Test One Flashcards

1
Q

Picture Plane

A

The window through which artist in fixed position views the 3D object. When talking about picture plane you are taking about the 2d work. It’s the canvas or ground on which the artist paints or draws.

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2
Q

Figurative Abstraction

A

Figure; simplified

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3
Q
A

LAYLAH ALI simple Hard edge Figurative abstraction Artists book Gouache (opaque watercolor)

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4
Q
A

LAYLAH ALI artists book Small History of race in US Authority figures are viewed with suspicion

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5
Q
A

EL ANATSUI

Awu

Aluminum liquor bottle caps and copper wire

Patterns recall traditional African woven cloth designs

Born in Ghana

Found object

Artist depends on assistants to make these large scale works

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6
Q
A

TINA BARNEY

Series of color photos by photographer acting as kind of anthropologist, documenting her upper middle class ‘tribe’

Psychologial portraiture

Forms a narrative

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7
Q
A

TINA BARNEY

From series of portraits of father/daughter at various ages in the same place

Subjects captured in natural habitat

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8
Q
A

CHRISTIAN BOLTANSKI

Theatre d’Ombres

Installation

Simple fabricated cut-out puppets

Slide projection and fan

Light as an alternative medium

Kinetic art

Folk art influence

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9
Q
A

CHRISTIAN BOLTANSKI

Personnes

Temporary installation

Found object (clothing)

at Grand Palais, Paris 2010

From series on the Holocaust

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10
Q
A

JONATHAN BOROFSKY

Hammerin Men

Steel

1982

Installation

Also exhibited as solo sculptures

Kinetic

Figurative Abstraction

Works explore: What does it mean to be a worker? A man in today’s world?

Tracks sequence of art making history by prominently labeling the surface of every piece with a number

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11
Q
A

CAI GUO-QIANG

Head On

Installation

Glass wall & 99 life size replicas of wolves fabricated from paper mache, plaster, fiberglass, resin and painted (found material) goat hides

Illusion of movement

Pattern

Visual metaphor

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12
Q
A

CHRISTO & JEANNE-CLAUDE

Wrapped Reichstag (Parliament Bldg Berlin)

1971-1995

Temporary installation

Polypropylene fabric with aluminum surface and blue rope

Collaboration between the two with large number of assisstants

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13
Q
A

CHRISTO & JEANNE-CLAUDE

Running Fence

Temporary Installation

1976

Veiled fence 24 miles long

extending across hills of Califonia ending in Pacific Ocean

Porposals to landowners, political authorities, etc in years-long process required to recieve permissions

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14
Q
A

SUE COE

Modern Man confronted by the Ghosts of his Meat

1990

UK artist

Mixed Media on paper

From ongoing series critiquing the meat industry

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15
Q
A

WALTER DeMARIA

The Lightning Field

Stainless steel poles over 1 mile x 3300 ft expanse

New Mexico

1971-77

Site specific (ongoing) installation

Could fall loosely into Earthwork (land art)

Artist as god-like hero

Lightning and landscape considered as part of media and process

Such experiments resist notion of art as commodity

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16
Q
A

WALTON FORD

Fallen Bough

watercolor/Gouache/ink/pencil

Known for draftsmenship & traditional notions of beauty in large scale works

Influenced by 19th century artist James Audubon

enviormental concerns

Piece laments extinction of Passenger Pigeon

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17
Q
A

LUCIAN FREUD

Reflection (self-portriat)

oil on canvas

1985

Infulential UK artist

Grandson of Sigmund Freud

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18
Q
A

ROBERT GOBER

untitled (leg)

Mix of fabricated and found object

Fragmentation as trend in contemporary art’s treatment of the body

Humor

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19
Q
A

ROBERT GOBER

Beeswax, pigment & human hair

1990

Trends in contemporary art onsideration of the body evident here including:

Fragmentation

Anti-heroicism

Anti-Romanticism

Fluidity of gender and identity

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20
Q

Ric at Restaurant photo

A

NAN GOLDIN

Ric at Restaurant, NYC

Cibachrome photo

Body of work documenting a particular slice of contemporary society

Artist chronicled lives of her circle

Specific characters and moods captured in her photo series

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21
Q
A

NAN GOLDIN

Nan, One Month After Being Battered

Cibachrome photo

1984

Self portriat

Artist boldly confronts viewer with title providing narrative

Influential early series, The Ballad of Sexual Dependency

22
Q
A

MICHAEL HEIZER

Double Negative

Mormon Mesa, Nevada

2 removals of earth

Sculptural approach to landscape

Works on heroic scale

Land art

Alternative tools: earthmovers

23
Q
A

DAMIEN HIRST

Spot Mini

Found object (auto with vinyl graphics)

Prominent member of Young British Artists group who dominated the art scene end of 20th century

Pattern, applied to found object

Part of series using same pattern on non-objective paintings and prints on conventional surfaces

Assistants make possible large scale projects in assorted media with artist providing concept and approval but being hands-off in execution

24
Q
A

JENNY HOLZER

From the Truisms series

Temporary installation in Times Square

Electronic signage

Artist employs commercial process

Known for evocative us of text open to interpretation

Installation art moving out of gallery to the street to find an audience

Taking lessons from advertising and using a large scale to gain attention

25
Q
A

JENNY HOLZER

Living Series

enamel on metal

Artist uses commercial signpainters

Small work posted in various urban locations (w/o artist permission)

Works feature text, often with social commentary

Artist as citizen, as scold

26
Q
A

BARBARA KRUGER

Your body is a battleground

Uses commerical processes (adhesives/text)

Feminist artist takes political stance in much of her work, rejecting notion of art and politics as being seperate realms

