stylistic charcteristics Flashcards

1
Q

What movement vocabulary does Bruce embrace?

A

Both classical and contemporary movement vocabulary - Bruce combines ballet and Graham technique training in his style.

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2
Q

What are some key elements of Bruce’s choreography?

A

Long extended lines of ballet, off-balance tilts, attitudes, low centre of gravity, spiralling torso - These elements reflect the integration of ballet and contemporary dance techniques.

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3
Q

What contrasting elements are evident in Bruce’s choreography?

A

These contrasts create dynamic interest in his work..Stillness vs. fluid action, simplicity vs. intricate footwork, fast-paced action -

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4
Q

What is motif repetition in Bruce’s work?

A

Revisiting previous scenes to impress a theme or idea on the viewer - This technique is used in works like ‘Sympathy for the Devil’ and ‘Swansong’.

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5
Q

How does Bruce structure many of his works?

A

Using symbolic repetition where specific scenes or images open and close the work - This reinforces the idea of a story being told or a journey undertaken, as seen in ‘Ghost Dances’.

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6
Q

What does Bruce demand from his dancers?

A

A strong sense of musicality and characterisation - He emphasizes personal interpretation of a role, such as in ‘Swansong’.

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7
Q

What types of dance does Bruce incorporate into his choreography?

A

Popular and folk dance - Folk elements are visible in ‘Ghost Dances’ and other styles like tap and flamenco in ‘Swansong’ and ‘Cruel Garden’.

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8
Q

What is Bruce’s aim regarding dance styles in his choreography?

A

To give an essence of styles rather than reproducing them authentically - He integrates the greater movement possibilities of contemporary dance techniques.

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9
Q

What type of movement does Bruce use in his choreography?

A

Recognisable everyday gesture and movement - Pedestrian movement evolves into dance, such as ‘struts’ and ‘headpecks’ in ‘Rooster’.

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