Test 1 Flashcards

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1
Q

Vibrations that are transmitted, usually through air, to the eardrum, which sends impulses to the brain.

A

Sound

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2
Q

Relative highness or lowness of a sound.

A

Pitch

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3
Q

Sound that has a definite pitch, or frequency

A

Tone

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4
Q

“Distance” in pitch between any two tones.

A

Interval

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5
Q

Interval between two tones in which the higher tone has twice the frequency of the lower tone.

A

Octave

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6
Q

Distance between the highest and lowest tones that a given voice or instrument can produce.

A

Range

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7
Q

Quality of sound that distinguishes one instrument or voice from another.

A

Tone Color (Timbre)

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8
Q

Melody that serves as the starting point for an extended piece of music.

A

Theme

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9
Q

Changing some features of a musical idea while retaining others.

A

Variation

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10
Q

Ordered flow of music through time; the pattern of duration of notes and silences in music.

A

Rhythm

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11
Q

Regular, recurrent pulsation that divides music into equal units of time.

A

Beat

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12
Q

Organization of beats into regular groups.

A

Meter

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13
Q

Rhythmic group set off by bar lines, containing a fixed number of beats.

A

Measure

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14
Q

Interval larger than that between two adjacent tones in the scale.

A

Leap

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15
Q

Unaccented pulse preceding the downbeat.

A

Upbeat

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16
Q

Tone combination that is stable and restful.

A

Consonance

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17
Q

Accenting of a note at an unexpected time, as between two beats or on a weak beat.

A

Syncopation

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18
Q

Basic pace of music.

A

Tempo

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19
Q

Two numbers, one above the other, appearing at the beginning of a staff or the start of a piece, indicating the meter of the piece.

A

Time Signature (Meter Signature)

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20
Q

Notation showing all the parts of a musical ensemble, with a separate staff for each part, and with simultaneously sounded notes aligned vertically; used by the conductor.

A

Score

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21
Q

Series of single tones that add up to a recognizable whole.

A

Melody

22
Q

Interval between two adjacent tones in the scale.

A

Step

23
Q

Technique of combining two or more melodic lines into a meaningful whole.

A

Counterpoint

24
Q

Smooth, connected manner of performing a melody

A

Legato

25
Q

Short, detached manner of performing a melody.

A

Staccato

26
Q

Part of a melody.

A

Phrase

27
Q

In a melody, the immediate repetition of a melodic pattern on a higher or lower pitch.

A

Sequence

28
Q

Musical representation of specific poetic images - for example, a falling melodic line to accompany the word descending - often found in Renaissance and baroque music.

A

Word Painting

29
Q

Vocal form in which the same music is repeated for each stanza of a poem.

A

Strophic form

30
Q

How chords are constructed and how they follow each other.

A

Harmony

31
Q

Tone combination that is unstable and tense.

A

Dissonance

32
Q

Focused on human life and its accomplishments.

A

Humanism

33
Q

Literally meaning Rebirth

A

Renaissance

34
Q

Official music of the Roman Catholic Church. Consists of melody set to sacred Latin texts and sung without accompaniment. (Monophonic in texture.)

A

Gregorian Chant

35
Q

The highlight of the liturgical day, was a ritual reenactment of the Last Supper.

A

Mass

36
Q

Like major and minor scales; consist of seven different tones and an eighth tone that duplicates the first an octave higher.

A

Church Modes (Modes)

37
Q

One or more long, sustained tones accompanying a melody.

A

Drone

38
Q

One of the main poetic and musical forms in fourteenth- and fifteenth-century France.

A

Rondeau

39
Q

Meaning having many sounds.

A

Polyphonic

40
Q

The technique of combining several melodic lines into a meaningful whole.

A

Counterpoint

41
Q

When a melodic idea is presented by one voice or instrument and is then restated immediately by another.

A

Imitation

42
Q

Performance of a single melodic line at the same pitch by more than one instrument or voice.

A

Unison

43
Q

Meaning literally have one sound.

A

Monophonic

44
Q

A polyphonic choral composition made up of fave sections: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei.

A

Mass (Renaissance Mass)

45
Q

An important kind of secular vocal music during the Renaissance; A piece for several solo voices set to a short poem, usually about love.

A

Madrigal

46
Q

A polyphonic choral work set to a sacred Latin text other than the ordinary of the mass.

A

Motet

47
Q

Rich polyphonic texture; It’s six voice parts constantly imitate each other, yet blend beautifully.

A

Kyrie

48
Q

System of writing music so that specific pitches and rhythms can be communicated.

A

Notation

49
Q

Short, detached manner of performing a melody.

A

Staccato

50
Q

Smooth, connected manner of performing a melody.

A

Legato

51
Q

memes

A

memes