terms Flashcards

1
Q

Narrative

A

a story (prose or verse) that involves characters, events, settings, and actions

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2
Q

Content

A

what a narrative is about

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3
Q

form

A

how a narrative is told

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4
Q

Genre Conventions:

A

a set of rules that are common to a specific genre of writing and that can be used to categorize works for study

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5
Q

Audience

A

who a text is created for; the intended readership, listenership, viewership of a
text

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6
Q

Discourse

A

the language-in-use at a given time (temporal) and in a given place or
institution (spatial)

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7
Q

Institution:

A

a society or group of people (often represented by physical spaces and
structures) founded and organized by established laws, practices, or customs

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8
Q

Signifier

A

the physical thing that gives meaning (the word, image,
hand gesture, etc.)

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9
Q

Cultural Capital

A

Cultural Capital: a person’s cultural assets (education, intellect, manners, manner of
speech, etc.) that determine their ability to access and help shape social institutions
(academic, legal, medical, etc.)

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10
Q

Conspicuous Consumption

A

an attempt to express class and identity by being seen buying and consuming the right items

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11
Q

Imperialism

A

a state sanctioned and operated policy of increasing a country’s power, usually
through the acquisition of land (military), extension of laws (legal) and religion (church), and/or
control of trade (economic)

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12
Q

Reader-Response Criticism:

A

a theoretical perspective that focuses on the reader’s perception
of a text to assert that the “production” of meaning in a text is determined by the individual
reader

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13
Q

First-Person Narrator:

A

a story that is told by a participant in the story or someone who knows of the
events of the story and is retelling it, represented in the text as “I”
* narration is limited to what the first-person narrator knows, experiences, infers, or finds out from other characters
* can be a character recounting past events that he/she witnessed or heard about, a peripheral character in the action of the story, or a direct participant in the action of the story

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14
Q

Second-Person Narrator:

A

story is told directly to a narratee addressed as “you”
* this “you” can be an implied audience, the reader of the story, another fictional character, or the narrator themself
* this “you” often experiences that which is narrated

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15
Q

Third-Person Omniscient Narrator:

A

the narrator knows everything about the characters and events in the narrative
* uses proper names or third-person pronouns (he/she/it, they) to refer to all characters
* not generally involved in the narrative, but is simply telling the story

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16
Q

Third-Person Limited Narrator

A

narrator tells the story in the third-person (he/she/it, they), but remains limited to the perceptions, thoughts, and knowledge of one character in the narrative
* the character is used to focus the story in third-person limited narration
* very useful for examining the same object/event through different consciousnesses

17
Q

Amateur Detective:

A

the detective must be a person of singular genius that continually outsmarts all other characters
* they may be helped by other characters to some extent, but they are ultimately responsible for
solving the story’s puzzle
* position relational to the reader: they serve as a mind the reader can confront and try to outwit

18
Q

The Second:

A

serves as a sounding board and hype-person for the detective
* they are the “regular mind” amazed by the detective’s abilities
* position relational to the reader: if we are in competition with the detective, we are positioned
alongside the second

19
Q

Middlebrow Literature:

A

traditional literary conventions; familiar to read and enjoy
represents the social and cultural values of the common Briton
discursive code words: popular, mass appeal, mass culture, conventional, traditional

20
Q

Highbrow Literature:

A

stylistically innovative and diverse: create a form for what you are expressing; “Make it New” (Ezra Pound) represents the ability of its makers and the values of aesthetes discursive code words: perverse (immoral), coterie, clever, difficult, exclusive

21
Q

Metafiction:

A

fiction that draws attention to itself as fiction by frequently or infrequently reminding readers that they are reading a work of fiction

22
Q

Insider:

A

a person who is accepted in a specific space and is afforded certain privileges based on their insider status, insiders (always) know, (sometimes) understand, and (usually) follow the rules associated with that space

23
Q

Outsider:

A

a person who is not accepted in a specific space

24
Q

Hard-Boiled Detective:

A

a cut above: tough, street smart, witty, capable, stoic
* incorruptible: unlike everyone else around them, the hard-boiled detective does not let money, power, or sex corrupt them
* you’ve got to have a code: may not play by the legal rules, but has an unimpeachable sense of fairness

25
The Money:
money matters: arrogant, untouchable, corrupt, politician, businessperson * money talks: bends people to their will using the promise of money * above the law: the money is usually above the law, but sometimes suffers non-legal consequences
26
The Femme Fatale:
a cut above: sexy (wily, cunning), street smart, capable, mercurial * it’s a man’s world: but the femme fatale knows how to maneuver within to her best advantage * gets while the getting’s good: her morality may seem suspect, but it is based on the power imbalances between men and women
27
The Muscle:
a wolf among men: brave, violent, street smart, flaunts reputation * sends Sicilian messages: has a history of violence, and everyone knows it * what’s in a name: may work with for a crime boss, but does not rely on this connection for power
28
Mirrored Scenes:
scenes in film that mirror one another in terms of cinematography, composition, setting, subject matter, etc.
29
Strategies:
the rules institutions put into place to ensure the proper behaviour of individual agents within the institution
30
Tactics:
the actions (may be improper or frowned upon) an individual agent makes to subvert or jam the gears of the institution and its strategies
31
Institutional Capital:
a currency accrued or lost based on one’s knowledge of and performance within a specific social institution
32
Subjective Violence:
out of the ordinary violence that happens outside the normal functioning of social structures this violence is “not in the game” and is highly visible
33
Objective Violence:
the everyday systemic violence done against people in the normal functioning of social structures this violence is “in the game” and remains invisible because it has become so normalized
34
Literary/Creative Non-Fiction:
the recounting of a true story in a way that has a clearly literary structure
35
New Journalism:
a style of journalism created in the 1960s and 70s that tells stories from a subjective perspective, often using literary techniques, rather than an objective perspective
36
Counternarrative:
Counternarrative: a narrative that challenges or revises another narrative, typically by providing more information/context or by examining an issue from a different perspective