sweetest noise Flashcards

1
Q

perfect common meter

A

imbues with a pleasant cohesion and fluidity, a harmony that we might concede with the genesis of spring. However, the meter belies a more complex and paradoxical nature of Dickinson’s world view.

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2
Q

‘the saddest noise, the sweetest noise, the maddest noise that grows’ + ‘birds’ and ‘in the spring’

A

the anaphoric superlative adjectives rush intense but paradoxical reactions to ‘noise’ environment (sweet but also threatening)
- connotes incomprehensible even abrasive sound within the environment. Therefore, its surprising to discover beautiful but unnerving noise = ‘birds’ ‘in the spring’

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3
Q

At night’s delicious close

A

Diction and metaphor, sounds of birds announces spring at ‘close’ of ‘night’ (winter) their sounds = unnerving but also delicious (sensorially delightful)
Overall, ED unnerving portrayal of spring subverts riverdi tradition which celebrates regretting of the earth ( for ED spring is both ‘sad’ and ‘sweet’

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4
Q

March and April line + magical frontier + summer hesitates

A

diction = delightful seasonal movement from Spring to summer evidenced by diction of ‘march and April’ line + ‘magical frontier’ summer personified ‘hesitating’ beyond ‘magical frontier’ therefore Summer = heavenly but also melancholic because its arrival involves time passing / its own death

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5
Q

‘it makes us think of all the dead’

A

sharp shift to morbid, mournful tone ( continually subverting riverdi) rather than the birdsong = full throated romantic riverdi, awareness of nature’s sweetness triggers thoughts of death and life’s ephemerality therefore speaker grieves ‘all the dead’

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6
Q

‘What we had and what we now deplore’

A

tone of world-weariness past tone reflects on sweet times and persons gone (‘what we had’) then present tense to lament travails of quotidian (‘what we now deplore’) including prospect of certain death

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7
Q

’ We almost wish those siren throats would go and sing no more’

A

mournful assonance reveals speaker no longer able to tolerate birdsong, whose beauty must end ‘almost wishing those siren throats would go no more’ birdsong= like Homeric sirens song because it’s maddening aural beauty can break ‘the human heart as quickly as a spear’ however the qualifier ‘almost’ means speaker resists temptation to turn away from or Denys natures sweet beauty

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