Test 4 Flashcards
Balanced cables
Low “Z” (Low impedance)
Unbalanced cables
High “Z” (High impedance)
CMR- common mode rejection
Balanced inputs provide common mode rejection. Definition: interference (noise) picked up by the cable will be rejected at the input
Balun/transformer
A portmanteau of balanced + unbalanced. Used to convert balanced signal to unbalanced or vice-versa. Transformer built in the connector.
Impedance (low Z)
4 to 16 ohms for speakers, 50 to 250 ohms for microphones, 33 to 600 ohms for other equipment.
Ohms
DI box (Direct box)
XLR microphone connector
1/4 inch phone plug- TS (unbalanced)
1/4 inch phone plug- TRS (balanced)
Bantam or TT (tiny-telephone) plug
3.5mm (1/8”) mini plug
RCA connector
Speakon connector
Snake
Channel fader
Console
Board
Master fader
Amplifier
Input section
Microphone preamp
Phantom power (48V)
Trim
Plolarity (phase) reversal
Summing bus
Pan pot
Potentiometer (pot)
Mute and solo switches
Input/output (I/O) module (channel strip)
Cue system or foldback
Master section
Master buses
Monitor section
Talkback
Patch bay (jack field)
Patch point
Patch cable
Automation
SMPTE time code
Meters
Volume unit (VU)
Peak
LUFS
Decibel full-scale (dBFS)
Equalization (EQ)
High cut/low pass filter
Low cut/high pass filter
Notch filler
Cutoff frequency
Slope or dB per octave
Tone controls
Shelving equalizer
Turnover frequency
Peaking equalizer (bell curve)
Center frequency
Bandwidth vs. “Q”
Q= Fc/BW
Hugh Q represents narrow bandwidth
Low Q represents wide bandwidth
Phase shift
Parametric EQ
Graphic EQ
1/3rd octave band
Outboard vs. Onboard signal processing
Digital EQ
Compressor vs. limiter
Compressor controls: threshold, ratio, attack, hold, release
Expander vs. noise gate
Expansion vs. gating
Expander controls: threshold, ratio, attack, release, range
Unity gain
1:1 ratio
Compressing 2:1 ratio
Limiting
10:1 ratio
Side chain
External (key) input
De-Esser
Keying or triggering
Ducking
Stereo compression
Side chain link for stereo compression
RT60 - decay time
Reverberation
Early reflections
Pre-delay
Spring reverb
Plate reverb
Echo chamber
Slap echo
Flanging or phasing
Chorus
Pitch shift
ADT- automatic double-tracking
Tape delay
Inotation processing