

25
Q

Description of madeline in bed: supernatural + bird reference (imp)

A

“charmed maid”
- supernatural
“like ring-dove fray’d and fled.”
- damaged
- peace: religious symbol
- ceasura
- simile suggests victim
- religious- virginity

26
Q

madelina asleep sexual imagery/ stressed

A

“she panted, all akin To spirits of the air”
“her heart, her heart was voluable”
- beating; iambic
- punctuaton: pace

27
Q

Nightingale reference to madeline

A

“As though a tongueless nightingale should swell her throat in vain, and die, heart-stifled in her dell”
- classiscal illusion
- predator-prey
- myth of philomel
- rapy

28
Q

Significance of philomel

A

Implicit classical intertextual reference - Philomel was raped by her brother-in-law Theres of Thrace - to prevent her from telling others he cut out her tongue - image of extreme male violence and oppression - evokes ominous tone that frames our reading and understanding of the relationship between Madelaine and Porphyro

29
Q

P grows faint at sight of M’s virginity

A

“rose-bloom”
“silver cross soft amethyst”
“a splendid angel”
“Porphyro grew faint”
“free from mortal taint”

30
Q

focus on madeline disrobing

A

“unclasps her warmed jewels”

31
Q

Madeline’s comparison to mermaiddream

A

“like a mermaid in sea-weed”
- implies siren; fem crit; male perspective

32
Q

Madeline’s dream

A

“she dreams awake”
- male gaze; fem crit

33
Q

further bird imagery

A

“trembling in her soft and chilly nest”
- weak; fragile

34
Q

P looking at her without clothes?

A

“gaz’d upon her empty dress”

35
Q

ostentatious sense of wealth

A

“golden dishes” wreathed silver” “golden fringe”

36
Q

Madeline upset

A

“painful change” - disappointed
“began to weep”

37
Q

Madeline sees P he is not how she thought he would look

A

“thy voice was at sweet tremble in mine ear”
“How chang’d thou art! how pallid, chill and drear!”
- ugly, grim
- cold of real world vs dreamy vision

38
Q

they have sex (i think)

A

“he arose, Ethereal, flush’d, and like a throbbing star”
“into her dream he melted”
“rose blendeth its odour with the violet”
- sexuality + modesty linked
- “St Agnes’s moon hath set” - virginity gone

39
Q

Madeline direct speech thinks P will leave her

A

‘Porphyro will leave me here to fade and pine.”
- loves the dream version

40
Q

P worked hard to find M

A

Porphyro (direct speech) - “hours of toil and quest, A famish’d pilgrim”
- religous imagery

41
Q

Porphyro maintains mood of enchantment
- creates a sense of urgency to leave

A

“Hark! ‘tis an elfin-storm from faery land”
“Arise -arise!”
- repetition of punctuation creates growing pace; need to beat the storm; not aware of danger

42
Q

Madeline goes with Porphyro

A

“she hurried at his words, beset with fears”

43
Q

imagery at the end danger of family

A

“sleeping dragons all around”
“perhaps, with ready spears-“
- danger described with mythical metaphor - family

44
Q

setting description at end creates a dangerous mood

A

“chain-droop’d lamp was flickering”
- gothic
“rich with horseman, hawk and hound”
- alliterative tricolon alludes to hunting
- predators looking down on them

45
Q

wind creating ominous mood at end

A

“flutter’d in the besieging wind’s uproar”
“gusty floor”
- emotional termoil

46
Q

reference to phatoms as end

A

“They glide, like phantoms”
“Like phantoms … they glide”
- chiasmus and similae highlights link to supernatural
- going to their death?

47
Q

Suggestion that madeline was imprisoned at the end

A

“chains lie silent” “hinges groans”

48
Q

Ending youth triumph and tragic ending for old

A

“lovers fled away into the storm”
“angela the old Died … meagre face deform”
“The Beadsman … slept among his ashes cold”