Techniques in Four-part Writing Without Common Tone Flashcards
1
Q
When soprano 2-1
A
Inner voices drop a third to the nearest available chord tone while the bass moves in contrary motion to upper three parts.
2
Q
When soprano 2-1 and the leading-tone resolves
A
Acceptable for tonic chord to have a tripled root. R R R 3
3
Q
When soprano 2-1
A
Acceptable to move the inner voice from 7-5
4
Q
In the bass
A
The dominant root must move directly to the tonic root
5
Q
Careful!
A
- Missing third, fifth
- Awkward leap
