Test 2 Flashcards

Robert Smithson
A Nonsite (Franklin, New Jersey)
1968
painted wooden bins and limestone; photographs, and typescript on paper with graphite and transfer letters, mounted on mat board

Robert Smithson
Partially Buried Woodshed
1970
woodshed, 20 loads of earth

Robert Smithson
Spiral Jetty
April 1970
black basalt and limestone rocks and earth
Great Salt Lake, Utah

Michael Heizer
Double Negative
1969-70
displacement in rhyolite and sandstone

Michael Heizer
Double Negative
1969-70
displacement in rhyolite and sandstone

Walter De Maria
The Lightening Field
1977
stainless steel poles

Gordon Matta-Clark
Splitting
1974
black and white photograph

Gordon Matta-Clark
Splitting: Four Corners
1974
building fragments

Bruce Nauman
The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign)
1967
neon tubing with clear glass tubing suspension supports

Sol LeWitt
Serial Project #1 (ABCD)
1966
steel, enamel on aluminum

Joseph Kosuth
One and Three Chairs
1965
mixed media

Lawrence Weiner
A 36” x 36” REMOVAL TO THE LATHING OR SUPPORT OF PLASTER OR WALLBOARD FROM A WALL
1969
installation

Douglas Huebler
Variable Piece, no. 111, London
1974
mixed media

Bernd and Hilla Becher
Typology of Water Towers
1972
54 black and white photographs

On Kawara
TODAY Series No. 217, NOV. 26, 1966
Liquitex on canvas

Daniel Buren
Visible Recto Verso Painting
1971
acrylic on canvas, 651⁄2 x 33 ft.
VI Guggenhiem International, Solomon R. Guggenheim Museum, New York

Marcel Broodthaers
Pense-Bête
1963
books, plaster, plastic spheres, and wood
381⁄2 x 33 x 17 in.

Michael Asher
Untitled
Claire Copley Gallery, Los Angeles
1974

Hans Haacke, Shapolsky et al.
Manhattan Real Estate Holdings: A Real-Time Social System, as of May 1, 1971
1971
photographs and typewritten data sheets, each photograph 20 x 71⁄2 in.

Cildo Miereles
Insertions into Ideological Circuits: Coca-Cola Project
1970
messages transferred onto Coca-Cola bottles in circulation

Claes Oldenburg
Lipstick (Ascending) on Caterpillar Tracks
Beinecke Plaza, Yale University
1969
mixed media

Martha Rolser
First Lady (Pat Nixon) from the series Bringing the War Home: House Beautiful
1967-72
photomontage printed as color photograph

Joseph Beuys
I Like America and America Likes Me
Rene Block Gallery, New York
1974

Yayoi Kusama
Infinity Mirror Room–Phalli’s Field
1965
stuffed sewn fabric, mirrors and plywood
























