Summative 1 Flashcards

1
Q

refers to the process of applying color
on a flat surface

A

Painting

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2
Q

IS PERHAPS THE MOST COMMON FORM OF PAINTING. AS THE NAME IMPLIES, THIS INVOLVES
APPLYING COLOR TO A BOARD OR
CANVAS THAT IS FIXED ON AN
UPRIGHT SUPPORT CALLED AN EASEL.

A

EASEL PAINTING

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2
Q

IS DESCRIBED AS A HUGE WALL-SIZED
PAINTING.

A

MURALS

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3
Q

IS DESCRIBED AS A BACKDROP OR
BACKGROUND FOR THE STAGE.

A

TELON PAINTING

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4
Q

PORTRAYS PEOPLE IN
DAILY ACTIVITIES. SUBJECTS
INCLUDE PLANTING AND HARVESTING
RICE, A YOUNG WOMAN SINGING FRONT OF GUESTS, BARONG BARONG,
VENDORS, AND FIESTAS

A

GENRE PAINTING

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5
Q

THE HISTORICAL PAINTING DEPICTS A
SCENE FROM THE PAST

A

HISTORICAL PAINTING

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6
Q

THIS REFERS TO PAINTING OF THE
SPACE INSIDE OF A PART OF A HOUSE
OR A BUILDING.

A

INTERIORS

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7
Q

THESE PAINTINGS PORTRAY NATURAL
SCENERY OR URBAN SCENES.

A

LANDSCAPES

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8
Q

THIS REFERS TO A PAINTING
PORTRAYING ONE OR MORE SPECIFIC
INDIVIDUALS.

A

PORTRAIT

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9
Q

THESE ARE PAINTINGS THAT PORTRAY
THE UNCLOTHED HUMAN FIGURE.

A

NUDES

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10
Q

COMMON SUBJECTS INCLUDE A LONE RELIGIOUS IMAGE, LIVES OF THE SAINTS, AND
SCENES BASED FROM THE SCRIPTURES
LIKE THE NATIVITY SCENE, AND THE
STATIONS OF THE CROSS

A

RELIGIOUS PAINTING

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11
Q

THIS REFERS TO A PAINTING THAT
DEPICTS NATURAL OR MAN-MADE
OBJECTS THAT FORM A COMPOSITION
IN A NATURAL SETTING.

A

STILL LIFE

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12
Q

THIS KIND OF SCULPTURE DOES NOT
HAVE A FLAT HORIZONTAL BASE. THE
FORM IS PROJECTED FROM A FLAT
SURFACE.

A

RELIEF

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13
Q

THIS SCULPTURE IS FORMED BY
PUTTING TOGETHER MATERIALS SUCH
AS FOUND OBJECTS, PIECES OF
PAPER, SPONGES, WOOD, SCRAPS, AND OTHER MATERIALS. A GOOD EXAMPLE
OF THIS IS LAMBERTO HECHANOVA’S
MAN AND WOMAN

A

ASSEMBLAGE

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14
Q

THIS IS CONSIDERED AS A SCULPTURE
IN MOTION BECAUSE THE ENTIRE
SCULPTURE OR SOME PARTS OF THE
SCULPTURE ARE MOVING WITH THE
WIND OR ARE VIBRATING WITH THE
SURROUNDING AIR. A MOBILE IS SAID
TO BE THE SIMPLEST FORM OF A
KINETIC SCULPTURE.

A

KINETIC SCULPTURE

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15
Q

CREATING THESE SCULPTURES INVOLVE
THE PROCESS OF CONNECTING SHEETS
OF METAL TOGETHER BY USING AN
ACETYLENE OR ELECTRIC TORCH.

A

WELDED SCULPTURES

16
Q

RAMON ORLINA AND IMELDA PILAPIL
STARTED THE USE OF GLASS IN
SCULPTURE. ORLINA USED GLASS IN
TABLE PIECES, MURALS, AND
SCULPTURES WHICH ARE USUALLY
UNIFIED INTO A FRAMEWORK.

A

USE OF GLASS

17
Q

A GOOD EXAMPLE OF SYMBOLIC
SCULPTURE IS THE INTERPRETATION
OF ABDULMARI IMAO ON OKIR DESIGN, WHICH IS A MARANO DESIGN
TRADITION THAT IS TYPICALLY USED
IN WOODCARVING.

A

SYMBOLIC SCULPTURE

18
Q

THIS REFERS TO USING PAID SPACE OR TIME IN ANY OF THE MEDIA TO INFORM AND INFLUENCE THE PUBLIC.

