Terms Flashcards

1
Q

Baroque Era

A

From the Portuguese barroco;

a musical era from around 1600-1750.

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2
Q

figured bass

A

A musical shorthand developed in the Baroque era, where instead of notes, numbers are placed below the bass line to tell the basso continuo what chords(harmonies) to play.

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3
Q

basso continuo

A

Baroque performance practice;
Generally involves 2 performers: one plays the bass line, one plays the harmonies indicated by the figured bass.

Instruments generally used are the cello and harpsichord or organ(keyboard).

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4
Q

the Affections

A

In Baroque music, a single emotion is projected through an entire composition or movement.

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5
Q

homophonic texture

A

Baroque

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6
Q

polyphonic texture

A

A combination of two or more independent melodic lines played together.

Baroque

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7
Q

ornamentation

A

Musical embellishment to decorate a melodic line.

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8
Q

terraced dynamics

A

Baroque practice of changing dynamics abruptly.

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9
Q

concerto

A

Popular instrumental genre in the Baroque era for soloist and orchestra, and is used to show the virtuosity of the soloists. Frequently employs ritornello form.

In 3 movements: fast-slow-fast

Ex. Spring (La Primavera)

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10
Q

ritornello form

A

A recurring theme re-stated throughout the first and third movement of the baroque concerto. Ripieno plays.

Ex. Spring (La Primavera)

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11
Q

ripieno

A

Use of the full orchestra in a Baroque concerto.

Ex. Spring (La Primavera)

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12
Q

ostinato

A

A rhythmic or melodic pattern repeated for an extended period.

Ex. Spring (La Primavera)

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13
Q

pedal point

A

A note or a series of notes are sustained through harmony changes in other parts.

Ex. Spring (La Primavera)

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14
Q

idiomatic writing

A

Ex. Spring (La Primavera)

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15
Q

programmatic writing

A

Music with a descriptive element inspired by a story or painting.

Ex. Spring (La Primavera)

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16
Q

equal temperament

A

A method of tuning keyboard instruments where the octave is divided into 12 equal half-steps.

Ex. Prelude and Fugue in B flat Major

17
Q

clavier

A

The German word for keyboard instruments other than the organ.

Ex. Prelude and Fugue in B flat Major

18
Q

prelude

A

A short keyboard work that is often paired with a Fugue(before the Fugue).

Ex. Prelude and Fugue in B flat Major

19
Q

fugue

A

A highly structured, imitative contrapuntal composition where a single theme or subject prevails.

Ex. Prelude and Fugue in B flat Major

20
Q

counterpoint

A

A combination of two or more independent melodic lines played together. Also known as polyphonic texture.

Ex. Prelude and Fugue in B flat Major

21
Q

subject

A

The first statement of the main theme of a fugue.
Usually in the tonic key.

Ex. Prelude and Fugue in B flat Major

22
Q

answer

A

The second statement of the main theme of a fugue.
Usually in the dominant key.

Ex. Prelude and Fugue in B flat Major

23
Q

real answer

A

An exact transposition of the subject.

Ex. Prelude and Fugue in B flat Major

24
Q

tonal answer

A

A statement of the subject, but one or more interval is adjusted to accommodate the harmony.

Ex. Prelude and Fugue in B flat Major

25
countersubject
A recurring counter-melody that accompanies entries of the subject or answer. Ex. Prelude and Fugue in B flat Major
26
episode
A passage within a fugue where neither subject nor answer is present. Ex. Prelude and Fugue in B flat Major
27
stretto
Overlapping entries of the subject in a fugue. Ex. Prelude and Fugue in B flat Major
28
oratorio
A large scale work for soloists, chorus, and orchestra, based on a serious subject. Developed in the Baroque era. Ex. Messiah
29
French Overture
Baroque instrumental genre in 2 parts: First part: slow, homophonic, with dotted rhythms Second part: fast, imitative
30
libretto
The text of an oratorio, opera, or cantata.