Symphony Flashcards

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1
Q

What is a symphony?

A

An instrumental composition of extended length written for orchestra

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2
Q

Where and when were the first symphonies?

A

Milan, 1730s

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3
Q

How many movements did the first symphonies have?

A

3 and they followed the fast, slow, fast order

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4
Q

Origins of the first symphonies

A

-Originated from operas, operas had ovetures known as sinfonias
-These overtures had 3 movements and followed the fast, slow, fast order
-Giovanni Sammartini was one of the original symphony composers amd he used sonata for, and f,s,f order

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5
Q

What was Sinfonia a 8?

A

This was a name for some of the earlier works. They had strings, 4 wind instruments and keyboards

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6
Q

Which instruments would play the baseline in early symphonies?

A

Basoon, cello, bass, Viola

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7
Q

What format would the final movement of early symphonies take?

A

A dance popular at the time eg Minuet

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8
Q

Some symphonies had slow introduction to the first movements. What influenced this?

A

French opera overtures (often used double dotted rythms)

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9
Q

Which composer is associated with manneheim?

A

Johann Stamitz

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10
Q

How many mvts did stamitz use?

A

He used 4 as a pose to 3. He introduced the extra mvt as a minuet and trio which he placed 3rd before ending on a Presto Finale

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11
Q

What did Stamitz do to the size of the orchestra?

A

Increased it, adding instruments such as oboes and horns

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12
Q

What is the manneheim rocket?

A

A swiftly rising melodic line with a crescendo (often arpeggio)

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13
Q

What is the mannheim sigh?

A

Descending pairs of pitches with weight on the first note of the pair

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14
Q

What is the mannheim hammer stroke?

A

Repeated tonic chords in rythmic unison

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15
Q

What is the mannheim roller?

A

Ascending melody over pedal note

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16
Q

What are more mannheim techniques?

A

-Mannheim crescendo
-More independent writing for woodwind
-Grand pause to add suspension and expectation
-Abrupt dynamic changes
-Trumpets and timpanis added to sinfonia a 8

17
Q

What is style galante?

A

Used lighter textures to emphasised seperation between melody and accompaniment. Used basic harmonies focused on tonic and dominant.