Terminology Flashcards

1
Q

Clay products made permanent by heat. The word comers from the Greek word keramos meaning potter’s clay and the ware made from it.

A

Ceramic

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2
Q

hydrous silicate of alumina that is a heavy, damp, plastic material that “sets” upon drying and can be changed by heat into a hard, waterproof material. It is formed from the disintegration of granite or other Feldspathic rocks.

A

Clay (AL2O3 2SiO2 2H2O

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3
Q

clays that have formed at the site of the parent rock. Primary Clays are the purest clays and have a large particle size. Example Kaolin or china clay.

A

Primary or Residual Clays

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4
Q

clays that are transported by water, wind, rain, and glaciers from the site of the original parent rock. The action of the transportation wears the particle down to a smaller size. Through transportation the clay has picked up leaves, roots, and other contaminates that contribute to a very small particle size and clay of different colors. Example ball clay.

A

Secondary or Sedimentary Clay

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5
Q

clay for special purpose. It is created by blending different clays or by adding to clays other minerals in order to produce a desired workability or finished result.

A

Clay-body

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6
Q

the purest of high fire clays. Some can be fired to 2400ºF.

A

Porcelain

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7
Q

a hard, strong, vitrified ware, usually fired above 2192ºF in which the body and glaze mature at the same time and form an integrated body-glaze layer.

A

Stoneware

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8
Q

a group of low firing clays that do not vitrify and usually fire below 2154ºF. These clays are usually red or brown but can be white or cream colored

A

Earthenware

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9
Q

a glass or clay-body that has been fired to a dense, hard and nonabsorbent surface.

A

Vitreous

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10
Q

the quality that allows clay to be manipulated and still maintain its shape without cracking or sagging.

A

Plasticity

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11
Q

he plasticity of clay can be improved by

A

aging it, by making additions of ball clay or additions of bentonite.

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12
Q

clay that lacks plasticity

A

Short

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13
Q

to join together two pieces of moist clay in soft to medium leather-hard condition by wetting the seam with slurry, scoring with a pin/needle tool, fork or exacta tool and pressing the parts together.

A

Lute/attach

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14
Q

the process of scratching or cutting the clay area where another piece of wet or moist clay is to be attached.

A

Scoring

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15
Q

clay of toothpaste-like consistency used for making attachments at soft to medium leather-hard clay (clay glue).

A

Slurry

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16
Q

a suspension of clay in water. Depending upon the formulation, it can be used for casting pottery, (joining clay pieces together), of decorating clay work. Types of slips used for decoration or surface enrichment, are terra sigillatas, engobes and underglazes.

A

Slip

17
Q

are used in coloring slips, glazes and clay bodies. _______ such as copper, cobalt and iron are used in solution with water or slips for painting pottery.

A

Oxides

18
Q

commercially made colorants that usually are heat resistant to burn out.

A

Ceramic Stains

19
Q

subtracting clay from the form as in a relief carving. __________ create a design raised above the background.

A

Carving

20
Q

drawing a design into soft clay with a blunt pointed tool. This can be done in wet or soft leather-hard clay.

A

Incising

21
Q

the use of groves, usually regularly spaced, that are cut into the surface of the ceramic form. Cuts can be made horizontally, vertically, diagonally or spiraling.

A

Fluting

22
Q

cutting a number of flat sides into a round thick-walled form.

A

Faceting

23
Q

cutting through the surface of the form when its moisture content is
medium-leather.

A

Piercing

24
Q

the contraction of clay in drying and firing

A

Shrinkage

25
Q

clay that is stiff but still damp enough to be joined to other clay pieces with slurry. Considered the ideal state for finishing and surface enrichment techniques such as trimming or turning the foot on a pot, incising, carving, piercing and burnishing. Attachments should be made in the early stage of “soft” leather to avoid cracks at the attachment.

A

Leather-hard

26
Q

pottery that is dry but has not been fired

A

Green-ware

27
Q

Pottery that has been fired

A

Bisque-ware

28
Q

the process of preparing the clay that thoroughly mixes it and expels air bubbles. Rams head and spiral-wedge are two techniques used by most ceramists.

A

Wedging/Kneading

29
Q

usually a 12”X12” piece of hard wood used for transporting your work.

A

Ware Board

30
Q

a plaster, wood or plastic disc used on the wheel when throwing large forms.

A

Throwing Bat

31
Q

Japanese philosophy of beauty in imperfection.

A

Wabi-Sabi

32
Q

the quality of being tolerant and understanding, the capacity of calm endurance.

A

Patience

33
Q

to exercise or perform repeatedly in order to acquire or polish a skill.

A

Practice

34
Q
A