Test 4 Flashcards

1
Q

Balanced cables

A

Low “Z” (Low impedance)

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2
Q

Unbalanced cables

A

High “Z” (High impedance)

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3
Q

CMR- common mode rejection

A

Balanced inputs provide common mode rejection. Definition: interference (noise) picked up by the cable will be rejected at the input

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4
Q

Balun/transformer

A

A portmanteau of balanced + unbalanced. Used to convert balanced signal to unbalanced or vice-versa. Transformer built in the connector.

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5
Q

Impedance (low Z)

A

4 to 16 ohms for speakers, 50 to 250 ohms for microphones, 33 to 600 ohms for other equipment.

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6
Q

Ohms

A
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7
Q

DI box (Direct box)

A
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8
Q

XLR microphone connector

A
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9
Q

1/4 inch phone plug- TS (unbalanced)

A
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10
Q

1/4 inch phone plug- TRS (balanced)

A
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11
Q

Bantam or TT (tiny-telephone) plug

A
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12
Q

3.5mm (1/8”) mini plug

A
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13
Q

RCA connector

A
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14
Q

Speakon connector

A
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15
Q

Snake

A
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16
Q

Channel fader

A
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17
Q

Console

A
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18
Q

Board

A
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19
Q

Master fader

A
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20
Q

Amplifier

A
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21
Q

Input section

A
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22
Q

Microphone preamp

A
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23
Q

Phantom power (48V)

A
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24
Q

Trim

A
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25
Q

Plolarity (phase) reversal

A
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26
Q

Summing bus

A
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27
Q

Pan pot

A
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28
Q

Potentiometer (pot)

A
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29
Q

Mute and solo switches

A
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30
Q

Input/output (I/O) module (channel strip)

A
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31
Q

Cue system or foldback

A
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32
Q

Master section

A
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33
Q

Master buses

A
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34
Q

Monitor section

A
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35
Q

Talkback

A
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36
Q

Patch bay (jack field)

A
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37
Q

Patch point

A
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38
Q

Patch cable

A
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39
Q

Automation

40
Q

SMPTE time code

41
Q

Meters

42
Q

Volume unit (VU)

45
Q

Decibel full-scale (dBFS)

46
Q

Equalization (EQ)

47
Q

High cut/low pass filter

48
Q

Low cut/high pass filter

49
Q

Notch filler

50
Q

Cutoff frequency

51
Q

Slope or dB per octave

52
Q

Tone controls

53
Q

Shelving equalizer

54
Q

Turnover frequency

55
Q

Peaking equalizer (bell curve)

56
Q

Center frequency

57
Q

Bandwidth vs. “Q”

58
Q

Q= Fc/BW

59
Q

Hugh Q represents narrow bandwidth

60
Q

Low Q represents wide bandwidth

61
Q

Phase shift

62
Q

Parametric EQ

63
Q

Graphic EQ

64
Q

1/3rd octave band

65
Q

Outboard vs. Onboard signal processing

66
Q

Digital EQ

67
Q

Compressor vs. limiter

68
Q

Compressor controls: threshold, ratio, attack, hold, release

69
Q

Expander vs. noise gate

70
Q

Expansion vs. gating

71
Q

Expander controls: threshold, ratio, attack, release, range

72
Q

Unity gain

73
Q

1:1 ratio

74
Q

Compressing 2:1 ratio

75
Q

Limiting

76
Q

10:1 ratio

77
Q

Side chain

78
Q

External (key) input

79
Q

De-Esser

80
Q

Keying or triggering

81
Q

Ducking

82
Q

Stereo compression

83
Q

Side chain link for stereo compression

84
Q

RT60 - decay time

85
Q

Reverberation

86
Q

Early reflections

87
Q

Pre-delay

88
Q

Spring reverb

89
Q

Plate reverb

90
Q

Echo chamber

91
Q

Slap echo

92
Q

Flanging or phasing

93
Q

Chorus

94
Q

Pitch shift

95
Q

ADT- automatic double-tracking

96
Q

Tape delay

97
Q

Inotation processing