Taming of the Shrew Flashcards
Q1: Wedding scene can be viewed as a crisis point in the play…where did the director choose to place this scene considering it’s ‘high-drama’ and cliffhanger appeal?
Option 2: End of Act I
Q2: Complications in the script are also known as what?
Opt 3: Forwards
Q3: A less formal approach to exposition that is more integrated into the play (backstory, current situation is revealed through dialogue like a phone call).
Opt 1: modern Exposition
Q4: What bests describes the aesthetic style of the set?
Opt 4: Selective Realism
Q5: Secondary plots that usually mirror the main plot. Resolved just before the main plot.
Opt 1: Subplot
Q6: Dialogue that describes the backstory
Opt 2: Exposition
Q7: Which stock character is represented by Gremio? (photo with him, Baptista, and Tranio (as Lucentio).
Opt 3: Pantalone
Q8: Point of the story where the plot begins.
Opt 4: Point of attack
Q9: Qualifiers that describe physical activity onstage.
Opt 2: Stage directions
Q 10: What recurring comic convention was used to highlight the gaiety and hospitable ethos of Padua?
Opt 2: crowds cheering from the wings of the stage.
Q 11: Further development of the plot in which ‘problems’ occur…
Opt 4: complication
Q 12: The highest point of dramatic tension
Opt 3: climax
Q 13: Who is the character in the middle?

Opt 4: Baptista, a rich gemtleman from Padua
Q 14: ______(symbolic): timeframe in which the story takes place; limited by playwright; can be expaned or compressed
Opt 4: Dramatic time
Q 15: ________(actual): the literal amount of time it takes to perform the play
Opt 4: Performance time
Q 16: Which BEST describes the actual time of the Taming of the Shrew?
Opt 2: 2 hours
Q 17: In this scene, Bianca is getting ready to marry Petruchio.

False
Q 19: Plot is NOT the same thing as story
True
Q 20: Plot must contain “______” and “______”.
Opt 2: acton, conflict
Q21: The _______ is the main character… not necessarily the ‘good guy’.
Opt 2: protagonist
Q 22:
(a) Long period of time?
(b) Limited characters?
(c) Limited locations?
(d) Uses subplots?
(e) Taming of the Shrew?
(f) One protagonist / one antagonist
(g) Antigone
(h) Plots do not shape the play
(i) A lot of characters
(j) Takes place over a short period of time
(a) Episodic
(b) Climatic
(c) Climatic
(d) Episodic
(e) Episodic
(f) Climatic
(g) Climatic
(h) Situational
(i) Episodic
(j) Climatic
Q 23: If you were editing a critical review based on the Taming, whic of the following passages would be MOST accurate?
Opt 1: …climactic…a reluctant protagonist…
Opt 2: …situational…two reluctant protagonists…
Opt 3: …episodic…two reluctant protagonists
Opt 4: ….episodic…two reluctant antagonists
Opt 3: …episodic…two protagonists
Q 24: Based on minimized critical analyssi of Taming, which thesis best describes the play?
Opt 1: …naturalism… climactic journey… follows Bianca… confines of father’s Verona villa…
Opt 2: …selective realism… episodic journey… follows Kate… multiple locations….
Opt 3: …naturalism… episodic journey… follows Bianca…confines of father’s Verona villa…
Opt 4: …slective realism… episodic journey… follows Kate… solely in her father’s Padua villa…
Opt 2: …selective realism…follows Kate…multiple locations….
Q 25: From the actors’ perspectives, which part of the stage would you find the musicians?
Opt 2: stage left
