Test One Flashcards

1
Q

Picture Plane

A

The window through which artist in fixed position views the 3D object. When talking about picture plane you are taking about the 2d work. It’s the canvas or ground on which the artist paints or draws.

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2
Q

Figurative Abstraction

A

Figure; simplified

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3
Q
A

LAYLAH ALI simple Hard edge Figurative abstraction Artists book Gouache (opaque watercolor)

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4
Q
A

LAYLAH ALI artists book Small History of race in US Authority figures are viewed with suspicion

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5
Q
A

EL ANATSUI

Awu

Aluminum liquor bottle caps and copper wire

Patterns recall traditional African woven cloth designs

Born in Ghana

Found object

Artist depends on assistants to make these large scale works

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6
Q
A

TINA BARNEY

Series of color photos by photographer acting as kind of anthropologist, documenting her upper middle class ‘tribe’

Psychologial portraiture

Forms a narrative

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7
Q
A

TINA BARNEY

From series of portraits of father/daughter at various ages in the same place

Subjects captured in natural habitat

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8
Q
A

CHRISTIAN BOLTANSKI

Theatre d’Ombres

Installation

Simple fabricated cut-out puppets

Slide projection and fan

Light as an alternative medium

Kinetic art

Folk art influence

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9
Q
A

CHRISTIAN BOLTANSKI

Personnes

Temporary installation

Found object (clothing)

at Grand Palais, Paris 2010

From series on the Holocaust

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10
Q
A

JONATHAN BOROFSKY

Hammerin Men

Steel

1982

Installation

Also exhibited as solo sculptures

Kinetic

Figurative Abstraction

Works explore: What does it mean to be a worker? A man in today’s world?

Tracks sequence of art making history by prominently labeling the surface of every piece with a number

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11
Q
A

CAI GUO-QIANG

Head On

Installation

Glass wall & 99 life size replicas of wolves fabricated from paper mache, plaster, fiberglass, resin and painted (found material) goat hides

Illusion of movement

Pattern

Visual metaphor

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12
Q
A

CHRISTO & JEANNE-CLAUDE

Wrapped Reichstag (Parliament Bldg Berlin)

1971-1995

Temporary installation

Polypropylene fabric with aluminum surface and blue rope

Collaboration between the two with large number of assisstants

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13
Q
A

CHRISTO & JEANNE-CLAUDE

Running Fence

Temporary Installation

1976

Veiled fence 24 miles long

extending across hills of Califonia ending in Pacific Ocean

Porposals to landowners, political authorities, etc in years-long process required to recieve permissions

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14
Q
A

SUE COE

Modern Man confronted by the Ghosts of his Meat

1990

UK artist

Mixed Media on paper

From ongoing series critiquing the meat industry

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15
Q
A

WALTER DeMARIA

The Lightning Field

Stainless steel poles over 1 mile x 3300 ft expanse

New Mexico

1971-77

Site specific (ongoing) installation

Could fall loosely into Earthwork (land art)

Artist as god-like hero

Lightning and landscape considered as part of media and process

Such experiments resist notion of art as commodity

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16
Q
A

WALTON FORD

Fallen Bough

watercolor/Gouache/ink/pencil

Known for draftsmenship & traditional notions of beauty in large scale works

Influenced by 19th century artist James Audubon

enviormental concerns

Piece laments extinction of Passenger Pigeon

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17
Q
A

LUCIAN FREUD

Reflection (self-portriat)

oil on canvas

1985

Infulential UK artist

Grandson of Sigmund Freud

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18
Q
A

ROBERT GOBER

untitled (leg)

Mix of fabricated and found object

Fragmentation as trend in contemporary art’s treatment of the body

Humor

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19
Q
A

ROBERT GOBER

Beeswax, pigment & human hair

1990

Trends in contemporary art onsideration of the body evident here including:

Fragmentation

Anti-heroicism

Anti-Romanticism

Fluidity of gender and identity

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20
Q

Ric at Restaurant photo

A

NAN GOLDIN

Ric at Restaurant, NYC

Cibachrome photo

Body of work documenting a particular slice of contemporary society

Artist chronicled lives of her circle

Specific characters and moods captured in her photo series

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21
Q
A

NAN GOLDIN

Nan, One Month After Being Battered

Cibachrome photo

1984

Self portriat

Artist boldly confronts viewer with title providing narrative

Influential early series, The Ballad of Sexual Dependency

22
Q
A

MICHAEL HEIZER

Double Negative

Mormon Mesa, Nevada

2 removals of earth

Sculptural approach to landscape

Works on heroic scale

Land art

Alternative tools: earthmovers

23
Q
A

DAMIEN HIRST

Spot Mini

Found object (auto with vinyl graphics)

Prominent member of Young British Artists group who dominated the art scene end of 20th century

Pattern, applied to found object

Part of series using same pattern on non-objective paintings and prints on conventional surfaces

Assistants make possible large scale projects in assorted media with artist providing concept and approval but being hands-off in execution

