Sunset Boulevard Flashcards

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1
Q

Hollywood description (ideological)

A

Hollywood is part of the ideological apparatus of the modern capitalist state

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2
Q

Hollywood description (star system)

A

Sunset Boulevard makes the case that the star system has something cruel and inhumane at its center

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3
Q

Hollywood description (mass production)

A

…organised according to industrial standards of mass production

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4
Q

Hollywood description (dream factory)

A

Wilder systematically dismantles notions that Hollywood is a dream factory

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5
Q

Hollywood description (sustained)

A

While ostensibly a depiction of the crime of a deluded individual, the film, on closer analysis, offers a sustained critique of…

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6
Q

Hollywood description (culture)

A

…culture of stardom and celebrity…

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7
Q

Hollywood description (scandal)

A

perverse fascination with scandal

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8
Q

Hollywood description (manufactured)

A

…a society that has become mystified by the manufactured - a highly profitable - fantasies of Hollywood…

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9
Q

Hollywood description (pitilessly)

A

…carefully manufactures and then pitilessly abandons

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10
Q

Hollywood description (exploits)

A

… ruthlessly exploits youth and beauty

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11
Q

Hollywood description (reduce creativity)

A

a system that seeks to reduce creativity to restrictive, predictable and profitable formulas

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12
Q

Hollywood description (examination)

A

an unflinching examination of

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13
Q

Hollywood description (female stars)

A

Sunset boulevard also comments directly on the exploitation of female stars for their beauty, a finite resource in each individual female star, but one that merely needs to be replaced when the time comes

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14
Q

Hollywood description (flourish)

A

it is away from the systems of control that real creativity can flourish

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15
Q

Hollywood description (escapist)

A

escapist entertainment for people stuck in the illusion that the world is unchangeable

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16
Q

Hollywood description (creative artefacts)

A

Wilder begins the film by revealing that films are not merely innocent, creative artefacts but products of Hollywood, a capitalist business that creates commodities to be consumed by audiences for a profit

17
Q

Hollywood description (Brechtian fashion)

A

In Brechtian fashion, Wilder dismantles the traditionally realist film set and its illusions of reality. Thus, the viewer no longer a passive consumer of “reality”, but rather one positioned to critique…

18
Q

Hollywood description (capitalism’s depredations)

A

More than a critique of individuals, or even Hollywood, Sunset Boulevard is a critique if capitalism’s depredations on art, the ways in which it…

19
Q

Norma description (archaic figure)

A

Norma is rendered an archaic figure from the past because she has lost the precious commodity that once made her a female star - feminine youth and beauty

20
Q

Norma description (mise en scene)

A

… the creation of a dark and claustrophobic mise en scene

21
Q

Norma description (grotesque)

A

Norma’s grotesque fascination with her ageless self-image

22
Q

Norma’s mansion description (palazzo)

A

Wilder depicts Norma’s palazzo as a grotesque world in which time has seemingly been arrested…

23
Q

Norma description (staring back…)

A

staring back at Norma is not so much an image of her former youthful self, but that of a highly manufactured celebrity, a fantastical product of an industry that manufactures illusions to conceal its exploitative machines

24
Q

Norma description (Joe’s departure…)

A

Joe’s departure awakens Norma to her utter abandonment - by fans, by the industry

25
Q

Norma description (max and demille)

A

Both DeMille and Max comment on the very young age in which Norma was discovered; she is variously referred to as just a girl when she rose to stardom. The image of Gloria Swanson in Queen Kelly that Norma and Joe watch together is one of radiant youthfulness and beauty. The star system is viewed in Sunset Boulevard as a system for exploiting such youth and beauty, qualities which Norma clearly possessed to a rare extent and which directors such as Max and DeMille identified as the precious material for their films. Max observes ‘she was just sixteen when I discovered her’ the idea of star’s discovery comparable to the discovery of precious metal. The cruelty of this system is revealed in the film as one that is based on an elaborate deception.

26
Q

Joe description (voiceover)

A

Joe’s voiceover amounts to a confession of both his victimisation and guilt from prostituting himself to Norma and to Hollywood. Death, therefore, is like a penance.

27
Q

Joe description (car)

A

The loss of Joe’s car signals the loss of his independence. He is then emasculated as he is driven around by Norma

28
Q

Joe description (capitalistic ideology)

A

The capitalistic ideology which underpins Hollywood is, somewhat paradoxically, embodied in Joe - the very man in which this ideology entraps

29
Q

Joe description (opening scene)

A

The opening scene of the film is an attack on the romantic ideology of the inspired individual artist, with Wilder presenting Joe as…

30
Q

Joe description (end of film)

A

At the end of the film, Joe’s language reflects that of a film pitch, a brief and predictable synopsis. He cant’ escape the Hollywood scene. He sees life and relationships as predictable as modern film, the commodities of Hollywood.

31
Q

Joe description (fantasy)

A

Descending into the fantasy world of theatre, Joe tells Betty to ‘look for the exit’

32
Q

Joe description (cynical opportunism)

A

…conforms to the cynical opportunism of those around him…

33
Q

film technique description (pace)

A

…frenetic pace of…

34
Q

film technique description (visual aesthetic)

A

Wilder employs a visual aesthetic that reveals the crude psychic reality that lies beneath the carefully manufactured face of Hollywood sophistication and glamour

35
Q

film technique description (spectacle)

A

…an atmosphere of theatricality, artifice, performance and surreal spectacle

36
Q

film technique description (familiar conventions)

A

Wilder plays with familiar conventions of film noir, presenting us from the outset of the film with a murdered man who is also the text’s narrator. Thus, when Joe says that he will ‘give the whole truth,’ we suspect that the object of his investigation is not merely the identity of the murderer, but rather, the broader social and psychological of modernity

37
Q

film technique description (linguistic and visual)

A

The film’s language - both linguistic and visual - is replete with industrial language, evoking imagery of machine-like ‘grinding’, pervasive ennui, and the general degradation of human feeling