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Dance GCSE > Subject specific vocab > Flashcards

Subject specific vocab Flashcards

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1
Q

Accessory

A

An additional item of costume, for example gloves

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2
Q

Actions

A

What a dancer does

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3
Q

Acceleration

A

Speeding up the movement

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4
Q

Accompaniment

A

The sound that you hear during a dance, for example: percussion

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5
Q

Accumulation

A

When a dancer performs a series of movements and others join in at different times until all perform in unsion

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6
Q

Air pattern

A

A design that is traced in the air by part of the body

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7
Q

Alignment

A

Correct placement of body parts in relation to each other

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8
Q

Appreciation

A

Recognition and understanding of the qualities of dance

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9
Q

Artistic intention

A

The aim of a dance; what the choreographer aims to communicate

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10
Q

Artistry

A

Creative skill

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11
Q

Auditory

A

Relating to sound

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12
Q

Aural setting

A

An audible accompaniment to the dance such as music, words, song and natural sound (or silence)

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13
Q

Balance

A

A steady or held position achieved by an even distribution of weight.

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14
Q

Binary

A

A composition in two parts or sections

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15
Q

Canon

A

When the same movements overlap in time

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16
Q

Choreographic approach

A

The way in which a choreographer makes the dance

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17
Q

Choreographic devices

A

Methods used to develop and vary material

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18
Q

Choreographic intentions

A

The aim of the dance; what the choreographer aims to communicate

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19
Q

Choreographic processes

A

Activities involved in creating dance such as improvisation, selection and development

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20
Q

Choreography

A

The art of creating dance

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21
Q

Climax

A

The most significant moment of the dance

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22
Q

Complementary

A

Perform actions or shapes that are similar to but not exactly the same as another dancer’s

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23
Q

Constituent features

A

Characteristics of choreography such as style, stimulus, subject matter, number/gender of dancers, action content, choreographic principles, form and structure, physical and aural settings

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24
Q

Contrast

A

Movements or shapes that have nothing in common

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25
Q

Control

A

The ability to start and stop movement, change directions and hold a shape efficiently

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26
Q

Coordination

A

The efficient combination of body parts

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27
Q

Costume

A

Clothing worn by dancers in performance

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28
Q

Counterpoint

A

When dancers perform different phrases simultaneously

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29
Q

Critical appreciation

A

Evaluation of dance based upon knowledge and understanding, including original insights

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30
Q

Dance films

A

Where dance and film are both integral to a work; this includes documentary, animation, dance for camera and a screen adaption of a stage work

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31
Q

Dance for camera

A

Where the choreographer collaborates with the film-maker; where the intention is to produce a dance work in a multi-media form that cannot be achieved in live performance

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32
Q

Dancewear

A

What the dancer wears for class and rehearsal

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33
Q

Deceleration

A

Slowing down the movement

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34
Q

Development

A

The way in which movement material is manipulated

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35
Q

Direction

A

The facing of a movement

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36
Q

Dynamics

A

The qualities of movement based upon variations in speed, strength and flow

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37
Q

Elements of dance

A

Actions, space, dynamics and relationships

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38
Q

Elevation

A

The action of “going up” without support, such as in a jump

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39
Q

End-stage

A

A performance space with the audience on one side; also known as “end-on”

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40
Q

Episodic

A

A choreography with several sections, linked by a theme

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41
Q

Execution

A

Carrying out actions with the required intentions

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42
Q

Expressive skills

A

Aspects that contribute to performance artistry and that engage the audience, such as focus and musicality

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43
Q

Extension

A

Lengthening one or more muscles or limbs

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44
Q

Facial expressions

A

Use of the face to show mood, feeling or character.

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45
Q

Features of productions

A

Lighting, set, properties, costume and aural setting

46
Q

Flexiblity

A

The range of movement in the joints

47
Q

Focus

A

Use of the eyes to enhance performances or interpretive qualities

48
Q

Form

A

The overall shape and structure of a dance

49
Q

Formations

A

Shapes or patterns created in space by dancers

50
Q

Fragmentaion

A

Use of parts of a phrase or motif

51
Q

Highlights

A

Important moments of a dance

52
Q

Ideational

A

Relating to ideas or concepts

53
Q

Improvisation

A

Exploration or generation of movement without planning

54
Q

In-the-round

A

A performing area with the audience seated on all sides

55
Q

Intentions

A

Aim or desired outcome

56
Q

Interpretation

A

Finding the meaning that is in the movement or finding the movement that is in the idea

57
Q

Isolation

A

An independent movement of part of the body

58
Q

Kinaesthetic

A

Sensory perception of movement and position

59
Q

Levels

A

Distance from the ground: low, medium or high

60
Q

Lighting

A

The illumination of the performance area

61
Q

Logical sequence

A

The flow of phrases or sections of a dance

62
Q

Manipulation of number

A

How the number of dancers in a group is used

63
Q

Mental rehearsal

A

Thinking through or visualising the dance

64
Q

Mental skills

A

Commitment, confidence etc.

