Styles

Question 1

Kuleshov Effect

Answer 1

A mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation. Demonstrated by Russian filmmaker Lev Kukeshov

Question 2

A mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation. Demonstrated by Russian filmmaker Lev Kukeshov

Answer 2

Kuleshov Effect

Question 3

Art Deco

Answer 3

A style of visual arts, architecture, and product design, that first appeared in France in the 1910s, and flourished in the United States and Europe during the 1920s and 1930s.The intention was to create a sleek and anti-traditional elegance that symbolized wealth and sophistication. Features of the style are simple, clean shapes, often with a “streamlined” look; ornament that is geometric or stylized from representational forms

Question 4

A style of visual arts, architecture, and product design, that first appeared in France in the 1910s, and flourished in the United States and Europe during the 1920s and 1930s.The intention was to create a sleek and anti-traditional elegance that symbolized wealth and sophistication. Features of the style are simple, clean shapes, often with a “streamlined” look; ornament that is geometric or stylized from representational forms

Answer 4

Art Deco

Question 5

Zen Art

Answer 5

With few brushstrokes it is know for it’s elegant simplicity, embodied in the many paintings and calligraphies in this exhibit that consist of black ink on white paper or silk.

Question 6

With few brushstrokes it is know for it’s elegant simplicity, embodied in the many paintings and calligraphies in this exhibit that consist of black ink on white paper or silk.

Answer 6

Zen Art

Question 7

Contour Drawing

Answer 7

A outline that shows only the edge and not the volume or mass of an object. Sometimes called blind contour if the artist is not looking at their paper, only the subject

Question 8

A outline that shows only the edge and not the volume or mass of an object. Sometimes called blind contour if the artist is not looking at their paper, only the subject

Answer 8

Contour Drawing

Question 9

Film Noir

Answer 9

An era of Hollywood films mainly during the 1940s and 1950s that use low-key, black-and-white visual style that has roots in German Expressionism, and emphasizes cynical attitudes and motives

Question 10

An era of Hollywood films mainly during the 1940s and 1950s that use low-key, black-and-white visual style that has roots in German Expressionism, and emphasizes cynical attitudes and motives

Answer 10

Film Noir

Question 11

Gothic

Answer 11

A style of painting, architecture, and sculpture that began in Paris the middle of the 12th century and showed up throughout Europe all the way into the 1500s. The architectural style’s definitive feature is the pointed arch, while the definitive feature of Gothic painting and sculpture is naturalism.

Question 12

A style of painting, architecture, and sculpture that began in Paris the middle of the 12th century and showed up throughout Europe all the way into the 1500s. The architectural style’s definitive feature is the pointed arch, while the definitive feature of Gothic painting and sculpture is naturalism.

Answer 12

Gothic

Question 13

Art Nouveau

Answer 13

A style of decorative art, architecture, and design prominent in western Europe and the US from about 1890 until World War I and characterized by intricate linear designs and flowing curves based on natural forms.

Question 14

A style of decorative art, architecture, and design prominent in western Europe and the US from about 1890 until World War I and characterized by intricate linear designs and flowing curves based on natural forms.

Answer 14

Art Nouveau

Question 15

Minimalism

Answer 15

An extreme type of abstract art that usually is depicted through simplistic shapes and hard edges, all while exposing the essence of the forms and materials used. The movement challenged preconceived notions of what art is and could be.

Question 16

An extreme type of abstract art that usually is depicted through simplistic shapes and hard edges, all while exposing the essence of the forms and materials used. The movement challenged preconceived notions of what art is and could be.

Answer 16

Minimalism

Question 17

Impressionism

Answer 17

A style of painting developed in France during the mid-to-late 19th century; characterizations of the style include small, visible brushstrokes that offer the bare impression of form, unblended color and an emphasis on the accurate depiction of natural light. It rebelled against classical subject matter and embraced modernity, desiring to create works that reflected the world in which they lived.

