test 1 Flashcards

1
Q

“Throw Down Your Heart”

A

musician travels through parts of Africa and plays music with different types of cultures

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2
Q

“Touch the Sound”

A

deaf lady that learned how to hear through the vibrations

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3
Q

AABB

A

particular form that comes to us from the British Isles

the structure of a piece of music, comes from Ireland or England, binary

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4
Q

Acoustics

A

molecules moving around, scientific study of sound; branch of physics

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5
Q

African Music traits

A
  • buzzy timbres
  • dense textures
  • conversational (call and response)
  • Interlocking parts
  • Polyrhythm
  • ostinato
  • ground and elaboration texture
  • descending melodies
  • participating music
  • counterpoint
  • textual density
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6
Q

Amplitude

A

power; determines loudness; dynamics

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7
Q

Bela Fleck

A

musician in the film throw down your heart

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8
Q

Binary Form

A

two part form (AABB)

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9
Q

Cadence

A

break between phrases. Sometimes it’s a comma, period or breath

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10
Q

Call and Response

A

conversational aspect of music

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11
Q

Chordophone

A

string instruments

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12
Q

Colonialism

A

foreign domination with the intent of extracting resources

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13
Q

Contour

A

shape; whether its ascending or descending

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14
Q

Counterpoint

A

type of polyphonic texture; all voices doing something different, equally competing for attention

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15
Q

Descending melodic contours

A

melody that goes down in pitch

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16
Q

Dynamics

A

loudness

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17
Q

Edward Hall

A

made films from the top of the school all involved in pattern behavior

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18
Q

Egalitarian society

A

where everyone is contributing to decision making, everyone participate in opinion, everyones voice is heard

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19
Q

Electronophone

A

plug-in instruments (keyboards, electric guitar)

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20
Q

Ensemble

A

French for together, more than one musician

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21
Q

Ethnomusicology

A

combines the study of music and the study of culture

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22
Q

Evelyn Glennie

A

in the film touch the sound, deaf

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23
Q

Fixed pitch

A

cannot change the frequency

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24
Q

Flow

A

A completely involved, focused state of consciousness, with diminished awareness of self and time, resulting from optimal engagement of one’s skills

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25
Griot
figure who is the carrier of history in West Africa; story teller- musician- history, great power, tell us who we are
26
Ground and elaboration parts
a repeated ostinato and elaboration, texture
27
Heterophonic texture
simotaneous variations, everyones doing sort of the same thing but not, kids singing happy birthday, different insturaments
28
Homophonic textures
harmony, all the same, different pitch
29
Idiophone
rigid instruments; whole instrument vibrates (bell, rattle)
30
Loudness
dynamic, amplitude, volume
31
Marimba
played in Uganada, like a xylophone but with wood keys, many players
32
Melodic contour
culturally determined; shapes melody
33
Melody
a coherent succession of pitches
34
Melody and drone
dominant melodic line an supporting accompanying part, - bag pipe, steady pitch
35
Membranophone
stretched skin (drums)
36
Meter
organization of pulses; measurement, beats
37
Monophonic texture
1 voice or multiple voices doing the exact same thing (monks)
38
Optimal experience
produces a sense of flow - recharges our psychic batteries - participatory - balance between challenge and achievability - extreme concentration - clear goals
39
Ostinato
repeated phrase or riff
40
Overtones (partial vibrations)
all the other vibrations on string along with the timbre vibration; determine voice of instrument
41
Participatory Music
music that requests, requires and demands that you participate
42
Phrase
short musical idea
43
Pitch
highness or lowness of a sound, how fast it vibrates. High frequency vibrates fast, low frequency- vibrate slow
44
Polyglot
someone who speaks multiple languages
45
Polyphonic texture
multiple voices
46
Polyrhythm
multiple meters/beats simultaneously
47
Presentational Music
passively receiving music
48
Pulse
beats
49
Resonator
amplifier; box of guitar, wooden part of violin
50
Rhythm
sense of time in music
51
Riff
repeating phrase, ostinato
52
Sliding pitch
slide trombone
53
Stratified society
layers, hierarchy of power
54
Synchronizing
from Edward Hall; how humans learn to synchronize with each other, in order to survive
55
Tempo
speed of music
56
Ternary Form
3 part form
57
Textural density
the way that all the different voices interact; a lot of sound or activity
58
Texture
the relationship between voices in an ensemble
59
Timbre
voice of the instrument
60
Vibrator
every instrument has 2 parts, this is one, something that moves