Sunrise

Question 1

sturm

Answer 1

and drang

Question 2

the cabinet of dr caligari

Answer 2

1920 weine

Question 3

actor/ set blending

Answer 3

thompson and bordwell

Question 4

nosferatu

Answer 4

murnau 1922

Question 5

metropolis

Answer 5

lang 1927

also uses the distinctive binary of maternal virgin and sexualized vamp

Question 6

the last laugh

Answer 6

murnau 1924

Question 7

fox

Answer 7

‘masterpiece’ ‘prestige film’ full of European symbolism

(selectively apply stylistics of GE to create export appeal)

Question 8

Kammerspiel film

Answer 8

lower class struggles and poverty: german economic crisis after WWI
the last laugh

Question 9

Wife

Answer 9

Janet Gaynor (realism)

Question 10

set designer

Answer 10

Rochus gliese

Question 11

who had weighted shoes?

Answer 11

O’Brien

Question 12

realism beginnings

Answer 12

The lumiere brothers
‘L’Arrivee d’un Train’ (1895)

Question 13

fantasy/ surrealism

Answer 13

georges melies
‘Le voyage dans la lune’ (1902)

Question 14

budget

Answer 14

10 million
200,000 city street sequence

Question 15

cinematographers

Answer 15

Charles Rocher and Karl Struss

Question 16

the jazz singer

Answer 16

1927 Crosland

Question 17

Brakhage

Answer 17

The invention of sound was an “aesthetic error”

Question 18

pure cinema

Answer 18

Hitchcock

Question 19

couldnt she

Answer 19

get drowned?

Question 20

the new independent woman

Answer 20

Louise Brooks

Question 21

Quiet depths of

Answer 21

understanding which exist between a man and a woman who love each other

Prager

Question 22

released one month after the first sound film on

Answer 22

November 1927

Question 23

expressionistic elements

Answer 23

that are “fused to a realistic base”

Cardullo

Question 24

expressionism developed out of?

Answer 24

Brucke
simplified color blocks- black background, white sail, path of moonlight on water

Question 25

eisner

Answer 25

the character of the woman from the city functions as an allegory for Expressionism

and the wife as realism, which triumphs in the end

Question 26

cook on kammerspiel films

Answer 26

retains the “morbid psychological themes… but cast them in a realistic form”

Question 27

the city as the mistress presents

Answer 27

the images are violent, cacaphonic, and sexual. the rythm is pulsating, overpowering. it can almost be heard

haskell

Question 28

the camera is the director’s pencil

Answer 28

it should have the greatest possible mobility

murnau

Question 29

lang quote on dialogue

Answer 29

An audience learns more about a character from detail and decor, in the way the light fills in a room, than from pages of dialogue

Question 30

he accepted the offer from Hollywood because?

Answer 30

“I think one can always learn… my film Sunrise shows what I mean”