Question 18

A style of painting developed in France during the mid-to-late 19th century; characterizations of the style include small, visible brushstrokes that offer the bare impression of form, unblended color and an emphasis on the accurate depiction of natural light. It rebelled against classical subject matter and embraced modernity, desiring to create works that reflected the world in which they lived.

Answer 18

Impressionism

Question 19

Cubism

Answer 19

A revolutionary new approach to representing reality invented in around 1907–08 by artists Pablo Picasso and Georges Braque. They brought different views of subjects (usually objects or figures) together in the same picture, resulting in paintings that appear fragmented and abstracted.

Question 20

A revolutionary new approach to representing reality invented in around 1907–08 by artists Pablo Picasso and Georges Braque. They brought different views of subjects (usually objects or figures) together in the same picture, resulting in paintings that appear fragmented and abstracted.

Answer 20

Cubism

Question 21

Post-Modernism

Answer 21

A late-20th-century style and concept in the arts, architecture, and criticism that represents a departure from modernism and has at its heart a general distrust of grand theories and ideologies as well as a problematical relationship with any notion of “art.”. And an intellectual stance or mode of discourse characterized by skepticism toward the “grand narratives” of modernism; rejection of epistemic certainty or the stability of meaning; and sensitivity to the role of ideology in maintaining political power.

Question 22

A late-20th-century style and concept in the arts, architecture, and criticism that represents a departure from modernism and has at its heart a general distrust of grand theories and ideologies as well as a problematical relationship with any notion of “art.”. And an intellectual stance or mode of discourse characterized by skepticism toward the “grand narratives” of modernism; rejection of epistemic certainty or the stability of meaning; and sensitivity to the role of ideology in maintaining political power.

Answer 22

Post-Modernism

Question 23

Kintsugi

Answer 23

Meaning “joining with gold”, the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum. For the Japanese, it’s part of a broader philosophy of embracing the beauty of human flaws.

Question 24

Meaning “joining with gold”, the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum. For the Japanese, it’s part of a broader philosophy of embracing the beauty of human flaws.

Answer 24

Kintsugi

Question 25

Surrealism

Answer 25

A cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself.

Question 26

A cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself.

Answer 26

Surrealism

Question 27

Epic Theatre

Answer 27

A theatrical movement that arose in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas. It emphasizes the audience’s perspective and reaction to the piece through a variety of techniques that deliberately cause them to individually engage in a different way. The purpose is not to encourage an audience to suspend their disbelief, but rather to force them to see their world as it is.

Question 28

A theatrical movement that arose in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas. It emphasizes the audience’s perspective and reaction to the piece through a variety of techniques that deliberately cause them to individually engage in a different way. The purpose is not to encourage an audience to suspend their disbelief, but rather to force them to see their world as it is.

Answer 28

Epic Theatre

Question 29

Victorian

Answer 29

This time in history was marked by sweeping global progress that included the world’s first Industrial Revolution as well as social, economic, and scientific advancements. Pivotal art movements during this era included Romanticism, Academic, Impressionism, Portraiture, and Art Nouveau.

Question 30

This time in history was marked by sweeping global progress that included the world’s first Industrial Revolution as well as social, economic, and scientific advancements. Pivotal art movements during this era included Romanticism, Academic, Impressionism, Portraiture, and Art Nouveau.

Answer 30

Victorian

Question 31

Magical Realism

Answer 31

A style of literary fiction and art. It paints a realistic view of the world while also adding magical elements, often blurring the lines between fantasy and reality. It portrays fantastical events in an otherwise realistic tone. It brings fables, folk tales, and myths into contemporary social relevance. Fantasy traits given to characters, such as levitation, telepathy, and telekinesis, help to encompass modern political realities that can be phantasmagorical.

Question 32

A style of literary fiction and art. It paints a realistic view of the world while also adding magical elements, often blurring the lines between fantasy and reality. It portrays fantastical events in an otherwise realistic tone. It brings fables, folk tales, and myths into contemporary social relevance. Fantasy traits given to characters, such as levitation, telepathy, and telekinesis, help to encompass modern political realities that can be phantasmagorical.

