Sunset Boulevard essay Flashcards
how to start intro
Billy Wilder’s 1950s film noir, Sunset Boulevard, follows the journey of Norma Desmond, a distinguished actress from the past and her ambition to reclaim her former status in the Hollywood industry
what is my contention in the intro (presents)
Wilder presents to the audience the idea that sympathy should be felt towards the charcaters that fall victim to Hollywood’s allure.
what is the rebuttal in the intro (proposes)
However, the director also proposes that it is the characters fault for falling into Hollywood’s trap and that should not gain sympathy.
what is my first argument (topic sentence) (conveys)
Wilder conveys that the Hollywood industry shapes a sense of sympathy for the audience towards the naivety of women.
what are my two examples (dive points) in the first argument
- Norma and her lifestyle in Hollywood are past their time
- Betty and her belief that she can be a writer
(first argument, first dive) symbolism usage
Norma’s house symbolises how actor that were once beautiful grow to be unpleasant and dangerous (foreshadowing)
(first argument, first dive) quotes that can be used (and metalanguage attached) (2)
- “it couldn’t have gone better, it’s practically set” done with a wide shot to show Joe’s cautiousness and her excitement (naivety of Norma)
- “forget about our car” DeMille to assistant
(first argument, second dive) quote and what it says
- “not good enough to do it by myself,”
says to audience young women in Hollywood cannot do things by themselves (naive that she cannot do anything, that she needs Joe)
second argument topic sentence (implies)
Wilder implies that the attraction of Hollywood gives the aspiring individuals a false sense of belief.
what are my two diving points for the second argument
- Joe is given the belief that he is going to be great but loses his car and is not competitive writer
- Betty given the false sense of belief that she was going to be a ‘star’
(second argument, first dive) quotes (2)
- “maybe they weren’t original enough, maybe they where too original”
- “rehash of something that wasn’t very good to begin with”
(second argument, first dive) metalanguage
- wide shot of the disappointment in Joe’s face as Betty calls his work bad
(second argument, second dive) symbolism
- The scenes at Paramount studios symbolising the fake reality that is given to people that look within Hollywood (foreshadows)
(second argument, second dive) quotes (4)
- “10 years of dramatic lessons”
- “they didn’t like my nose”
- “so I went to a doctor and had it fixed,”
- “they were crazy about my nose, only they didn’t like my acting”
(second argument, second dive) metalanguage when they are talking about her nose
- high angle, used to give pity to Betty (inflict the feeling of sympathy towards her)