A

ADVERTISING ART

19
Q

THIS REFERS TO WORKS MADE OF BAMBOO
THAT MAY BE USED FOR EVERYDAY PURPOSES
OF FOR DECORATIONS OR ORNAMENTS.

A

BAMBOO ART

20
Q

THIS REFERS TO THE ART OF
CREATING CONTAINERS BY WEAVING,
PLAITING, OR BRAIDING MATERIALS
INTO HOLLOW THREE-DIMENSIONAL
SHAPES THAT CAN EITHER BE USED
FOR CARRYING, STORAGE, AND
TRAPPING ANIMALS.

21
Q

BOOK DESIGN INVOLVES STRUCTURING
AND REPRODUCTION OF BOUND PAGES
THAT ARE FILLED WITH TEXT AND /OR
IMAGES, AND ARE PROTECTED BY HARD
OR SOFT COVERS.

A

BOOK DESIGN

22
Q

THESE ARE GARMENTS, HAIRSTYLES,
AND ACCESSORIES THAT ARE WORN BY INDIVIDUAL MEMBERS OR GROUPS IN A PARTICULAR SOCIETY.

23
Q

THIS REFERS TO THE ART OF
STITCHING ORNAMENTS ON CLOTH BY
HAND.

A

EMBROIDERY

24
Q

THIS INVOLVES PACKAGING AND/OR
PRESENTATION OF FOOD IN AN
ARTISTIC WAY.

25
Q

THESE ARE DECORATIVE AND
FUNCTIONAL OBJECTS WHICH ARE
TYPICALLY FOUND IN A PUBLIC OR
PRIVATE DWELLING OR BUILDING.

25
Q

BOTH KOMIKS AND EDITORIAL CARTOON
INVOLVE ILLUSTRATIONS OF STORIES
OR EVENTS.

A

KOMIKS & EDITORIAL
CARTOON

26
Q

IS USED IN RELIGIOUS
RITUALS, FOOD WRAPPING, AND EVEN
AS A FORM OF MODERN ARTISTIC
EXPRESSION.

27
Q

THIS REFERS TO THE ART OF
“PLAITING STRIPS OF ORGANIC
FIBERS INTO MATS.”

A

MAT WEAVING

28
Q

THIS INCLUDES ALL OBJECTS MADE
FROM METAL USING THE PROCESSES OF BRASS CASTING AND BLACKSMITHING, TINSMITHING, OR GOLDSMITHING AND SILVERSMITHING.

A

METAL CRAFT

29
Q

THIS PROCESS INVOLVES CASTING AND
FORGING PIECES OF BRASS OR
BRONZE. TOOLS, CONTAINERS,
WEAPONS, AND OTHER ITEMS CAN BE
CREATED USING THIS PROCESS.
ANTING-ANTING OR AMULETS ARE ALSO
CREATED USING THIS PROCESS

A

BRASS CASTING AND
BLACKSMITHING

30
Q

THESE PROCESSES INVOLVES THE USE
OF GOLD AND SILVER IN CREATING
OBJECTS AND ORNAMENTS.

A

GOLDSMITHING AND
SILVERSMITHING

31
Q

IS A GENERAL TERM FOR
DECORATIVE AND USEFUL OBJECTS
MADE FROM CLAY AND SET OFF AT
HIGH TEMPERATURES.

32
Q

THIS TYPE OF POTTERY IS MADE
FROM CLAY AND IS USUALLY
TIRED AT 1,700-2,100°F

A

EARTHENWARE OR TERRACOTTA

33
Q

THIS TYPE OF POTTERY IS MADE
FROM CLAY AND FELDSPAR.
STONEWARE IS USUALLY FIRED AT
2,220-2,230°F.

34
Q

THIS REFERS TO TRANSFERRING IMAGES FROM A
FIRM SURFACE, SUCH AS METAL OR WOOD, TO A
PLIABLE SURFACE, SUCH AS CLOTH OR PAPER,
USING PRESSURE.

A

print making

35
Q

THIS REFERS TO BODY ADORNMENT
PERMENENTLY ENGRAVED ON SKIN
USING A SHARP INSTRUMENT AND
PLANT DYES OF INKS

36
Q

THIS REFERS TO THE PROCESS OF
CREATING CLOTH BY INTERWEAVING A
SERIES OF PARALLEL VERTICAL
THREADS WITH ANOTHER SERIES OF
HORIZONTAL THREADS AT RIGHT
ANGLES.

A

TEXTILE WEAVING