Terms Flashcards
Allemande
“German dance”
4/4
Moderately fast
Eighth-note upbeat
Ariosto
Consisting of both recitative and aria elements
Bagatelle
“A trifle”
short piano piece
Usually in song form
Ballad or Ballade
1) a simple song
2) narrative poem set to music
3) instrumental or choral wrk patterned after the above
Perfect Authentic Cadence
V-I or V7-I
Both in root position
Root of the I in the highest voice
Perfect Plagal Cadence
IV-I
Both in root position
Root of the I in highest voice
Imperfect Cadence
V-I or V7-I
One or more of the chords is inverted
Or highest voice is not the root
Half Cadence
Ending on the V of major keys or III of minor keys
May also end on other degrees but not the tonic
Deceptive (or interrupted) Cadence
Type of half Cadence
Listener expects a perfect Cadence but it doesn’t end on the tonic
Examples: V-VI or V-IV
Caprice or Capriccio
Fanciful and irregular, freestyle, resembling the fantasia
Cassation
Instrumental serenades or suites intended for outdoor performance
Chaconne or Passacaglia
Set of variations derived from ground bass 4-8 measures long, usually in triple meter
Originally dances of Spanish origin
Chorale
German hymn developed by Martin Luther
Chorale Prelude
(Chorale Elaboration)
(Chorale Figuration)
Elaboration of a chorale melody for the organ, used in Lutheran services as a prelude to singing the chorale
Concerto
Large work for soloist with orchestra, usually in 3 movements, the first being sonata-allegro
Concerto Grosso
Ripieno
Form originating in late 17th Century
Small group of solo instruments accompanied by a large group
Courante
“Running dance”
Classic dance in rapid tempo
3/4 or 6/4
Upbeat of one quarter note or three eighth notes
Divertimento
18th century suite
Small instrumental combinations
Intended for outdoor use
Episode
Interlude between subjects in a fugue
Codetta
Coda for final Cadence, bringing section of work to a close
Foxtrot
4/4 or cut time
For ballroom dancing
Played by modern dance band
Fugato
Passage in fugal style but in a non-fugal composition
Fughetta
Short fugue
Answers
Statements of the fugue in dominant after the original statement in the tonic
Counter-subject
Counterpoint to fugue used consistently
Repercussion
Statement of the subject by all voices in a different order of appearance from that of the exposition
Gallop
Lovely dance
2/4 meter
Gavotte
Dance with 2 lively strains
4/4
Upbeat of 2 quarter notes
Gigue
Gigs
Classic dance
6/8 or 12/8
Rapid tempo
Second part begins with inversion of main theme
Invention
Bach
15 keyboard pieces in 2 parts
Lied
German art song
Effective union of music with words
Strophic lied = same music for each stanza
Through-composed (durchkomponiert) lied = each voice is set differently
Madrigal
Vocal music in 2-3 parts, chamber music
Mass
1) Kyrie eleison
2) Gloria
3) Credo
4) Sanctus
5) Benedictus
6) Agnis Dei
Mazurka
Polish dance
3/4 or 3/8 meter
Emphasis on 2nd or 3rd best of the measure
Minuet
Europe 1650 - 1800
3/4 moderate tempo
Displaced by scherzo in symphony
3-part song form, sometimes 2
Motet
Polyphonic choral piece setting Latin religious words other than mass
16C
Overture
Italian = fast, slow, fast French = slow, fast, slow
Partita
Elaborate suite with different types of movements
Passage
When a motive is used sequentially in a florid manner or dissolved into a scale or arpeggio for the sake of brilliance
Passepied
Rapid dance
3 beats per measure with upbeat of 1 beat
Passion
Tenor = narrator “evangelist” Bass = Christ accompanied by strings
Polka
Lively Bohemian or Polish dance
2/4
1st three eighth notes accented, fourth unaccented
Similar to Schottische
Polonaise
Stately Polish dance
3/4
Each beat divided into 2 eighth notes with last half of first beat divided into 16th notes
Secondary stress on beat 2
Recapitulation
Fugue = recapitulation, extension (coda), final cadence Sonata = recapitulation, retransition, coda
Retransition
Prepares listener for recapitulation after development
Tends to dwell on the Dominant
Rigaudon
Old dance
Duplex meter
Southern France
Rondo
Large form
Contrast of man in theme with subordinate theme
Theme A usually small song form
Small (first) rondo = theme, digression, elaborate restatement of theme, coda. Slow
Old (second) rondo = rapid, 2+ digressions, one of which in remote key
New (third) rondo = rapid, returns to first digression (A-B-A-C-A-B-A)
Sarabande
Spanish dance
Slow 3/4 or 3/2
Second best accented or lengthened
Scherzo
Triple meter
Fast
Sonata-allegro
Large form
1st movement of sonatas, etc.
Usually 2 themes, one heroic and one lyrical, in contrasting keys, bridge from one to another and then to cadence to development. Recapitulation has both themes in same key. Coda.
Sonata
Large form
Usually 4 movements, each in large form
1) Sonata-allegro
2) small rondo or other slow movement in related key
3) minuet or scherzo in another related key
4) rondo or sonata-allegro in main key
3-mvt works usually omit minuet
Theme with variation may replace any movement
Stretto
Imitation, frequent in fugues
Second player begins imitation while first statement is still in progress
Increases tension
Suite
1) set of dances, usually consisting of Allemande, Courante, Sarabande, and Gigue
May be intro and other dances
2) set of pieces for open air performance
3) set of theatrical pieces or pieces that share occasion, key, or theme
Tarantelle/Tarantella
Rapid Italian dance
6/8
Toccata
Usually a piece to display rapid technique on a keyboard instrument
Ground Bass Variation
Variation form where ground bass line remains the same throughout.
Waltz
Triple meter
Origination in Germany
Slow intro, 4-5 separate waltzes of two strains, trio, da capo, extended coda with recapitulation, flourishing ending
String Quartet
2 violins
Viola
Violoncello
Piano Quartet
Piano
Violin
Viola
Violoncello
Full dance orchestra
5 sax - 2 altos, 2 tenors, bari (each doubling clarinet or other woodwind)
6-8 brass, divided evenly between tpt and tbn
4-man rhythm
Stock dance orchestra
3-4 sax
3-4 brass
4 rhythm
Small tenor band
3 ten sax Tpt Piano String bass Drums
Dixieland band
Trumpet Clarinet Ten sax (opt) Trombone Rhythm