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korean film terminology > terms > Flashcards

terms Flashcards

1
Q

Auteur

A

Filmmaker whose personal influence and artistic control is so grand that they’re seen as the author

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2
Q

Diagesis

A

The world within the film

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3
Q

Flashback/Flashforward

A

Jump forwards or backwards within diagetic time

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4
Q

Mise-en-scene

A

The set of the shot (decor, setting, lighting, etc.)

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5
Q

Story and Plot (fabula and syuzhet)

A

Story is more extensive, plot is basic analysis

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6
Q

Three-point lighting

A

Standard lighting. Back light, Key light, Fill light

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7
Q

High-key lighting

A

Fill light is raised to almost same level as Key ligh. Few shadows, very bright image

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8
Q

Low-key lighting

A

Very little Fill light, creates strong contast between lights and darks (film noir)

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9
Q

Deep space

A

Significant elements of image are positioned near and distant from camera, objects do not have to be in focus

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10
Q

Shallow space

A

Image is stayed with little depth

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11
Q

Color

A

Added realism, creates aesthetic patterns and establishes character or emotion in cinema

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12
Q

Contrast

A

Ratio of dark to light in an image. If difference is big, it is ‘high contrast,’ associated with lowkey lighting

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13
Q

Deep focus

A

Different planes of image are given equal importance from focus

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14
Q

Shallow focus

A

Only one kind of plane is in sharp focus

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15
Q

Depth of field

A

Distance where elements are in sharp focus

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16
Q

Racking focus

A

Changing focus of a lens so an element in one plane goes out of focus and one in another comes into focus

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17
Q

Zoom shot

A

Lens with several elements to change focal length of lens (zoom in)

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18
Q

Framing

A

Includes or excludes aspcects of what occurs in front of the camera

19
Q

Angle of framing

A

Filming from a position that is significantly higher or lower than the subject

20
Q

Level of framing

A

Camera placed close to ground or above subject, signifies sympathy and creates nice compositions

21
Q

Canted (Dutch) framing

A

View where framae is not level, either left or right side is lower than the other

22
Q

Following shot

A

Shot with framing that shifts to keep a moving figure onscreen

23
Q

Reframing

A

Slight panning or tilting to keep up with subjects’ movements on screen

24
Q

Point-of-view shot

A

Shot taken where subjects’ eyes would be, seeing what they see

25
Q

Scale

A

Extreme long shot, long shot, medium long shot, medium close-up, close-up, extreme close-up

26
Q

Length of take

A

Shot with duration that depends on conventional editing piece

27
Q

Crane shot

A

Shot with change in framing because camera is above ground and moving through air

28
Q

Hand-held camera, steady camera

A

Unstable, jerky feel, greater degree of movement, camera operator moving with the action

29
Q

Pan

A

Camera movement with the camera body turning to the right or left

30
Q

Tracking shot

A

Mobile framing that travels through space forward, backward, or laterally

31
Q

Transitions

A

Fade, dissolve, wipe

32
Q

Cross cutting (parallel editing)

A

Editing that alternates shots of two or more lines of action happening in different places at the same time

33
Q

Cut-in and Cut-away

A

Instant shift from distant framing to closer view of the same space, and vice versa

34
Q

Jump cut

A

Rupture with mainstream film storytelling, utterances of articiality and difficulties of telling a story

35
Q

Establishing/reestablishing shot

A

Shot usually involving distant framing that shows spatial relations

36
Q

Shot/Reverse shot

A

Two+ shots edited together that alternate characters, typically in a conversation situation

37
Q

Eyeline match

A

Matches eyeline between subjects (Cameron’s painting scene)

38
Q

Graphic match

A

Two joints joined to create simliarity of compositional elements

39
Q

Match on action

A

Adds variety, conveys two movements- one on the screen and one implied by viewer

40
Q

Continuity/discontinuity editing

A

Cutting to maintain continuous/discontinuous narrative action

41
Q

Montage (Hollywood vs. Soviet)

A

Dynamic, discontiuous relationships between shots to create ideas (SOVIET) Shots intercutting different tones (HOLLYWOOD)

42
Q

Sound bridge

A

Sound that leads in or out of the scene

43
Q

Diagetic/Non-diagetic sound

A

Sound that originates within the film’s world vs. outside of the film’s world

44
Q

Direct Sound

A

Sound that is recorded the moment of filming (not dubbing)

korean film terminology (1 decks)

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