Answer 32

Magical Realism

Question 33

Liminal Space

Answer 33

An aesthetic created by empty or abandoned places that appear eerie, forlorn, and often surreal. They are commonly places of transition, pertaining to the concept of liminality.

Question 34

An aesthetic created by empty or abandoned places that appear eerie, forlorn, and often surreal. They are commonly places of transition, pertaining to the concept of liminality.

Answer 34

Liminal Space

Question 35

Baroque

Answer 35

Relating to or denoting a style of European architecture, music, and art of the 17th and 18th centuries that followed mannerism and is characterized by ornate detail. In architecture the period is exemplified by the palace of Versailles and by the work of Bernini in Italy. Major composers include Vivaldi, Bach, and Handel; Caravaggio and Rubens

Question 36

Relating to or denoting a style of European architecture, music, and art of the 17th and 18th centuries that followed mannerism and is characterized by ornate detail. In architecture the period is exemplified by the palace of Versailles and by the work of Bernini in Italy. Major composers include Vivaldi, Bach, and Handel; Caravaggio and Rubens

Answer 36

Baroque

Question 37

Chinese Calligraphy

Answer 37

The writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia.

Question 38

The writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia.

Answer 38

Chinese Calligraphy

Question 39

Henna Tattoos

Answer 39

called mehndi in Hindi and Urdu—has been practiced in Pakistan, India, Africa, and the Middle East for over 5000 years. It was originally used for its natural cooling properties for the people living in hot desert climates. A paste would be made, in which the palms of hands and soles of feet would be soaked. It was also used for medicinal purposes and applied to the skin to treat such ailments as stomach aches, burns, headaches, and open wounds. When it was discovered the paste left a temporary stain on the skin—the plant contains lawsone, a reddish-orange dye that binds to the keratin present in skin—Henna’s use progressed to decorative, as it was accessible to people of all socioeconomic levels. Today, it is mainly used in celebration of special occasions such as weddings and birthdays in the joyous gathering of people. It paste symbolizes good health and prosperity in marriage, and in some cultures, the darker the henna stain, the deeper the love between two individuals.

Question 40

called mehndi in Hindi and Urdu—has been practiced in Pakistan, India, Africa, and the Middle East for over 5000 years. It was originally used for its natural cooling properties for the people living in hot desert climates. A paste would be made, in which the palms of hands and soles of feet would be soaked. It was also used for medicinal purposes and applied to the skin to treat such ailments as stomach aches, burns, headaches, and open wounds. When it was discovered the paste left a temporary stain on the skin—the plant contains lawsone, a reddish-orange dye that binds to the keratin present in skin—Henna’s use progressed to decorative, as it was accessible to people of all socioeconomic levels. Today, it is mainly used in celebration of special occasions such as weddings and birthdays in the joyous gathering of people. It paste symbolizes good health and prosperity in marriage, and in some cultures, the darker the henna stain, the deeper the love between two individuals.

Answer 40

Henna Tattoos

Question 41

Sand Mandala

Answer 41

A Tibetan Buddhist tradition involving the creation and destruction of mandalas made from colored sand. Once complete, the sand mandala’s ritualistic dismantling is accompanied by ceremonies and viewing to symbolize Buddhist doctrinal belief in the transitory nature of material life.

Question 42

A Tibetan Buddhist tradition involving the creation and destruction of mandalas made from colored sand. Once complete, the sand mandala’s ritualistic dismantling is accompanied by ceremonies and viewing to symbolize Buddhist doctrinal belief in the transitory nature of material life.

Answer 42

Sand Mandala

Question 43

Polynesian Tribal Tattoos

Answer 43

Tattoos that are deeply rooted in the mythology and social structures of Polynesian societies. Initially, tattoos were seen as symbols of power and protection, often believed to embody spiritual strength that connected the wearer to their deities and ancestors.

Question 44

Tattoos that are deeply rooted in the mythology and social structures of Polynesian societies. Initially, tattoos were seen as symbols of power and protection, often believed to embody spiritual strength that connected the wearer to their deities and ancestors.

Answer 44

Polynesian Tribal Tattoos