tgm quotes Flashcards

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1
Q

character of laura

A

“glass breaks so easily” (scene 7)
-foreshadows

“be careful-if you breath it breaks”
-shows a conflict between Laura and everything as she is so fragile

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2
Q

symbolism

A

“My glass - menagerie” (scene 7)
-creates pathos/symbolises that Laura is slowly beginning to break

“now it’s just like all the other horses”
-symbolises/pathos/realisation that there is nothing for her to worry about.

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3
Q

theme of disillusionment

A

“[plans and provisions]”
-staging emphisises how Laura’s life is being controlled by her mother

“you-wont-call again?” (Scene 7)
-recognition that her life is not turning at as she hoped it would.

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4
Q

screen legends

A

“[a souvenir]” (scene 7)
- emphisises Laura’s recognition that she will find this difficult but she will get through

“[… a caller with a bouqet]
-staging highlights that Amanda really wants Laura to get a husband so she doesn’t have to look after her all the time.

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5
Q

tom’s narration

A

“the cities swept about me like leaves” (scene 7)
- image show how much tom has traveled since running away

“in spain there was guernica, here there was only shouting”
-this aside emphasis how trapped tom feels, this is and unconventional chorus

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6
Q

setting

A

“candle light is my favorite kind of light” (scene 7)
-the staging highlights a romantic tone and shows that Jim is quite romantic

“the apartment faces an alley and is entered by a fire escape”
-the use of setting emphasises how poor the family is

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7
Q

key scene

A

” now he will feel more at home with he other horses”
- pathos, we feel sorry for Laura as she relises that all of her worrying was for no reason

“[he suddenly turns her around and kisses her] (scene 7)
- the stage direction creates a climax for Laura as she thinks she has a boyfriend but everything from here is now downhill (reversal)

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8
Q

lighting

A

“[outside a summer storm is brewing]” (scene 7)
-pathetic phalasy emphasis how the characters feel

“soft becoming light”
-staging emphisises how fragile laura is.

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