Sunrise Scene Analysis Flashcards
why does the background change to the countryside after the metaphorical wedding in Sunrise
a symbolic visual manifestation of their perfect happiness
what is the significance of the symbolic wedding scene
captures the characters committing to eachother
how do the large cityscapes in Sunrise make the central characters appear
- small, vulnerable, out of place
- technology + city are represented as threatening and amoral
how is Sunrise’s dialectical narrative structure seen in the composition and shifting of the Man and the Wife
- 1st half= distant proxemics, lack of contact, single frames/shots
- 2nd half = close proxemics, holding each other, centre of the frame
what editing techniques are used in Sunrise to create narrative discontinuity
- quick cut ins and flashbacks/forwards symbolise dreams and fantasies
- double-exposure camera techniques and editing serves as an indirect form of narration
how does George O’Brien’s performance reflect his mood in the first half of Sunrise
- frequently shot behind to emphasise his bulk
- shot with downcast eyes as he was unable to face the world
- looms out of darkness or hides in the shadows
How does Janet Gaynor’s performance develop in Sunrise as the narrative progresses
- transformation from a sorrowful and downcast wife to one filled with joy
- joy is shown through small facial expressions, gestures and body posture
- camera frequently holds her in shot to allow the spectator to take in her nuanced performance
how does Margaret Livingston’s performance contrast Janet Gaynor’s in Sunrise
- larger body gestures (confidently strides through the village, exotic movements to her lover)
- costume and styling (slinky black satin dress, dark bobbed hari) offer her a darker sexuality and eroticism
what is Sunrise’s ideological messages about the roles of women
- pushes traditional roles
- women should be pure and skilled for their husband
- men should be allowed to use the progression and freedom of women for their own desires
- while still enforcing and preaching traditionality