The Bloody Chamber Flashcards

1
Q

What can mask the red mark..?

A

Nothing ‘can mask that red mark on my forehead’

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2
Q

How did the Marquis watch her?

A

‘watching me in the gilded mirrors with the assessing eyes of a connoisseur inspecting horseflesh…cuts on the slab’

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3
Q

How is the Marquis animalised at the end?

A

‘roared out aloud, braying with fury’

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4
Q

What colour was the water when she tried to clean off the stain? How does she describe the stain as she tries to clean it off?

A

‘Crimson water’

‘More vivid grew the stain’

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5
Q

When she lays in bed, how does she describe her complex feelings for him?

A

‘I lay in bed alone. And I longed for him. And he disgusted me’

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6
Q

What did her mother do?

A

‘Outfaced a junk full of Chinese Pirates’

‘Shot a man-eating tiger with her own hand’

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7
Q

How is the choker described?

A

‘A choker of rubies, two inches wide, like an extraordinarily precious slit throat’

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8
Q

How does she feel in relation to her mother about becoming his wife?

A

‘Ceased to be her child in becoming his wife’

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9
Q

What is there a ‘striking resemblance’ between?

A

‘There is a striking resemblance between the act of love and the ministrations of a torturer’

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10
Q

How did she see herself ‘suddenly’?

A

‘I saw myself, suddenly, as he saw me’

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11
Q

What did she always associate with him?

A

‘The lilies I always associate with him; that are white. And stain you’

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12
Q

How many mirrors?

A

‘So many mirrors! Mirrors on all the walls’

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13
Q

What did the mother do to the husband at the end?

A

‘Put a single, irreproachable bullet through my husbands head’

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14
Q

What does the marquis say is hers (excluding…)?

A

‘All is yours…except the lock that this single key fits’

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15
Q

Bare as what?

A

‘Bare as a lamb chop’

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16
Q

What is the description of the marquis as a puppet master at the end?

A

‘The puppet master…saw his dolls break free of their strings’

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17
Q

How does she feel in the chamber, when she feels as though he is watching her?

A

‘The eye of God - his eye - was upon me’

18
Q

How is she disturbed by his eyes?

A

‘disturbed me by their absolute absence of light’

19
Q

How had she seen his composure leave him?

A

‘I had seen his deathly composure shatter like a porcelain vase’

20
Q

What does she sense in herself?

A

‘I sensed in myself a potentiality for corruption’

21
Q

What is the unique pleasure of love?

A

‘The supreme and unique pleasure of love is the certainty that one is doing evil’

22
Q

How does the marquis patronise the girl after she sees his library?

A

“Have the nasty pictures scared Baby?”

23
Q

How is the consummation of the marriage bed violently described?

A

‘A dozen husbands impaled a dozen brides’

24
Q

How is she shocked at herself for her feelings for him?

A

‘I was aghast to feel myself stirring’

25
Q

How does she cling to him?

A

‘I clung to him as though only the one who inflicted the pain could comfort me for suffering it’

26
Q

How does she describe his scent?

A

‘Opulent male scent of leather and spices’

27
Q

What does she accidentally do with the key when she is shocked at what she finds in the iron maiden?

A

‘dropped into the forming pool of her blood’

28
Q

How old was he?

A

‘He was older than I. Much older than I.’

29
Q

How was his face like a pond?

A

‘Still as a pond iced thickly over’

30
Q

She says she was not afraid of him, but of what?

A

‘I was not afraid of him; but of myself’

31
Q

What does she feel about his desire?

A

‘weight of his desire was a force I might not withstand’

32
Q

What’s the worst part about the embalmed body on the catafalque?

A

‘The dead lips smiled’

33
Q

What does she say emanates from the marquis when he realises she has disobeyed him?

A

‘A stench of absolute despair’

34
Q

How does she describe her own fingers and hips?

A

‘My bony fingers, my nervous, pianist’s fingers’

35
Q

How does she describe Jean-Yves and his humanity?

A

‘His lovely, blind humanity’

36
Q

How does he strip her?

A

‘He stripped me, gourmand that he was’

37
Q

How does she describe his head?

A

‘dark, leonine shape of his head’

38
Q

How does she describe the door to the chamber?

A

‘Like the door of hell’

39
Q

How does she describe the castle, of which she is two things simultaneously?

A

‘This lovely prison of which I was both the inmate and the mistress’

40
Q

How is her neck described at the decapitation ceremony?

A

‘A neck like the stem of a young plant’