Survey of The Music Industry Week 3 Flashcards

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1
Q

Royalties;

A

payments made to the owner of a copyrighted song or recording in exchange for the right to use it.

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2
Q

Record Producer

A

The role of director

Producer in the motion picture field

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3
Q

Producers Royalty

A

Recording costs are recouped (regained) at the artist’s net rate

Until recording costs are recouped, the producer gets no royalties at all

Once recording costs are recouped, the producer gets paid on all monies

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4
Q

New Producers:

A

Anywhere from zero to $7,500 per recording. If the producer is doing an entire album, advances are anywhere from zero to about $30,000 per album.

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5
Q

Letter of Direction

A

which is a letter from the artist to the company that takes way too much legalese to say, “Please pay my producer (and deduct it from me).”

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6
Q

The fraction

A

For example, if the artist’s all-in rate is 12% and the producer gets 3%, the producer would get three-twelfths (one-fourth, or 25%) of the artist’s receipts. This percentage is often referred to in contracts as the fraction.

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7
Q

Recording Funds:

A

The higher the recording costs, the worse for the artist

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8
Q

Electronic Transmission:

A

Not physical form of media

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9
Q

DSP

A

Digital Service Provider

Spotify, Apple music, etc.

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10
Q

DPD

A

Digital Phonorecord delivery

A transmission to the consumer that allows the buyer to download music for later use

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11
Q

EULA

A

EndUser License Agreement

At the bottom of agreements in small font, it says that the downloads are only for your personal, noncommercial use.

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12
Q

Tethered downloads

A

Provider doesn’t give you control of downloads

Will probably cost more

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13
Q

Synchronization and Transcription Licenses

A

License to use a recording in time synchronization with visual images

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14
Q

Monetized

A

If an app is monetized, meaning it generates money after the initial download there may be a revenue share on top of the fee, running anywhere from 15% to 35%.

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15
Q

Intra-company rate

A

A royalty that the foreign distributor pays the U.S. company for distributing a record

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16
Q

ARPU

A

Average rate per user

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17
Q

Pro ration

A

Your royalty is in proportion to the number of cuts on the album

18
Q

Master

A

Final recording of a song in a studio

A recording of one particular (even a demo can be one) song

19
Q

Royalty computation

A

Royalties are the sums paid to rights-holders when their creations are sold, distributed, embedded in other media or monetized in any other way.

20
Q

Basic Royalty Computation

A

1) Artist royalty is a percentage of wholesale price or PPD (published price to dealers)

A point = 1 royalty percentage

21
Q

MSRP (Manufacturer suggested retail price)

A

Businesses can suggest to discount it

22
Q

Advances/Recoupment

A

An advance is a pre-payment on royalties to an artist

23
Q

In the red

A

Money that is unrecouped is a deficit (when an amount of money is too small) (or in the red)

24
Q

In the black

A

Once an artist recoups they are in the black

25
Q

Cross-Collateralizations

A

Means your albums’ profits/losses are recouped against each other

Companies also try to cross-collateralize sequentially (meaning across future recording deals)

26
Q

Real life numbers

A

Royalty range:
New artists - 13-16% of PPD (published price to dealers)
Midlevel - 15-18% of PPD
Top artists - 18-20%+ of PPD

27
Q

Streaming

A

DSPs can’t pay more than what it’s already set
Every DSP has a set price for everything

27
Q

360 Rights

A

Record companies want to share in the total pie of an artist’s income

28
Q

Major Deal Points - How long?

A

Term - the length of time that you have an exclusive deal with a record label
Historically 1 year, w/options w/ability to extend term if release was delivered late

Now structured as set periods of time around album releases

Deal have provisions to protect label against late delivery

29
Q

Delivery requirement

A

Delivery refers to delivering your finished album to the label

Includes the actual music + artwork/licenses/deals with producers, etc.

30
Q

Commercially satisfactory

A

Label has to get what they’re asking for

Have to accept the record

31
Q

Technically satisfactory

A

Sounds good

32
Q

Guaranteed release/release commitment

A

*Label must release your material or release you from your contract

*Can sometimes buy the material back from the label to release elsewhere

*Does online/streaming only release count?

33
Q

Producers & mixers

A

A producer is responsible for bringing creative product into tangible form

34
Q

Advanced royalty computations:

A

Wholesale

Rack Jobbers

One Stops

Licensees

35
Q

Wholesale

A

A place that buys it wholesale (directly from the distributors)

36
Q

Rack Jobbers

A

If you are in a target (for ex) and they have records, those are handled by rack jobbers

37
Q

One Stops

A

A distributor of distributors

38
Q

Licensees

A

Could be licensing your music for it to be sold

39
Q
A