24
Q
A

JENNY HOLZER

From the Truisms series

Temporary installation in Times Square

Electronic signage

Artist employs commercial process

Known for evocative us of text open to interpretation

Installation art moving out of gallery to the street to find an audience

Taking lessons from advertising and using a large scale to gain attention

25
JENNY HOLZER Living Series enamel on metal Artist uses commercial signpainters Small work posted in various urban locations (w/o artist permission) Works feature text, often with social commentary Artist as citizen, as scold
26
BARBARA KRUGER Your body is a battleground Uses commerical processes (adhesives/text) Feminist artist takes political stance in much of her work, rejecting notion of art and politics as being seperate realms
27
BARBARA KRUGER It's a Small World (but Not When You Have to Clean It) Temporary large scale installation Takes art out of gallery and onto the street Artist as social critic Artist has been influenced by and become an influence on contemporary graphic design
28
MAYA LIN Water Line Aluminum tubing, paint Installation 2006 Example of categories breaking down in contemporary art: architect who does sculpture Industrial material The grib (manipulated here)
29
MAYA LIN Blue Lake Pass Particleboard 2006 Pattern Abstraction The Grid Yale Student who won competition to design Vietnam War Memorial in DC Controversial design only later embraced by vets and others
30
ROBERT MAPPLETHORPE Thomas Gelatin silver print Staged photo Artist influenced by classical notions of beauty and classical art itself Visual quote of Myron's The Discus Thrower Influential gay artist lauding the male form Many of his models were part of his circle Titles each work in the series with the model's name Deceased
31
MARY ELLEN MARK Laurie in the Ward 81 Tub, Oregon State Hospital Gelatin silver print From the Confinement Series (portriats of institutionalized women) Artist as activist, as witness, a chronicler of her times who spotlights the plight of the disadvantaged in society Privacy concerns Deceased
32
MARY ELLEN MARK Jesse with his Dog Gelatin silver print Artist as social critic Asking viewer to question society Formal design elements
33
PAUL McCARTHY Blockhead Inflatable, large scale outdoor sculpture Figurative Abstraction Appropriation (of disney character pinocchio) Irreverent artist Studied at the U converts pop subject matter in his work which uses diverse media and processes
34
Blockhead Blueprints
PAUL McCARTHY Blockhead Blueprint Studies for Blockhead Instructions for commerical fabricators Example of artist whose practice crosses boundaries and includes sculpture, installation, small scale architecture, drawing and perfomance art
35
EDWARD RUSCHA Those of Us Who Have Double Parked Pastel on paper Illusionism (re:lighting) Challanges the flat treatment of the picture plane California artist fequently presents apparently nonsensical phrases open to interpretation Mines pop culture (re: typography)
36
CINDY SHERMAN Two separte staged works in which she serves as director, actor, stylist and photographer Crosses boundaries between photo and performance art Plays with fluid notion of history, gender, personality and identity Influenced by art history, theater, gender studies
37
CINDY SHERMAN Untitled (No. 476) Color photograph 2008 In experiments that began while an art student, she adopts various personae in setting up her photos Questions issues of identity and class
38
KIKI SMITH Wax figures on metal stands Anti-heroic anti-romantic psychologial content drives much of contemporary art Her studio practice contains diverse 2d and 3d media and processes
39
KIKI SMITH Ribs Clay/ink/thread/nails Fragmentation Abstraction Not hiding structure in this raw presentation
40
ROBERT SMITHSON Spiral Jetty Basalt/salt crystal Land art/earthwork Great Salt Lake Site-specific; appearance varies greatly with water level Questions art as a commodity Artist as hero Alternative processes; earthmovers
41
Starn Twins museum exhibition
MIKE AND DOUG STARN (STARN TWINS) Whitney Museum, NYC Temp Installation Collaboration Non-archival taped layers Purposely distressed surfaces of photos, scratching with tools Approprition of Renaissance painting of Dead Christ in framed photo
42
MIKE AND DOUG STARN (STARN TWINS) Big Bambu Temp Installation Roof of the Met Alternative materials Cross over to architecture Climbers hired to construct the piece out of bamboo and bungee cords Twins shard created and credit for work
43
JAMES TURRELL Roden Crater near Sedona AZ View of east portal entryway to crater Crosses genres: Sculpture and architecture and land art Use of light, including moonlight
44
JAMES TURRELL Roden Crater SW view of cinder cone volcano artist purchased before setting out decades long ongoing project Pristine interior spaces within crater Heroic god like scale Lit by day and starlight
45
KARA WALKER Darkytown Rebellion Cut paper/adhesive/projections Installation Figurative abstraction Has both influenced and been influenced by projection and lighitng from theater set design Silhouette a tradionally "sweet" nostalgic cut paper folk genre appropriated by African American artist. She uses it to tackle history of slavery and race in America
46
KARA WALKER A Subtley or the Marvelous Sugar Baby Site specific Temp large scale sculpture Sugar over polystyrene foam Alternative media 2014 Created onsite in the old Domino Sugar Factory Critique of history of slave plantation workers who provided processed sugar to the Americas and Europe Largest of a group of figures Central piece of the installation Smaller chocolate and molasses figures surround it
47
Non-objective art
The artist has moved away from reference to the object, perhaps asserting the idea of a painting, for example, as object-in-its-own- right, something made of canvas & paint, not some window on Reality Out There. Non-objective sculpture would be 3d art which explores form without reference to or illustration of a figure, not intending to be read as cat or whatever, just pure form for its own sake.
48
Fabrication
The creation of elements used in the piece
49
Found Object
The use of pre-existing objects
50
Kinetic Art
Art with moving elements
51
Illusionistic
Highly realistic/representational (includes photorealism)