65
Q

Mobility

A

The range of movement in a joint; the ability to move fluently from action to action

66
Q

Motif

A

A movement phrase encapsulating an idea that is repeated and developed throughout the dance

67
Q

Motif development

A

Ways in which a movement phrase can be varied

68
Q

Movement material

A

The matter of dance: action, space, dynamics and relationships

69
Q

Musicality

A

The ability to make the unique qualities of the accompaniment evident in performance

70
Q

Narrative

A

Dance that tells a story

71
Q

Pathways

A

Designs traced in space

72
Q

Performance

A

The presentation of dance to an audience

73
Q

Performance (personal)

A

Acquisition and development of physical and expressive skills

74
Q

Performance environments

A

Different settings for dance such as in-the-round, proscenium arch and site sensitive

75
Q

Phrase

A

A short sequence of linked movements

76
Q

Phrasing

A

The way in which the energy is distributed in the execution of a movement or phrase

77
Q

Physical skills

A

Aspects enabling effective performance such as posture, alignment, balance, coordination, control, flexibility, mobility, strength, stamina, extension and isolation

78
Q

Posture

A

The way the body is held

79
Q

Professional work

A

Original choreography by an individual or company that is recognised nationally and internationally.

80
Q

Projection

A

The energy the dancer uses to connect with and draw in the audience

81
Q

Prop

A

A portable object that is used in a dance, for example suitcase

82
Q

Proscenium

A

The arch or opening that creates the effect of a picture frame and separates the stage from the auditorium

83
Q

Rehearsal discipline

A

Attributes and skills required for refining performance such as commitment, systematic repetition, teamwork, responsibility and effective use of time

84
Q

Repitition

A

Performing the same action or phrase again

85
Q

Relationships

A

The ways in which dancers interact; the connections between dancers

86
Q

Retrograde

A

Reversing a movement phrase

87
Q

Rhythmic content

A

Repeated patterns of sound movement

88
Q

Rondo

A

A music or dance from with alternating and repeating sections (ABACA)

89
Q

Safe execution

A

Carrying out actions safley

90
Q

Safe working practice

A

Personal care, respect for others, safe executions and preparation and recovery from dancing

91
Q

Sensitivity to other dancers

A

Awareness of and connection to other dancers

92
Q

Site sensitive

A

Dances that are designed for non-theatre spaces

93
Q

Space

A

The “where” of movement such as levels, directions, pathways, shapes, designs and patterns

94
Q

Spatial awareness

A

Consciousness of the surrounding space and its effective use

95
Q

Staging/set

A

The presentation of dance in the performing space including set, furniture, props, projection and backdrop

96
Q

Stamina

A

Ability to maintain physical and mental energy over periods of time

97
Q

Stimulus

A

Inspiration for an idea or movement

98
Q

Strength

A

Muscular power

99
Q

Structure

A

The way in which material is organised to create the whole

100
Q

Structuring devices

A

The ways in which a dance is made, built, ordered or organised

101
Q

Style

A

Characteristic way of dancing

102
Q

Style fusion

A

The combination of features of two or more styles

103
Q

Tactile

A

Relating to the sense of touch

104
Q

Technical skills

A

These include accuracy of actions, timing, dynamic, rhythmic and spatial content and the reproduction of movement in a stylistically accurate way

105
Q

Ternary

A

A composition in three parts (ABA)

106
Q

Timing

A

The use of time or counts when matching movements to sound and/or other dancers

107
Q

Transitions

A

Links between dance phrases or sections

108
Q

Types (of music)

A

Genres of music including orchestral, electronic, percussion, vocal and found sound

109
Q

Unison

A

Two or more dancers performing the same movement at the same time

110
Q

Unity

A

A sense of “wholeness” or harmony

111
Q

Visual

A

Relating to sight

Dance GCSE (9 decks)

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