The Documentary NOTES Flashcards

1
Q

Documentary Hero

A

The SUBJECT is the Hero

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2
Q

“The Atomic Cafe” about

A

Atomic bomb

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3
Q

Atomic Cafe uses

A

Footage of atomic bombs (created entirely of FOUND footage)

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4
Q

Atomic cafe manipulated _____

A

sound/music

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5
Q

Bikini Atoll

A

Video in Atomic Cafe of correspondent telling Bikini Atoll citizens to leave b/c of bomb testing

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6
Q

Atomic cafe included lots of _______ videos like the ironic Duck & Cover

A

propaganda

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7
Q

GAZA Strip view/result

A

Partisan view + stockholm syndrome (that arises b/w empathetic investigator and sympathetic subject)

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8
Q

Gaza strip sequence, hard to watch

A

Child going through pain (MANIPULATION of people’s reaction overlayed on audio)

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9
Q

THE FOG OF WAR attempts

A

to paint reviled figure in history in a more HUMAN light

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10
Q

For Fog of War Morris used device known as

A

Interrotron (for interviews)

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11
Q

FOG of WAR about who?

A

Robert S. McNamara

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12
Q

Fog of War divided into what?

A

Lessons

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13
Q

Fog of War created/Manipulated

A

added video (ex. newspaper)

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14
Q

Man on a Wire based on

A

True Story, Planning Phase + On Wire (no videos),

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15
Q

Man on a Wire about

A

Philippe Petit’s 1974 high-wire walk between the Twin Towers of New York’s World Trade Center.

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16
Q

Grizzly Man by

A

Werner Herzog

17
Q

Grizzly Man about

A

Man who goes to live in Alaska with bears

18
Q

Grizzly Man subject

A

Fascinating, but dies in the end due to obvious reasons (w/ girlfriend, mother listens to audio )

19
Q

science & photography

A

to accurately judge past events required perception to be reconstituted
through MEMORY. The problem of memory transformed into a technological problem because
subjective elements of memory led to decay of their “facticity”. This problem was finally
resolved with the invention of PHOTOGRAPHY.

20
Q

what did photography provide?

A

A CONCRETE visual record

21
Q

central concept in documentary

A

Vivification: the goal of much truth-seeking lying in a film’s
attempt to make the audience feel the experience presented on screen.

22
Q

how does docu appeal to us?

A

‘epistephilia,’ the ‘pleasure in

knowing”.

23
Q

“voice of God”

A

omniscient
narrator, and the content of its narration is seen as true, rather than as the opinion of the
filmmaker or screenwriter.

24
Q

is documentary objective ?

A

no, documentary film is inextricably bound

up in the hierarchies of: race, gender, colonialism, and speciesism.