27
Q
A

BARBARA KRUGER

It’s a Small World (but Not When You Have to Clean It)

Temporary large scale installation

Takes art out of gallery and onto the street

Artist as social critic

Artist has been influenced by and become an influence on contemporary graphic design

28
Q
A

MAYA LIN

Water Line

Aluminum tubing, paint

Installation

2006

Example of categories breaking down in contemporary art: architect who does sculpture

Industrial material

The grib (manipulated here)

29
Q
A

MAYA LIN

Blue Lake Pass

Particleboard

2006

Pattern

Abstraction

The Grid

Yale Student who won competition to design Vietnam War Memorial in DC

Controversial design only later embraced by vets and others

30
Q
A

ROBERT MAPPLETHORPE

Thomas

Gelatin silver print

Staged photo

Artist influenced by classical notions of beauty and classical art itself

Visual quote of Myron’s The Discus Thrower

Influential gay artist lauding the male form

Many of his models were part of his circle

Titles each work in the series with the model’s name

Deceased

31
Q
A

MARY ELLEN MARK

Laurie in the Ward 81 Tub, Oregon State Hospital

Gelatin silver print

From the Confinement Series (portriats of institutionalized women)

Artist as activist, as witness, a chronicler of her times who spotlights the plight of the disadvantaged in society

Privacy concerns

Deceased

32
Q
A

MARY ELLEN MARK

Jesse with his Dog

Gelatin silver print

Artist as social critic

Asking viewer to question society

Formal design elements

33
Q
A

PAUL McCARTHY

Blockhead

Inflatable, large scale outdoor sculpture

Figurative Abstraction

Appropriation (of disney character pinocchio)

Irreverent artist

Studied at the U

converts pop subject matter in his work which uses diverse media and processes

34
Q

Blockhead Blueprints

A

PAUL McCARTHY

Blockhead Blueprint

Studies for Blockhead

Instructions for commerical fabricators

Example of artist whose practice crosses boundaries and includes sculpture, installation, small scale architecture, drawing and perfomance art

35
Q
A

EDWARD RUSCHA

Those of Us Who Have Double Parked

Pastel on paper

Illusionism (re:lighting)

Challanges the flat treatment of the picture plane

California artist fequently presents apparently nonsensical phrases open to interpretation

Mines pop culture (re: typography)

36
Q
A

CINDY SHERMAN

Two separte staged works in which she serves as director, actor, stylist and photographer

Crosses boundaries between photo and performance art

Plays with fluid notion of history, gender, personality and identity

Influenced by art history, theater, gender studies

37
Q
A

CINDY SHERMAN

Untitled (No. 476)

Color photograph

2008

In experiments that began while an art student, she adopts various personae in setting up her photos

Questions issues of identity and class

38
Q
A

KIKI SMITH

Wax figures on metal stands

Anti-heroic

anti-romantic

psychologial content drives much of contemporary art

Her studio practice contains diverse 2d and 3d media and processes

39
Q
A

KIKI SMITH

Ribs

Clay/ink/thread/nails

Fragmentation

Abstraction

Not hiding structure in this raw presentation

40
Q
A

ROBERT SMITHSON

Spiral Jetty

Basalt/salt crystal

Land art/earthwork

Great Salt Lake

Site-specific; appearance varies greatly with water level

Questions art as a commodity

Artist as hero

Alternative processes; earthmovers

41
Q

Starn Twins museum exhibition

A

MIKE AND DOUG STARN (STARN TWINS)

Whitney Museum, NYC

Temp Installation

Collaboration

Non-archival taped layers

Purposely distressed surfaces of photos, scratching with tools

Approprition of Renaissance painting of Dead Christ in framed photo

42
Q
A

MIKE AND DOUG STARN (STARN TWINS)

Big Bambu

Temp Installation

Roof of the Met

Alternative materials

Cross over to architecture

Climbers hired to construct the piece out of bamboo and bungee cords

Twins shard created and credit for work

43
Q
A

JAMES TURRELL

Roden Crater

near Sedona AZ

View of east portal entryway to crater

Crosses genres: Sculpture and architecture and land art

Use of light, including moonlight

44
Q
A

JAMES TURRELL

Roden Crater

SW view of cinder cone volcano artist purchased before setting out decades long ongoing project

Pristine interior spaces within crater

Heroic god like scale

Lit by day and starlight

45
Q
A

KARA WALKER

Darkytown Rebellion

Cut paper/adhesive/projections

Installation

Figurative abstraction

Has both influenced and been influenced by projection and lighitng from theater set design

Silhouette a tradionally “sweet” nostalgic cut paper folk genre appropriated by African American artist. She uses it to tackle history of slavery and race in America

46
Q
A

KARA WALKER

A Subtley or the Marvelous Sugar Baby

Site specific

Temp large scale sculpture

Sugar over polystyrene foam

Alternative media

2014

Created onsite in the old Domino Sugar Factory

Critique of history of slave plantation workers who provided processed sugar to the Americas and Europe

Largest of a group of figures

Central piece of the installation

Smaller chocolate and molasses figures surround it

47
Q

Non-objective art

A

The artist has moved away from reference to the object, perhaps asserting the idea of a painting, for example, as object-in-its-own- right, something made of canvas & paint, not some window on Reality Out There.

Non-objective sculpture would be 3d art which explores form without reference to or illustration of a figure, not intending to be read as cat or whatever, just pure form for its own sake.

48
Q

Fabrication

A

The creation of elements used in the piece

49
Q

Found Object

A

The use of pre-existing objects

50
Q

Kinetic Art

A

Art with moving elements

51
Q

Illusionistic

A

Highly realistic/representational (includes photorealism)