Test on Chapters 10 and 11

Question 1

Cadence

Answer 1

2 chord gesture that comes at the end of a phrase

Question 2

Phrase

Answer 2

relatively complete musical thought punctuated by a cadence

Question 3

subphrase

Answer 3

usually half a phrase

Question 4

Half cadence

Answer 4

(I) ii IV vi —> V

Question 5

anacrusis

Answer 5

a pick up, something that leads into the next phrase

Question 6

Period

Answer 6

two phrases appended together with an antecedent -> consequent relationship with a weak to strong cadence structure
parallel- begins w similar material
contrasting- different

Question 7

Perfect Authentic Cadence

Answer 7

V(7)-I

Question 8

Imperfect Authentic Cadence

Answer 8

V42 - I6

Question 9

phrase extension

Answer 9

feeling that a phrase has ended but more material is added makes it feel more culminated

Question 10

sentence

Answer 10

statement of a musical idea
repetition
development/variation
cadential material

Question 11

tonicized half cadence

Answer 11

half cadence in another key

Question 12

agogic accent

Answer 12

accent by duration

Question 13

deceptive cadence

Answer 13

cadence ending on vi

Question 14

plagal cadence

Answer 14

IV- I

Question 15

3 phrase period

Answer 15

3 phrases appended together with either weak weak strong or weak strong strong cadence structures

Question 16

phrygian

Answer 16

HC in minor

Question 17

elision

Answer 17

materials that end one phrase begin the next

Question 18

double period

Answer 18

2 periods with a weak to strong cadence structure

Question 19

motive

Answer 19

smallest identifiable musical element made up of a component of pitch and rhythm

Question 20

development

Answer 20

a process of repetition and variation of a motive or a theme

Question 21

pedal point

Answer 21

a note that is sustained usually in the bass or soprano that at some point has a dissonant harmony against it.

Question 22

anticipation

Answer 22

a nct approached by step or leap, that resolves through oblique motion

Question 23

appogiatura

Answer 23

a nct which is approached by leap and left by step usually in the opposite direction

Question 24

suspension with change of the bass at the point of resolution

Answer 24

1st suspension -normal. 2nd- funny

Question 25

escape tone

Answer 25

approach by step and left by leap in usually the opp direction

Question 26

chart

Answer 26

prep sus resolution
cons dis consonant
weak strong weak

Question 27

neighbor group

Answer 27

a melodic formula. step down, third up, step down or opposite

Question 28

metric level

Answer 28

sub- smaller & faster
metric-at level
super- above and slower

Question 29

passing tone

Answer 29

nct approached by step and left by step in the same direction

Question 30

9-8, 7-6, 4-3 (2-3) bass

Answer 30

most common types of sus

Question 31

sequence of suspensions

Answer 31

where the note of resolution in one suspension becomes the note of preparation in the next