Tempest and Hag-Seed

Question 1

Tempest:
‘A devil…’

Answer 1

“A devil, a born devil, on whose nature/ Nurture can never stick”

Question 2

Tempest:
‘This island’s mine…’

Answer 2

“This island’s mine by Sycorax my mother” and “For I am all the subjects that you have,/ Which first was mine own king”

Question 3

Tempest:
‘You taught..’

Answer 3

“You taught me language, and my profit on’t is I know how to curse. The red plague rid you for learning me your language!”
The confined Caliban to something he did not want or need. He did not need to be taught language or made more human. He was happy the way he was, and in a way Prospero and Miranda bonded him to knowledge which he did not want to know

Question 4

Tempest
‘Be not…’

Answer 4

Be not afraid. The isle is full of noises,/ Sounds, and sweet airs, that give delight and hurt not”

Question 5

Tempest
‘Poisonous…’
‘I am subject…’

Answer 5

‘posionous slave’ Caliban, and the ‘honourable’ Prospero.
“I am subject to a tyrant, a sorcerer, that by his cunning hath cheated me of the island.”

Question 6

Tempest
Caliban (Aside)
‘I must obey..’

Answer 6

“I must obey;his art is of such power…”.

Question 7

Tempest
‘Thy father…’
‘They are now in my…Mine enemies’

Answer 7

Thy father was the Duke of Milan, and
A prince of power.

“My high charms work,/And these, mine enemies, are all knit up/…They are now in my power”

Question 8

Tempest
‘Tempestuous noise…’
‘Wild..’

Answer 8

Tempestuous noise of thunder and lightning heard’
‘wild waters’

Question 9

TEMPEST: Power of performance (AOP)

Answer 9

x

Question 10

Tempest:
“At this hour…”

Answer 10

“At this hour/ Lies at my mercy all mine enemies”

Question 11

TEMPEST: Power of performance/ transformation (SA)
“the rarer…”

Answer 11

…the rarer action is
In virtue than in
vengeance: they being penitent,
The sole drift of my purpose doth extend
Not a frown further.

Question 12

Tempest
‘Miranda helps…’

Answer 12

Miranda helps him to disrobe.

Question 13

TEMPEST: Gender and Miranda
“More to…”
“My fo-‘

Answer 13

“More to know did never meddle with my thoughts’,
‘My foot, my tutor?’

Question 14

TEMPEST: Gender and Miranda
“Goddess”

Answer 14

“Goddess, holy innoccence.”

Question 15

HAGSEED: Gender
‘A grip…”

Answer 15

‘a grip like a jar opener’, ‘a foul mouth’ and ‘a bee tattoo’,

Question 16

HAGSEED: Gender
“Hefty”

Answer 16

‘hefty pull at her beer’,
Being a girl is the pits

Question 17

HAGSEED: Gender
“With the

Answer 17

with the girlish connotations of ‘pirouettes’, ‘graceful’, and ‘knitting group’,

Question 18

HAGSEED: Power of theatre
“Immediately…”

Answer 18

Immediately grasped by his students, since they were experts in them’,

“power struggles, treacheries, crimes

Question 19

HAGSEED: Power of theatre
“Actors saw”

Answer 19

actors’ ‘saw the point’ of ‘Julius Caesar, Richard III and Macbeth’ ‘right away’

Question 20

HAGSEED: Transformation
‘What has he been thinking…’

Answer 20

“What has he been thinking… How selfish he has been!… But he knows what she truly wants, and what he owes her. ‘To the elements be free’… And finally, she is.”

Question 21

HAGSEED: Transformation
‘He needed to get…’

Answer 21

“He needed to get his Tempest back… his Miranda must be released from her glass coffin; she must be given a life”

Question 22

HAGSEED: Transformation

Answer 22

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Question 23

HAGSEED: power of theatre feature- power of theatre to unite but also for self actualisation and change- pedagogical style within the characters learning about shakespeare

Answer 23

-STRUCTURAL MANIPULATION- insertion of a screenplay form when the revenge is being enacted- showing the engagement of all prisoners, and all their contributions within dialogue, and also offstage- represents community and the uniting power of theatre to cause social change THE POSSIBILITY OF BETTERMENT

Question 24

TEMPEST: Transformation

Answer 24

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Question 25

Prisoners cheat quote

Answer 25

“We could put them on show,” says TimEEz. “Gibbering lunatics. Street people. Addicts. Dregs of society. Always

Question 26

HAGSEED: Imprisonment
‘Aint gonna…’

Answer 26

“Ain’t gonna any more lick your feet/ Or walk behind you on the street, / Ain’t gonna get on the back of the bus,

Question 27

HAGSEED:
‘The island is a theatre…’

Answer 27

…the island is a theatre. Prospero is a director. He’s putting on a play within which there’s another play. If his magic holds and his play is successful, he’ll get his heart’s desire.”

Question 28

HAGSEED:
‘It was like an enormous…’

Answer 28

It was like an enormous black cloud boiling up over the horizon

Question 29

HAGSEED:
‘For the…’

Answer 29

For the first time they loved themselves

Question 30

Tempest:
‘All mine…’

Answer 30

“All mine enemies knit up”

Question 31

Tempest
‘It would…’

Answer 31

‘It would control my dam God’

Question 32

Hagseed:
‘It was a…’

Answer 32

‘It was a bubbling black cloud over the horizon. He had to transform it’,

Question 33

Hagseed:
‘Hearing…’

Answer 33

“hearing her whisper the lines”

Question 34

Tempest:
‘Break his…’

Answer 34

‘breaks his staff’, ‘rough magic’, ‘bury it certain fathoms in the earth’ and ‘drown my book’.

Question 35

Tempest
‘Frees all faults’

Answer 35

‘Frees all faults and as you would from crimes pardoned be, let your indulgence set me free’,

Question 36

Hagseed
‘Holding up signs..’

Answer 36

‘Holding up signs’, ‘The house lights dim’, and ‘water is thrown on him from offscreen’,

Question 37

Hagseed
‘Nobody’s…’

Answer 37

Nobody’s just the sum of what other people say”

Question 38

Hagseed
‘Emotional…’

Answer 38

‘emotional’ and ‘strangely moved’

Question 39

Hagseed
‘Bring…’

Answer 39

‘Bring Miranda back to life’, and ‘keeping her tethered to him