Teenage pop Flashcards

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1
Q

After the “end” of Rock ‘n’ Roll, record companies and radio stations wanted a type of music that was WHAT?

A

safer and more respectable

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2
Q

1958 to 1963, there was the age of the WHAT?

A

‘teenager’

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3
Q

The American West Coast created the WHAT SOUND?

A

The surfing sound

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4
Q

What artists were known for their surfing sound?

A

Jan and Dean, and The Beach Boys

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5
Q

What songs are part of the ‘surfing sound’?

A

“Fun, Fun, Fun”, “Barbara Ann” and “Good Vibrations”

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6
Q

Performers have a smart and “cleancut” image, unlike some of the Rock ‘n’ Roll stars. Why did they have a smart “cleancut” image?

A

record companies and radio stations wanted a type of music that was safer and more respectable. Look had to go with the music, making the clean respectable look the bands are known for.

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7
Q

What did record companies do in order to ensure success?

A

record companies teamed songwriters with ‘teen idols’ to great success.

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8
Q

They realised that if they could control teenage tastes, they could control the market and the profits. How did they do this?

A

The idea was to decide on a look and a sound, choose a safe, respectable, good-looking teenager to fit both, get a team of songwriters to produce a song about ‘teenage concerns’ and make a record. They could sell the record on radio and television shows with the right packaging, and a hit was virtually guaranteed.

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9
Q

What were the chords used in teenage pop?

A

Ice-cream changes
In the key of C these chords would be:
C, Am, F, G

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10
Q

Why were they called ICE-CREAM changes?

A

These were known as the ICE CREAM CHANGES, since songs were played on the jukebox in ice cream parlors, and many songs sounded similar.

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11
Q

Who wanted a type of music that was safer and more respectable?

A

Parents

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12
Q

Record companies realised that if they could control teenage tastes, they could control the market and the profits. How did they “control the market”?

A

They controlled the market by choosing the singers, look and songs.

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13
Q

Instead of songs being written by the artists who sang them, or “borrowing” them from the African- American singers, record companies created song writing “factories” like the Brill Building in New York. Who worked in these “factories”?

A

Hired Songwriters and producers.

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