Sunset Boulevard essay Flashcards

1
Q

how to start intro

A

Billy Wilder’s 1950s film noir, Sunset Boulevard, follows the journey of Norma Desmond, a distinguished actress from the past and her ambition to reclaim her former status in the Hollywood industry

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2
Q

what is my contention in the intro (presents)

A

Wilder presents to the audience the idea that sympathy should be felt towards the charcaters that fall victim to Hollywood’s allure.

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3
Q

what is the rebuttal in the intro (proposes)

A

However, the director also proposes that it is the characters fault for falling into Hollywood’s trap and that should not gain sympathy.

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4
Q

what is my first argument (topic sentence) (conveys)

A

Wilder conveys that the Hollywood industry shapes a sense of sympathy for the audience towards the naivety of women.

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5
Q

what are my two examples (dive points) in the first argument

A
  • Norma and her lifestyle in Hollywood are past their time
  • Betty and her belief that she can be a writer
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6
Q

(first argument, first dive) symbolism usage

A

Norma’s house symbolises how actor that were once beautiful grow to be unpleasant and dangerous (foreshadowing)

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7
Q

(first argument, first dive) quotes that can be used (and metalanguage attached) (2)

A
  • “it couldn’t have gone better, it’s practically set” done with a wide shot to show Joe’s cautiousness and her excitement (naivety of Norma)
  • “forget about our car” DeMille to assistant
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8
Q

(first argument, second dive) quote and what it says

A
  • “not good enough to do it by myself,”
    says to audience young women in Hollywood cannot do things by themselves (naive that she cannot do anything, that she needs Joe)
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9
Q

second argument topic sentence (implies)

A

Wilder implies that the attraction of Hollywood gives the aspiring individuals a false sense of belief.

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10
Q

what are my two diving points for the second argument

A
  • Joe is given the belief that he is going to be great but loses his car and is not competitive writer
  • Betty given the false sense of belief that she was going to be a ‘star’
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11
Q

(second argument, first dive) quotes (2)

A
  • “maybe they weren’t original enough, maybe they where too original”
  • “rehash of something that wasn’t very good to begin with”
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12
Q

(second argument, first dive) metalanguage

A
  • wide shot of the disappointment in Joe’s face as Betty calls his work bad
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13
Q

(second argument, second dive) symbolism

A
  • The scenes at Paramount studios symbolising the fake reality that is given to people that look within Hollywood (foreshadows)
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14
Q

(second argument, second dive) quotes (4)

A
  • “10 years of dramatic lessons”
  • “they didn’t like my nose”
  • “so I went to a doctor and had it fixed,”
  • “they were crazy about my nose, only they didn’t like my acting”
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15
Q

(second argument, second dive) metalanguage when they are talking about her nose

A
  • high angle, used to give pity to Betty (inflict the feeling of sympathy towards her)
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16
Q

what is the topic sentence for my third argument (questions)

A

Wilder challenges sympathy, asserting that individuals bear responsibility for the consequences they encounter.”

17
Q

what are my 2 diving points for my 3 argument?

A
  • Joe’s death is what he deserves for all his manipulation
  • Norma does bad things (controlling Joe and Max) indicating that we should not feel sympathy to her
18
Q

(third argument, first dive) quotes could be used (2)

A
  • “When they were making $18,000 a week,” - joe to betty (near end)
  • “Look sweetie be practical,” - Joe to Betty, talk gender roles
19
Q

(third argument, first dive) metalanguage that goes with quotes

A
  • when talk about the money, wilder uses a wide shot to show his arm over shoulder and power he has gained
  • when saying look sweetie to betty, Uses wide shot during this scene showing both facial expressions and Joe dismissing Betty as if he is better
20
Q

(third argument, second dive) quote and metalanguage attached

A
  • “empty the ashtray will you Joe” high angle showing pity towards Joe