Terms Flashcards

1
Q

opera buffa

A
  • Galuppi = originator of opera buffa (1740’s)
  • Pergolesi = comic opera (La serva padrona – War of the Buffoons)
  • between bass and soprano
  • early Comic opera
  • rapid-fire recitative
  • formally complex
  • finale is dramatic, confusing but leads to peaceful resolution
  • applied to Italian works between 1750 and 1860
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2
Q

fantasia

A
  • CPE Bach (Fantasia in C Minor)
  • transcends words
  • instrumental
  • structurally free
  • imitates vocal idioms without the use of words
  • composed improvisation
  • varied rhythm
  • harmonically wayward
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3
Q

periodic phrasing

A
  • W.F. Bach (Sonata in F)
  • symmetry
  • periods are equal
  • antecedent and consequent
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4
Q

empfindsamer Stil

A
  • CPE Bach (Fantasia in C Minor)
  • German
  • sensible style
  • “susceptible to sensations”
  • meant to express true and natural human emotion
  • transcends text
  • instrumental recitative
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5
Q

imbroglio

A
  • Pergolesi (La serva padrona), Rossini (L’Italiana in Algeri)
  • the tangle
  • comic opera
  • greatest plot confusion leading to disentanglement and resolution
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6
Q

Sturm und Drang

A
  • Haydn (Farewell Symphony)
  • German
  • mid-1770’s
  • literary origins
  • storm and stress
  • expresses violent emotional change
  • very dramatic
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7
Q

sonata form

A
  • Haydn (London Symphony)
  • 1780’s
  • fast first movement, slow second movement, dance like third, and brief fast finale.
  • has three main parts : exposition, development and recapitulation
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8
Q

exposition

A
  • Haydn
  • first part of sonata form
  • repeats
  • thematically similar to recapitulation
  • introduces theme
  • I — V
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9
Q

development

A
  • Haydn
  • middle of sonata form
  • follows exposition
  • develops one or more themes from exposition
  • V — I
  • short
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10
Q

recapitulation

A
  • Haydn
  • last part of sonata form
  • thematically similar to exposition
  • restates theme
  • ends in the tonic
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11
Q

rondo form

A
  • Haydn (London Symphony)
  • common for last movement in symphonies.
  • simple
  • lively opening theme alternates with episodes.
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12
Q

theme and variations form

A
  • Schumann
  • taking a theme and bringing it back in different variations
  • key, tempo, time signature etc can vary from variation to variation
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13
Q

thematic work

A
  • Haydn (Farewell Symphony)

- instrumental music to get a message across

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14
Q

cadenza

A
  • Mozart (Piano concerto in G Major)
  • soloist’s embellishment before ritornello
  • display of virtuosic ability
  • rhythmically free
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15
Q

Romanticism

A
  • Mozart (early), beethoven
  • Sublime
  • more about making art for art’s sake
  • expression of true genius
  • music transcending the beautiful
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16
Q

organicism

A
  • Beethoven (5th Symphony

- all movements grow from a single idea

17
Q

program music

A
  • Beethoven, Berlioz
  • music with elaborate back ground story
  • extramusical references for audience
18
Q

bel canto

A
  • Bellini, Rossini
  • fine singer
  • Italian operatic style in Romanticism
  • virtuosic coloratura
  • louder and more dramatic orchestra
19
Q

Rossini’s scena form

A
  • Rossini
  • dramatic
  • cantabile, cabaletta, tempo di mezzo
20
Q

cantabile

A
  • italian
  • lyrical effusion
  • song-like
  • instrumental chamber music
21
Q

tempo di mezzo

A
  • Italian
  • middle movement
  • intervention of dialogue characters with soloist
22
Q

cabaletta

A
  • Italian
  • brilliant conclusion
  • duet
  • fast
23
Q

stretta

A
  • Italian
  • anticipated vocal entires
  • subject and answer
24
Q

Grand Opera

A
  • Scribe, Meyerbeer
  • Romantic
  • serious theme
  • five acts
  • everything is sung, even dialogue
  • recitative, fully accompanied
  • ballet
  • virtuosity
  • historic, heroic and tragic story
  • large casts
  • even characters of low birth join in on the heroism
25
Q

virtuosity

A
  • Paganini (Caprice)

- showing off great musical skills

26
Q

idée fixe

A
  • Berlioz (Symphony Fantastique)

- fixed musical idea that recurs obsessively

27
Q

rubato

A
  • Chopin, first to use it as performance direction
  • the altering of note values in melody within pulse
  • expressive nuances
28
Q

mazurka

A
  • Chopin (Mazurka)
  • Polish dance
  • fast, triple time
  • mood and emotion vary extremely
29
Q

endless melody

A
  • Wagner (Tristan und Isolde)
  • a seamless stream of notes
  • thematic and meaningful
30
Q

leitmotif

A
  • Wagner
  • recurring, recognisable theme or musical idea
  • represents a person place or idea in a narrative context
31
Q

opera fantasy

A
  • Liszt, reworked music by Berlioz and Wagner
  • freer adaptation
  • operatic
  • recasting original operatic musical material in a new composition
32
Q

absolute music

A
  • Berlioz
  • instrumental music
  • not intended to represent anything else, its just music
  • open to interpretation, unlike program music