Test Three Flashcards

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1
Q

Johann Christian Bach and Carl Phillipp Emanuel Bach were far better known during their lifetime than their father JS Bach was during his.

A

A. True

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2
Q

The sonata form was popular until the 1840s when it ceased to be used.

A

B. False

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3
Q

The function of the development section is to further increase the musical tension created by exposition.

A

A. True

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4
Q

Mozart and Haydn delighted in presenting surprising twists and turns in the transition section of the exposition

A

A. True

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5
Q

Johann Christian Bach developed a style that sought to be:

A

C. Pleasant and Elegant

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6
Q

The Sonata form was used most extensively and expansively:

A

C. In the first movements of instrumental compositions

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7
Q

The transition section has two functions which are:

A

E. to move to a new key and make it seem like a big deal

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8
Q

To recapitulate from the Italian word capo or head means

A

B. to go to the beginning

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9
Q

The piano:

A

B. became the preferred solo instrument in concertos

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10
Q

The sonata has 3 movements which are

A

A. fast-slow-fast

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11
Q

K in the titles of Mozart compositions stands for

A

C. Kochel

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12
Q

Haydn’s employment by the Esterhazy family lasted

A

B. almost 30 years

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13
Q

Haydn used the musical elements to recreate sounds such as ___________ in his work

A

A. bird chirps

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14
Q

A performance of all 3 movements of Vivaldi’s Spring will take less time than a performance of the first movement of the Surprise symphony

A

A. true

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15
Q

A story circulated that Haydn’s surprise in the 2nd movement of his symphony was to wake up members of the audience who had dozed off

A

A. true

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16
Q

The major difference between early and late 18th century orchestras was that:

A

D. the woodwind and brass instruments and timpani were no longer considered optional

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17
Q

The woodwinds of the late 18th century

A

B. are fundamentally similar to their modern counterparts

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18
Q

Haydn was invited by Johann Peter Salomon to perform music in

A

D. London

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19
Q

The surprise in the second movement of Haydn’s symphony is:

A

B. only the most obvious of many surprises in the entire work

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20
Q

One can view Don Giovanni as a synthesis of the traditions represented by Handel’s Julius Caesar and Gay’s The Beggar’s Opera

A

A. True

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21
Q

Don Giovanni was identified as an opera buffa, although it ends as seriously as possible

A

A. True

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22
Q

Opera buffa grew up with the new Classical style

A

A. True

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23
Q

The Beggar’s Opera made fun of

A

C. opera seria and artistocratic society

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24
Q

Singspiel was

A

B. the German speaking counterpart to opera comique

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25
Q

In its grand scheme, Don Giovanni is

A

D. a comic opera with a tragic ending

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26
Q

La ci darem la mano translates at

A

A. give me your hand

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27
Q

In a cenar teco the orchestral accompaniment lets us know that

A

A. Don Giovanni’s end is near

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28
Q

In the final scene of Don Giovanni, Mozart crafts all ____________ vocal lines to match the characters

A

C. Three

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29
Q

In the classical concerto the soloist is heard in opposition to the orchestra rather than as an extension of it

A

A. True

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30
Q

All of the 27 concertos attributed to Mozart are customarily played

A

B. False

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31
Q

Pianists cannot play both harmony and melody but have to select which one to play at a given moment

A

B. False

32
Q

Major changes in musical life during the latter part of the 18th century include all except

A

B. the disappearance of opera

33
Q

At the age of ______ Mozart and his family left Salzburg, Austria for a three year performance tour

A

D. Seven

34
Q

Piano and orchestra are equal in the sense that

A

D. both can provide complete textures: melody, accompaniment and counter melody

35
Q

Mozart’s Concerto no 24 in C minor opens with

A

A. a long orchestra statement

36
Q

Paganini was rumored to be runnin with the devil because of his….

A

A. true

37
Q

The most obvious compositional evidence of the heightened appreciation…

A

A. true

38
Q

By the time of his death, Beethoven:

A

B. had become a celebrated figure throughout Europe

39
Q

As the market grew for new genres of music _____ became less expensive and more readily available

A

A. pianos

40
Q

For the general public, ______ became a component of public school instruction in Europe and North America over the course of the 19th century

A

C. vocal music education

41
Q

The most significant impact of technology was

A

A. the introduction of manufacturing into the production of musical instruments

42
Q

Improvements to existing woodwind and brass instruments and the invention of new wood instruments led to the expansion of the

A

D. military band

43
Q

During the 19th century

A

E. concert bands joined opera companies as major cultural institutions

44
Q

Romanticism valued

A

B. subjectivity, feeling, and inspiration

45
Q

Rossini, Verdi, Wagner, and Puccini are remembered mostly for their

A

B. composing, especially opera

46
Q

Romantic composers generally followed one of three paths

A

A. emulate the classics, outdo the classics, completely novel path

47
Q

The most important and innovative vocal genre of the 19th century was the

A

D. Lied

48
Q

Beethoven’s achievements and influence were unmatched by any other composer

A

A. True

49
Q

Beethoven felt that he learned everything he needed to be a great composer from Haydn

A

B. False

50
Q

Beethoven scratched out the dedication to Napoleon on the title page

A

A. True

51
Q

The Heiligenstadt Testament was

A

B. a letter to Beethoven’s brothers revealing his loss of hearinh

52
Q

Ludwig van Beethoven was born in

A

B. Bonn

53
Q

The most sensational parts of Beethoven’s performance were his

A

E. improvisations

54
Q

Two qualities that would characterize much of Beethoven’s music throughout his career were

A

C. individuality and expansion

55
Q

Beethoven wrote far more _____ than symphonies…

A

D. piano sonatas

56
Q

The slow introduction is the most distinctive feature of the Pathetique ________

A

A. sonata

57
Q

Scherzo is the Italian word for joke

A

A. True

58
Q

The 3rd movement of Beethoven’s 5th Symphony is a dark, foreboding movement

A

B. False

59
Q

Typically, scherzo and trio movements are

A

B. light and lighthearted

60
Q

Goethe’s poems are far better known in Schubert’s settings…

A

A. True

61
Q

Franz Schubert was born near Vienna into a musical family

A

A. True

62
Q

Liede are the most intimately personal first person music of the Romantic era

A

A. True

63
Q

When Jenny Lind was brought to the US to perform by PT Barnum

A

B. a crowd estimated to be over 30,000 was waiting dockside when she arrived in New York

64
Q

The term “Bohemians” can be defined as

A

B. arty types who lived on the fringes of society without putting down roots

65
Q

Piano manufacturing

A

C. made them affordable for middle class families and businesses

66
Q

In Schubert’s settings of Goethe’s poems

A

B. the text remains intact and intelligible even as the melody goes beyond the expressive capabilities of speech

67
Q

The word for the French art song is

A

B. chansons

68
Q

Schubert’s most significant innovation in song composition was

A

A. expanding the role of the accompaniment

69
Q

A Schubertiade was

A

C. an evening of music written and sometimes performed by Schubert

70
Q

In Brahm’s German Requiem, Christ is not mentioned

A

A. True

71
Q

Brams’s Ein deutsches Requim

A

B. is not a liturgical work and is most commonly performed in concert halls

72
Q

Requim settings by Beriloz and Verdi are

A

C. far too theatrical for liturgical use

73
Q

_______ was the dominant music influence on Brahms

A

C. Beethoven

74
Q

The belief that the divine could be understood for reason alone was known as

A

A. deism

75
Q

75-81 Dr. Wilson’s research

A

answer is true